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As one of the world's cultural giants in the 20th century, Lu Xun can be called the national soul of modern China. His spirit has profoundly influenced generations of Chinese people. This book is the complete collection of Lu Xun's classic works. It includes the most representative works of Lu Xun's short story collections "Scream", "Wandering", "New Stories", the collection of essays "Morning Flowers Picked at Dusk" and "Weeds", as well as excellent essays.

This book contains the entire length of Lu Xun's novel collections "Scream" and "Wandering". Lu Xun's novels are not numerous in number, but they are all classics. Most of their contents are based on the morbid real society, and they have profound thoughts on the soul of the nation and the fate of intellectuals. At the same time, he is good at understanding and exploring the intrinsic nature of problems from the perspective of the life and death of the country and the nation, and casting typical artistic images, so it has extremely high artistic value. Lu Xun's works are worthy of being a mirror of Chinese society from the Revolution of 1911 to the First Civil Revolutionary War, and can be called a model of modern literature.

"New Stories" is a collection of short stories written by Mr. Lu Xun based on ancient myths and historical legends. It includes 8 works written by him in different periods. "New Story" is different from "The Scream" and "Wandering" in terms of material selection and writing method. Mr. Lu Xun himself believed that this was a collection of "myths, legends and historical facts".

In October 1936, Mr. Lu Xun passed away in Shanghai. Mr. Lu Xun's Memorial Committee compiled and printed the first edition of "The Complete Works of Lu Xun" after Lu Xun's death in order to "expand the influence of Lu Xun's spirit, awaken the soul of the country, and strive for light." "The Complete Works" is edited and edited by the Lu Xun Memorial Committee chaired by Cai Yuanpei. The editorial members include Cai Yuanpei, Ma Yuzao, Shen Jianshi, Mao Dun, and Zhou Zuoren. The general catalog of "The Complete Works" is based on the catalog of writings personally designated by Lu Xun, with the addition of translations, and strives to have roughly the same number of words in each volume. The whole book is roughly divided into three parts: creation, editing of ancient books, and translation. The contents of each part are arranged in chronological order. The book has a total of more than six million words and is divided into twenty volumes. It was officially published and distributed in June 1938. This publication is based on the 1938 edition of "The Complete Works of Lu Xun". During the editing process, try to retain the original style as much as possible. The content and layout of the book are the same as the original version. Arranged according to the original version...

Lu Xun once said that his whole life's philosophy is in "Weeds". The new edition of "Wild Grass" selects 74 short but meaningful poems. The book is divided into four parts. The opening chapter completely reproduces "Wild Grass", and the remaining three parts select short essays full of tension and charm from "Huagai Collection", "Zhun Feng Yue Tan", "San Xian Collection", "Ji Wai Collection" and "Qiejieting Essays". The tension of the article is the tension of personality, and the dimension of writing is also the dimension of personality - angry, but fun at the same time; profound, but proficient in the game; provocative, but always self-deprecating and critical... Perhaps we can understand our own philosophy of life from Mr. Da's words.

"Huagai Collection" is a book published by Beixin Book Company in 1926. The author is Lu Xun. It collects 31 essays written by Lu Xun in 1925, including "Easy Words", "Youth Must Read", "The Soul of Debate", "Three Insects in the Summer", "Sudden Thoughts", "I View Peking University", "Fragments", etc. Published by Beixin Book Company in 1926.

This book contains many of Lu Xun's essays, prefaces and postscripts, and translation notes. These articles have profound theoretical insights and are of great value and significance in the history of modern Chinese academic and literary history.

This book is the fourteenth volume compiled based on the collection of Chinese writer, thinker and revolutionary Mr. Lu Xun, including "Letters (1936 to Foreigners)" and other works.

"Grave", "Hot Wind", "Huagai Collection", "Continuation of Huagai Collection", "Just Collection", "Sanxian Collection", "Erxin Collection", "Nanqianbeidiao Collection", "Pseudo Free Letters", "Lace Literature", "Qiejieting Essays", this book comprehensively displays the essays of the Chinese literary master Lu Xun, allowing you to fully appreciate the master's literary style.

This book is the sixteenth volume compiled based on the collection of Chinese writer, thinker and revolutionary Mr. Lu Xun, including "Diary (1927-1936)" and other works.

This book is the third volume compiled based on the collection of Chinese writer, thinker and revolutionary Mr. Lu Xun, including "Huagai Collection", "Huagai Collection Sequel", "Jiji Collection" and other works.

This book collects the best of Lu Xun's most representative novels, essays, poems, essays, literary treatises, letters, speeches, prefaces and postscripts. It tries its best to present the full picture of his works on the basis of respecting history and original works, so as to present readers with a true, rich and complete work of Lu Xun. At the same time, it is organized into categories, making it clear and easy to read.

"A Chang and the Classic of Mountains and Seas" is a retrospective narrative prose written by Lu Xun, a modern thinker and writer, in 1926. This article describes Lu Xun's childhood interactions with Chang, and describes the eldest mother's kind, simple yet superstitious, nagging, "full of troublesome etiquette" character. It is full of respect and gratitude for her purchase and gift of the painting "The Book of Mountains and Seas" that he has longed for, and expresses his sincere longing for this working woman and his deep nostalgia for the time when he was young and ignorant. The language of the whole text is plain and vivid, and the true feelings are revealed everywhere. In the narration without any pretense, the readers are brought into the world of the author when he was a child, which makes people feel particularly amiable.

Mr. Lu Xun created two collections of essays in his life, "Morning Blossoms Plucked at Dusk" and "Wild Grass". This is recognized. In an emotional and poetic sense, "Book of Two Places" should also be included. This is a special text that records the spiritual journey of Mr. Lu Xun and his female student Xu Guangping from mutual respect to mutual understanding.

Lu Xun's works have always emphasized the combative side, while ignoring the leisurely, graceful, and even playful side of his literature. The new edition of "Pick Up Morning Blossoms at Dusk" selects 48 beautiful and interesting essays by Mr. Lu Xun. The whole book is divided into four parts: the first part is "Plucked Up at Morning Blossoms at Dusk", where the beautiful memories of childhood linger for a lifetime; the second part is a selection of Mr. Lu Xun's casual essays. Come to the beautiful essay, and enjoy the kites, autumn leaves, and snow in the south of the Yangtze River in your spare time; in the third part, watch the gentleman talk humorously about ancient and modern history; in the fourth part, the people and things in the memory are rippling in the gentleman's writing, quietly and peacefully. Please read these vivid words, get to know a living Lu Xun, and appreciate his fun, richness, grace, and gentleness.

"Morning Blossoms Plucked at Dusk" is the only collection of essays in Mr. Lu Xun's creative career, including ten essays. The first five articles were written in Beijing, and the last five articles were written in Xiamen. These ten essays, according to Mr. Lu Xun, are "notes of memories", which relatively completely record his life experience and ideological context from childhood to youth, and vividly paint a picture of the social landscape of the late Qing Dynasty and the early Republic of China. They are important materials for studying Mr. Lu Xun's early thoughts and life. These works, with profound and meaningful writing style, are classics in modern Chinese prose.

"Morning Blossoms Plucked at Dusk", as a "note of memories", reflects the author Lu Xun's teenage life in many aspects, and vividly reflects the formation of his character and interests. The first seven chapters reflect his childhood life in his family and private school in Shaoxing, while the last three chapters describe his experience of traveling from his hometown to Nanjing, then to Japan to study, and then back to China to teach. This book also collects two classic works of Lu Xun: "Sanxian Collection" and "Outline of the History of Chinese Literature".

"The Scream" is Lu Xun's first collection of novels. In 1918, the New Culture Movement was at its peak. Lu Xun wrote his first vernacular novel "Diary of a Madman" because of a conversation about the "iron house" with his old friend "Jin Xinyi" (Qian Xuantong). By 1922, as the May Fourth Movement was gradually fading, Lu Xun was invited by Chen Duxiu to publish a collection of his previous novels, with the purpose of "crying out" for the New Culture Movement and comforting those "galloping warriors" in the struggle, so that they could move forward fearlessly. The new edition of "The Scream" completely contains fourteen novels written by Lu Xun from 1918 to 1922, a preface, and a long postscript written by Mr. Chen Danqing specially for the new edition.

This book contains eleven novels written by the author from 1924 to 1925. They include "Blessings", "In the Restaurant", "Happy Family", "Soap", "Eternal Light", "Public", "Old Master Gao", "The Lonely", "Sorrowful Death", "Brothers" and "Divorce". Lu Xun's novels represent the highest level of modern Chinese novels in terms of their profound content and mature writing skills.

The only unedited and original text of Lu Xun, the most popular and easy-to-read version of Lu Xun on the market! In October 1936, Mr. Lu Xun passed away in Shanghai. Mr. Lu Xun's Memorial Committee compiled and printed the first edition of "The Complete Works of Lu Xun" after Lu Xun's death in order to "expand the influence of Lu Xun's spirit, awaken the soul of the country, and strive for light." "The Complete Works" is edited and edited by the Lu Xun Memorial Committee chaired by Cai Yuanpei. The editorial members include Cai Yuanpei, Ma Yuzao, Shen Jianshi, Mao Dun, and Zhou Zuoren. The general catalog of "The Complete Works" is based on the catalog of writings personally designated by Lu Xun, with the addition of translations, and strives to have roughly the same number of words in each volume. The whole book is roughly divided into three parts: creation, editing of ancient books, and translation. The contents of each part are arranged in chronological order. The book has a total of more than six million words and is divided into twenty volumes. It was officially published and distributed in June 1938. The Complete Works of Lu Xun (Volume 1) - Grave, Scream, and Weeds; The Complete Works of Lu Xun (Volume 2) - Hot Wind, Wandering, Gathering Flowers in the Morning and Dusk, New Stories; The Complete Works of Lu Xun (Volume 3) - The Huagai Collection, the Continuation of the Huagai Collection, and the Continuation of the Huagai Collection The continuation and already collected works; The Complete Works of Lu Xun (Volume 4) - Sanxian Collection, Erxin Collection, Pseudo Free Book; The Complete Works of Lu Xun (Volume 5) - Nanqianbei Diao Collection, Quan Feng Yue Tan, Lace Literature; The Complete Works of Lu Xun (Volume Six) - and Jieting's essays, the second volume of Qiejieting's essays, and the sequel to Qiejieting's essays; The Complete Works of Lu Xun (Volume 7) - Collection of letters to Xu Guangping, Jiwaiji, and Supplements to Jiwaiji; The Complete Works of Lu Xun (Volume 8) - Miscellaneous collection of old books from Kuaiji County, ancient novels Shuo Gou Shen; The Complete Works of Lu Xun (Volume 9) - Collection of Ji Kang, A Brief History of Chinese Novels, Postscript; The Complete Works of Lu Xun (Volume 10) - Old News Notes on Novels, Collection of Legends of the Tang and Song Dynasties, Outline of the History of Chinese Literature; The Complete Works of Lu Xun (Volume 11) - Month World travel, underground travel, collection of foreign novels, translation of modern novels, collection of modern Japanese novels, Worker Sui Huiliov; Complete Works of Lu Xun (Volume 12) - A Young Man's Dream, Collection of erosenko's fairy tales, Lovely Clouds; Lu Xun The Complete Works of Xun (Volume 13) - The Symbol of Depression, Out of the Ivory Tower, Thoughts·Landscapes·Characters; The Complete Works of Lu Xun (Volume 14) - Little John, Tables, Russian Fairy Tales, Medicinal Plants; The Complete Works of Lu Xun (Volume 15) Volume) - Trends in Modern Art History, Art Theory; The Complete Works of Lu Xun (Volume 16) - Translations and Supplements to the Translation Series; The Complete Works of Lu Xun (Volume 17) - Art Theory, Issues in Modern Emerging Literature, Literature and Criticism, Literature and Art Policy; The Complete Works of Lu Xun (Volume 18) - October, Destruction, Mountain Folk Singing, Bad Boys and Other Curiosities; The Complete Works of Lu Xun (Volume 19) - Harp, A Day's Work; The Complete Works of Lu Xun (Volume 20) - Dead Souls.