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This is the life experience, erotic experience, political experience and survival experience of human beings in the world. These experiences tell us that there are gold-rimmed ones. "Tailless Dog" was written five years ago and revised six times. Perhaps it is more than just the survival and dignity of a rural and urban resident in North China for decades. Human beings can bend and stretch, go up and down, grow and shorten, enter and exit, soft and hard, and the same is true for the spongy body. The spongy body is as timid as a rat. Only Adin has completely restored the human cavernous body. After reading this, we will find that there is really no better metaphor that can symbolize human beings, a species that lives on the earth. Ardin proves his ability when faced with narrative difficulties.

This book uses trees as a metaphor to introduce a family destiny of a small character in modern times. From the crown to the trunk to the roots, the story follows from grandchildren to fathers to grandparents. Three generations, three histories. The young grandchildren show how modern people live, which is casual and natural, while still protecting traditional emotions, such as filial piety and love. The narration of the father's generation runs parallel to the narration of the grandfather's generation, focusing on the life of the grandfather who was once a beggar and the grandmother who was once a lady - this incredible couple, and cleverly integrates them with the times, the fate of the family, etc...

The author selects 51 representative historical figures and expresses the absurdity and ugliness in these scholars' lives in humorous and sharp words. It can be said to be a "record of a person's deeds without writing". The author's writing method is concise and brisk, and his writing style is sharp, making readers think and take warning after reading with a smile.

This book is a collection of Adin's literary essays, divided into four volumes: the first volume, "Daze Diary", contains both prophecy-style imaginings and black fable-style stories, ranging from three to five pages to three to five lines, involving many national issues, with courage and insights; the second volume, "Readed", is the author's random reflections on movies and books; the third volume, "Chickens that lay eggs," the author shares his own reading context and depicts his own literary map. Out of respect for the previous literary masters, the author wrote tribute words to literary masters including Babel, Schulz, Yates, Kafka, Borges, Bulgakov, etc.; The fourth volume of "Knocking Enter" is a poetry work created by the author in recent years, with a concise style and sincere feelings.

This book consists of three independent novellas, which, as the author notes, are the stories of "three anonymous people". Although it is an independent chapter, it has "blood" connections and intertextuality. For example, the author did not mention the names of the three characters in the three novellas, and the era they lived in was unclear, but they had relatively clear occupations. They were doctors (B-ultrasound room), art teachers, and the last freelancer. The lives of the three people are narrated by "you, me, and him" respectively. Their fate trajectories are different, but what they have in common is that they are all triggered by an "offense" to the order, and their paths have changed since then. Doctors' professional attributes have been deprived of by external forces, teachers have become prisoners, and freelancers have embarked on a road of search without an end. As a reader, if you want to read the complete story from here, you may be disappointed. The author seems to have no intention of completing them at all. It is more like, as Robert Musil said, the author is describing "the ghost of things", and the three characters do show the characteristics of ghosts. It is as if a hungry person turns a blind eye to the food, and instead uses all his senses of sight, smell, and touch to enter the smell of the food. It seems ethereal, but it is indeed the essence of things. It is generated from the inside of things. The mist-like substance can better clarify the trembling, twisting and struggling of a person's soul when he is thrown into the world than the appearance.

This book covers dozens of ancient Chinese literati, from He Yan and Pan Yue in the Wei and Jin Dynasties to Qian Qianyi and Ruan Dacheng in the Ming and Qing Dynasties. Although not all of the outrageous B-side characters, their dominant positions can be said to be their representatives. The author turns his pen into a sword and depicts a side of these "molluscs" that is little known to ancient Chinese literati. The "softness" of spirit and temperament is what they have in common, but the degree, texture, and method of "softness" are different.