Library

I, Liang Yuan, a young man who has just graduated from the Chinese Department of the University, with my love for traditional culture, especially my obsession with Kun Opera, stepped into the Lanyun Society, a folk Kun Opera troupe that was on the verge of dissolution. In the troupe, there is the skilled but stubborn old pillar Master Zhou Yanqiu, who regards the stage as life and is extremely resistant to any form of innovation; and the tough and pragmatic leader Qin Sufen, who struggles to mediate between artistic ideals and survival reality. I joined with the feeling of "saving" the troupe, and proposed using new media and new communication methods to revitalize Kunqu Opera, but I met with fierce opposition from Master Zhou. A fierce conflict broke out between us, and sparks flew from the collision of ideas. However, during a public benefit performance in the park, a child's curious participation and his mother's smile made me see new possibilities for the inheritance of Kun Opera. Faced with the troupe's difficulties and Master Zhou's stubbornness, I did not give up. Instead, I kept trying and recorded every precious moment with new media. In the end, my efforts were partially recognized, and the troupe found a new way to survive and spread in the cracks. In this process, I learned to add responsibility and propriety to my enthusiasm, and gained a deeper understanding of the depth and complexity of artistic inheritance.

Shen Zhao, the chief medical examiner of the Qingjiang Municipal Public Security Bureau, will always remember that rainy night - under the shadowless light of the morgue, the contradiction between the antidepressants remaining in the stomach of the female white-collar worker and the lack of poisoning on the body surface was like a crack, and the serial number of her husband Cheng Ye's gun was exactly the same as the bullet casing of the forensic doctor's father who "suicided" three years ago. When the second female lawyer participating in the "Qingjiang Talent Project" "fell to death" in the same strange way, Shen Zhao discovered that the blue fluorescent powder remaining on the deceased's right hand came from the ancient book restoration room of the city library. "They did not commit suicide, the system killed them." Shen Zhao's investigation revealed the criminal network of the pharmaceutical giant "Adecon": tampering with antidepressant batch numbers to implant neurotoxins, using women's menstrual cycles to increase the lethality rate, and even spreading through breast milk purchasing channels. As the investigation deepened, Cheng Ye's daughter's blood sample tested positive for toxin antibodies, and Shen Zhao's sister was kidnapped. The kidnapper's vehicle was clearly printed with the transportation logo of the pharmaceutical group. The pair, who had quarreled over an unsolved case three years ago, reunited to expose a shocking scam on the top floor of the group in a heavy rain: all "perfect suicides" were carefully designed secret room murders. Records of toxicology experiments involving the deputy mayor's wife were exposed, and the antibodies detected in Cheng Ye's daughter pointed to the systematic elimination plan for women in the workplace starting from a deeper power vortex. When Shen Zhao spliced ​​the toxicology manuscript left behind by his father with the remaining pages of the restored ancient book "Resolution of Wrongs", the truth was as painful as burn marks - the women who were swallowed by the system had already solidified into phosphorus fire against the darkness in the layers of specimen bottles.