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Hong Kong businessman Tang Jiakui returned to the mainland where his company was facing difficulties and wanted to regroup and make a big move. Away from home, while doing business, he struggled to decide between two women. The company's department managers were exhausted both mentally and physically after working hard for him, and one after another they were preparing to resign. At this time, Boss Tang realized how important it was to gather popularity. At the same time, he also realized the simple truth of how small bosses do things and big bosses behave. Ali did not enter the waiting area until the last moment. Tang Jiaju watched her hurriedly walk towards the boarding gate, and then her back disappeared inside the boarding gate. Tang Jiaju turned around, walked towards the lounge, took out his mobile phone, and pressed the dial button on the mobile phone, the woman caught his attention. He sat down at an empty seat, and the woman then sat down at an empty seat across the aisle.

The train stopped at a small station. Although he was in the last car, Wang Changyi heard the locomotive take a few deep breaths, and then let out a long breath of air, as if announcing that the steam had been released and it was not going forward! Wang Changyi looked out of the car window. Sure enough, it was dark and the car did not stop on the platform. Ten minutes ago, the battalion headquarters correspondent came to this car. There were two platoons in one carriage. The correspondent called Liu Dayong, the eighth platoon leader, and Wang Changyi, the ninth platoon leader, to the middle of the carriage and conveyed Battalion Commander Zhao's order: the next stop is the destination, and everyone should be ready to get off; after stopping, each row should be brought under the carriage to stand by, so as not to lose people or leave things behind. After the correspondent left, Liu Dayong asked Wang Changyi: What time is it? Wang Changyi took out his pocket watch, looked at it, and said: A quarter to ten. Liu Dayong chuckled and said: After stopping in Yucheng for more than five hours, I knew I was almost at my destination. Wang Changyi made a good impression and said: Stop blindly talking to the staff and go back quickly to convey the battalion commander's order. After saying that, he walked towards the end of the carriage, shouting loudly as he walked: "Monitors of each class, come to me!"

Tang poetry is not only the peak of the development of Chinese classical poetry, but also exerts a sustained and far-reaching influence in East Asian countries, especially Japan. This book conducts research on the text form of Japanese Tang poetry documents, and collects, authenticates and proofreads the precious Tang poetry documents collected in Japan. It mainly starts from three aspects: the first is the study of the text of the old banknote version of "Bai's Collected Works"; the second is the examination of the text form and musical attributes of "New Yuefu" and so on; the third is the lost collection of Sui and Tang Yi poems found in Japan and the identification of forgeries. Through these three special studies, new materials on Tang poetry discovered in recent years and new conclusions obtained by using new methods are presented to the academic world.

"Cat Fish" is a non-fiction work by filmmaker Chen Chong. The stories of ancestors and mother, the years in the old house on Pingjiang Road, the days in the caravan of the "Little Flower" crew, and the journey of studying abroad alone. The unknown behind-the-scenes of each movie, the love, pain, and struggle in life, are vividly reflected on the page through the author's review. Writing family stories is a unique Shanghai narrative and the spiritual history of Chinese intellectuals; from "Little Flower" to "The Last Emperor", "Yi", "The Sun Also Rises" and so on, it is the biography of a film artist; from childhood in Shanghai to hard work in a foreign country, the life journeys are the private words of women with both passion and tenderness.