Ke Tong's book list is recommended by Jing and everyone, and the records of the articles I have read (CP/protagonists are mostly from the police academy team) are very picky.
Cp Jingguang, it can be regarded as the real wine of Jing's redemption, and the redemption line is more touching.
What is unacceptable is that Jing can occasionally be very OOC, such as emmmmming with the heroine when the heroine was injured in the hospital. Jing Tui believes that even in his Scottish state, he should not be able to do such a thing.
Cp Jingguang, the heroine was Jingguang Mengnu before the world merged.
What I want to complain about is that Jing Guang always calls the heroine "my little boss" in his heart, which makes people feel a little uncomfortable when looking at some three-dimensional ordinary men. And Jingguang Jiangzhi Love Brain, why the heroine confesses her identity on her birthday. Suitable for mindless viewing. The emotional line progresses too fast, it's not so natural.
The protagonist Jingguang has a relatively restored character.
From the beginning of the article to the end, I was amazed at the early stage and looked forward to updating it every day. Maybe because it is a long novel, I was a little weak in the later stage.
Cp Jingguang, the heroine is Jingling Qingmei.
It's suitable for watching without thinking. There will be times when the characters fall apart, but the relationship between the three people is well written.
CP Jingguang, the male protagonist is related by blood to the organization boss, and the emotional line is very weak. Jing Guang was a little OOC at first when he was imprisoned, and he lost his coolness as an undercover agent. In fact, the shaping of the male protagonist is more and more brilliant later on.
Cp Hagiwara, the heroine is a curse spirit. Because the heroine is not human, some of the plots are a bit awkward, but Hagiwara's character design is quite well grasped. I don't know why Hagiwara, the male protagonist, has some emotional lines and a pure love story. For pure love, I am willing to give it five stars!
Cp Matsuda, sweet article, not related to the main plot, zero eating dog food at work. It feels a bit like Matsuda's character was destroyed in order to promote the plot through a fake marriage, but the rest of the book is pretty good, and overall it's not as good-looking as the author's Hagiwara book.
Cp whiskey group, free text, the heroine is an undercover agent, Jingguang is the white moonlight, Zero is dark but gray but pretending to be sincere, Xiuyi is the winner who is still alive in the end. The plot is actually not as good as the author's other whiskey series, and the heroine is a bit weak as an undercover agent. But the tension between Black Square Bourbon and the heroine is too strong, and the other two lines feel a bit weak. It is suitable to focus only on the emotional line.
The cp is superb, and it is rare that the male protagonist has superb writing, and the emotional line is relatively natural, and there is a slight single arrow towards the female protagonist.
CP Jingguang has a brilliant if line. The advantage is that the writing style is better than many Ke Tong, the character creation is also good, and the emotional line in the early stage is relatively natural.
I am Jing Tui, and the highlight lies in Jing's sometimes OOC (it may be different from the author's understanding), for example, because the outside guard is not angry about the death penalty / he is not vigilant enough towards the heroine during the undercover period and questions himself many times / proposes marriage during the undercover period / the art museum takes action easily and is coerced by public opinion, and directly voluntarily goes to death. It is true that he made his own decision in the original work, but I don't think he had a mental problem. It was just that as an undercover agent, he rationally made the safest decision at the moment. The scenery created in the police academy chapter is very focused, such as sitting diagonally across from Matsuda/using the inside to stimulate the outside guard/noting the clues in the convenience store. As a scene director, he felt that he was not sure about the art museum incident and would not take action easily. The trust shown to the heroine during the undercover period can be explained by being blinded by love, but the marriage proposal feels too destructive. So a person who restrains himself with reason will say sorry to his dearest child, Tongran, even before death (there is that kind of regret that I am sorry, but I really have no choice but to leave you to bear it alone). I don't think he will establish a relationship similar to marriage during the undercover period. If he dies one day, wouldn't it be a drag on the other party. If Wai Shoichi is really sentenced to death, it may not be a good outcome for his somewhat innocent character. In the police academy chapter, it is obvious that Wai Shoichi broke down after being told by Jing Guang and wanted to die for relief. Living in torment for the rest of his life is not a punishment more torturous than death. As for the psychological problems during the undercover period, I think it is unlikely, but there is a chance that they will appear after being undercover. During the undercover process, you are so nervous and exciting every day that you have no time to think about these things. Some materials/podcasts involving undercovers also talk about how many people will find after the end that the personality they played while undercover will continue to come out and affect normal life. If you think about it carefully, if Jingguang really survives, it will be the coexistence of Fu Jingguang and Scotland, which is quite touching. I feel that the scenes in this book are not as well-shaped as the heroine, and it seems a little weak. Also, at the end, the heroine takes Jing Guang away, and it doesn't fit Jing's character if she doesn't become a police officer. The above is the reason for not giving five stars. It can only be explained as the sacrifice the author made in characterization in order to advance the plot.
The heroine has future vision and past vision, which can contribute to the plot/relief. She is very strong, but sometimes she is a bit reckless and seems to have a low IQ.
The ending is a bit hasty (amnesia and fake death are passed by), but in terms of emotions, it would be more reasonable to take a brighter line in the later stage.
Cp Jingguang, the heroine is a soft girl programmer. This is a story that happened when Jing was still in Scotland. It has quite a Heisu feel to it, but the ending is a bit hasty (probably the only flaw).
CP Matsuda, free text, the heroine is Hagimatsu Ome, Jingguang is a fake. The relationship between childhood sweethearts is the best thing to fight! There are other police three if lines except Matsuda, but I feel that Matsuda's main line is the most delicious, followed by Hagiwara. The main focus is relief.
CP Matsuda, the heroine is Mengnu stk. The character creation is very realistic. The only highlight for me is that the heroine can sacrifice her life for relief (this is the reason why I gave it four stars otherwise I would give it five stars). I feel that this is a common problem in relief stories. This will cause the police academy team to actually rescue the heroine. How to put it? It is probably the heroine's body that helps the police academy team, and the police academy team in turn rescues the heroine's mind (it feels very strange that women can be more powerful).
CP Jingguang, the heroine is fake wine. The story is okay, everyone says the emotional line is delicious, but it doesn't feel natural to me? Maybe it's because the heroine has her own charm max system. I understand that the author wanted to create a heroine with a high IQ and a trader, but it really didn't work well. A combination of headless horseman and gorgeous challenges.
Cp Hagiwara, the heroine is probably a sweet girl? It's Matsuda's young tame dye, and Matsuda's single arrowhead. There is no main line, but the emotional line is very natural and delicious, a bit like Japanese pure love. Personally, I feel that this is the most natural book among CP Hagiwara's fics for the development of emotions.
Cp Jingguang, free text, the female protagonist is Bai Yueguang of the whiskey group? Personally, I actually feel that Shuichi's line writing is more tense (in my personal opinion, Akai's line is the best on JJ), but Jingguang's shaping is not that good. The storyline between Kage Rei and the heroine comes from teenagers, and it feels more pure love. The heroine has amnesia, and Shuichi's storyline is drawn by adults. In terms of logic, Ke Tong is pretty good.
Cp Jingguang, the heroine travels through time. Hagiwara single arrow heroine. The characterization of the police academy team is very realistic, but I can't accept that the heroine sacrificed her life to save Jing Guang (this is the main reason why I didn't give it five stars, otherwise I would have given it five stars).
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