Yes, this book's plot foreshadowing, heroine creation, and villain's character curves are all very well created, especially the plot. It's extremely easy for fairy tale novels to be superficial and not real, but this one unfolds the main plot bit by bit, and finally ends satisfactorily. The overall rhythm of the revised version is also very natural and smooth.
The only two problems are, firstly, maybe due to the serialization time and editing, the writing style of the first half and the subsequent chapters is a bit different, mainly in terms of emotional arousal? It may also be that the second half of the story has lost the slap-in-the-face plot and started to wrap up the main storyline, and the mood seems to be very calm. That's not a bad thing for specific content, but it's also not a good thing for overall style consistency.
Second, a point that I personally care about is that this article tends to criticize the tool-person attributes of the heroine in the redemption novel. However, at the same time, the male protagonist of this article also has strong tool-person attributes. The description of the male protagonist in the first half of the book has a more prominent and distinctive personality, but in the later version, the character has completely calmed down, and the tool-person attributes are more prominent. There is no problem with the reading experience. Everyone likes to see the male protagonist giving to the female protagonist, but after personal reflection, I feel that compared with the villain control group, it feels a bit like repeating the same mistakes.
Overall, it is very, very good. This book is much more delicious and fluent than the one I have read by the author a long time ago. I am still amazed by the author's ability in story arrangement, foreshadowing, and villain creation. The plot is very commendable, and the world view setting is also more careful. It was fun to watch!
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