Focus on Watching the Crematorium of Chasing His Wife for Thirty Years
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I only watch Crematorium to watch men being abused. I don't like it if the abuse of women goes too far. I don't like it if I don't abuse men. Women can be miserable but men must be even more miserable. Not pure Amway, I have read the mark
It's okay. Tao Pu's character is very tough and cute, starting from the crematorium to Xie Gou pretending to be someone else and falling off the horse. The subsequent plot is too rushed and the transition is so stiff. I feel that the ending can be more natural. I still feel that Tao Tao has a good attitude at the beginning, but why does he suddenly forgive the male protagonist later on.
Flaws are not covered! My favorite is the chapter where the heroine becomes an empress and then imprisons the hero to play tricks, but as a newbie, the writing is very green and the plot is weirdly delivered.
It's okay, but it feels like it's an anticlimax. I really like the confrontation between the heroine and the hero at the beginning. The heroine has her own little ideas to fight against the hero, but the hero's golden finger is too powerful and it's a bit boring. Chen Song's role is too tool-like. The heroine is very frustrated up to chapter 100. The psychological transformation of the hero later is also very blunt, as if he suddenly changed his temper.
Although she is not a big heroine, she is really serious about her career and building a sect. She has not looked back even after being disappointed. The extra is very cute.
It's a bad story, but it ends at the beginning and ends at the end. I only like the first story. It's really intense. The subsequent stories are too far-fetched.
But to be honest, even though I tortured myself to the end, I still feel it's not worth it. The female lead is not worthy of the second male lead, and the male lead is not worthy of the second female lead. These two really deserve to be locked up.
The shortcoming is that it is too short. The positive review is that the heroine really never looked back and the break was very clean. She is a real "hollow person" heroine.
It's more enjoyable to read than the author's previous book! The female protagonist broke away from the male protagonist from more than 50 chapters to the end. The female protagonist who has always been ambitious is really great, and she also knows what she wants from the beginning to the end! However, the character design has not collapsed. Compared with the previous book, Ni Gouzi's change of mentality is quite natural! Worth a look! However, some descriptions are too vernacular.
It's good to watch. There are no bloody misunderstandings between the male and female protagonists. The male protagonist has always been single-minded and loyal, and the female protagonist also has her own career that doesn't revolve around the male protagonist. It's an emotional thread interspersed in the plot, and it's fun to abuse the scumbag.
The male protagonist is really unlikable, but he was tortured to the point of postpartum depression. As an emperor, he had nothing. The female protagonist got everything she wanted, including power and status, and everyone was happy.
At first, the way the male protagonist was vain and submissive was really annoying, but then it was really fun to torture him, leaving him with nothing, blind eyes, and a broken leg, hahahaha. The female protagonist is very strong and cute, although it was really painful at the beginning.
It took me a long time to finish it, but I finally thought of commenting on it. Unfortunately, I couldn't give it three and a half stars. If I didn't give it five stars, there were a few chapters where the female protagonist was so tortured that it hurt my heart [he burst into tears]. The female protagonist is definitely in a weak position, and the male protagonist is too strong. But the good thing is that the heroine is very strong, especially strong! ! And she didn't have any intentions towards men at all, she kept her true intentions from beginning to end! It can be said that these four stars are entirely given to the charming and courageous heroine, and the ending is also very good.
To be honest, the ratio of male abuse is very low, but the plot is still attractive. I started watching it from chapter 36. The three stars are for chapters 36 to 60, and the rest are two stars, because the plot is high and low. The male protagonist in Chapter 61 is too arrogant. He is so arrogant that he is like "I have already admitted that I love you. What else can I do?", Which makes the female protagonist very pretentious... The one with the most problems is the male protagonist. In fact, he can do whatever he likes. When he is unhappy, he will chase the female protagonist away. If he regrets it, he will chase her back. Even in the extra story, the female protagonist is driven back to her parents' home and left in the cold for a month before she understands her feelings. The main text of the female protagonist. The outside world is suffering, and the male protagonist can do whatever he wants. I even feel that her being able to be with the male protagonist is driven by "plot killing, forced destruction of the country and the destruction of the family." This does not mean that there cannot be a reunion. The reunion must have a reasonable and natural opportunity. I feel that the heroine is pushed to be with the hero the whole time, without any choice, and the plot and ending are written in a hurry.
The good thing is that it's really fun to torture the man, but the bad thing is that the heroine was also tortured badly at the beginning, so I chose to skip the beginning. I feel sorry for the female protagonist. Although the male protagonist later treated the female protagonist to the extreme and humbled her, I still can't forget the tragic and unclear cause of death of the female protagonist in her first life. Fortunately, the heroine in this article is cold enough and has force, and can kill her enemies by herself.
The pace is fast, the scumbag is very decisive, and the writing is attractive. It's a pity that the choice of the heroine in the ending is a bit incomprehensible, but the extra chapter fills it up. The heroine of this ancient novel has improved in every movie. The heroine in this movie has a good character, she is brave and resourceful. The most important thing is that she dares to take advantage of men. She is almost ruthless and is very suitable for being a leader.
The protagonist's overemotional nature was okay, but the supporting characters were handled too sloppily, and they suddenly went offline. Those who bullied the heroine all ended up suddenly, but the heroine was in real chronic pain for a long time, so the supporting characters were really cheap. Then I feel that there is a story with a male protagonist at the end, all the scenes are played by the male protagonist. It was supposed to be the female protagonist who shined, but in the end it was the male protagonist who let the female protagonist shine. The male protagonist helped with everything, and there were too many places where he was forced to do something for him.
The writing is acceptable, but it's not the kind of crematorium I like. It's too bland. The bland here refers to the male protagonist's feelings, which have always been bland. I can't understand how much he loves the heroine and how he loves the heroine. It's only the scene when the heroine leaves that makes me feel happy. I can't understand the changes in their relationship later on. The heroine also remembers food and not fights.
The female protagonist is a holy mother + a loving wife, and her relationship is very inexplicable. She has not given up on the male protagonist. She feels extremely distressed when the male protagonist is even slightly hurt. Who believes that there is a real divorce? The female protagonist does not remember to eat but not fight. She has a low IQ and is stupid. She has completely forgotten how sad she was before... This article is a bit anticlimactic... And the reasons explained by the male protagonist are really pale and feel untenable. The forced plot of the crematorium is actually a mindless sweet story.
It's a decent crematorium. It's not too cruel but there are still glass shards that hurt my heart... Although it starts right after entering the crematorium, the pace is very fast and the writing is acceptable, but it just feels uncomfortable to watch. Maybe it's not bloody enough for me. Hahaha
The ending seemed a bit nihilistic. The male protagonist was so in love with her and even said that they would never interact with each other until they died. The heroine suffered so much and suffered so much, but it was in vain. Then I felt that the ending was coming. Yaoyao's presence was so low. Her existence felt dispensable in promoting the relationship between the male and female protagonists. The change of attitude and emotion of the female protagonist was well written, but the male protagonist was very fascinated. . . .
I didn't give it five stars because I felt that the heroine was tortured too badly. Although it was only a fragment of memories, I still felt sad. The heroine was injured all over and hurt her throat. Fortunately, the ending was good. The heroine was really happy. I was happy for her and didn't care about the emperor's life or death. However, I still felt that the emperor was too cheap. In the end, he only lost his "love".
The crematorium is a decent story, the writing is okay, but I feel like the writing focuses too much on other people... It takes several chapters just to deal with the sisters' troubles. Although it's good to write about the deep love between sisters, it's just that the crematorium doesn't look good.
Overall, the ending is quite satisfactory. The princess becomes emperor and the heroine has always been very clear-headed in her career. The shortcoming is that it is not fun enough as a crematorium. There are so many chapters describing the disgusting things Luo Zexian and Wei did, which makes it frustrating to read. The description of the consequences of the ending of these two people is too understated. It is not satisfying. In addition to watching the growth and strengthening of the heroine, Luo Wei's step-by-step collapse is not mentioned.
The characters are very full-bodied, and there is no harsh torture or plot. I feel that the heroine's transition is quite natural. Zhong Yuan is so good.