Both the male and female protagonists are growing up and are not perfect, but they are both really charming and transforming. The author is very good at writing big scenes that make people passionate.
It was very shocking in the early stage, but I didn't have much impression in the later stage. As an ancient woman, the heroine is very independent and self-reliant. Very charming. The feelings of family and country are all there.
163. It's lighthearted and funny, and it's a great read. Click here to see how it goes after traveling to a scene comparable to that of Kowloon. The male protagonist has a very stable mentality.
The female protagonist greets the male protagonist on the mobile phone and asks him for warmth. The male protagonist thinks that the other person is a god, feels very warm and finally agrees to marry him. Brainless Su Shuangwen. In general, the plot is: the male protagonist is in danger - the female protagonist saves people - the male protagonist is doubtful - the female protagonist continues to send warmth without reciprocating - the male protagonist is moved and pledges herself to her.
The male protagonist teaches the female protagonist how to stand up. As the saying goes, "The skin is open and the flesh is exposed, and the mind is at ease." "I treat you like a spring tree that thanks the river water, it will grow when you draw it, and it will flourish if you draw it, and you will not be afraid of the frost in the remaining years. I hope you will treat me like a river flowing through a spring tree, trusting in the future, and flowing eastward without looking back." "The next generation will also have their struggles and reconciliations. Forgive me for my selfishness on Xi Yin, so I will put this aside and see you again in another life."
Judging from the genre, it can be regarded as the Warring States Mary Sue from the early years. But it's actually new wine in old bottles, and it's very tastefully written. And the writing is good, and many sentences are very colorful.
Factory Flower x Queen. The heroine went from a young talented person about to be buried to the concubine of the previous dynasty to the concubine Duan of the current dynasty to the empress and finally escaped. As the old saying goes, we still have to look at Fourth Sister You. Chapter 40 or so is really sweet there. On the contrary, it feels cumbersome to chase me after the breakup and rejoining. Fourth Sister You's writing is like this. It's obviously not a cool writing, but it will make you deeply immersed in the story. The language is also very flavorful.
Dog hero. The heroine is reborn, knowledgeable and cultivated, and is a lotus that emerges from the mud and is unsullied. But in this article, both the male protagonist and the male counterpart should be left alone.
I really like the poem Huo Fengqing wrote to Yun Zhiyi. "Don't advise young people to cherish their wings. The weather will be clear when the moon is in the middle. You will know the cold and warmth by drinking water, and you will know the rugged road when traveling. Pick up the mist from the mountains and cut through the thorns into the mud. The green plums are on the clouds, and I need to climb the ladder. Let the wind be confused, and the stars are unclear, but I have the knowledge of the clouds." Mrs. Xu Chengyue is really amazing.
I haven't finished it yet, but I remember it was pretty good. It should be three and a half stars. The female protagonist is scheming and the male protagonist is yandere. Show off each other's acting skills.
Not bad, but too bland. The author's writing is fine. The male protagonist is an emperor and the female protagonist is a former empress. It was only after returning to modern times that HE received such praise. That's why I'm always attracted to the second male lead.
Unlike ordinary concubines who hope to change their fate against the will of heaven and seek power, the heroine who should be asked is obviously very good at being a good person. I think it's a good article, you can read it.
Republic of China background. The male protagonist is the boss behind the scenes, and the female protagonist is reborn and is treated like a child by the boss in this life. Loved.
I saw it to the point where I just wanted to shout about the time-traveling female cow batch. The heroine is really strong, and her experiences along the way are truly legendary. And in the party struggle, he miraculously got both sides. The hero and heroine got acquainted by chewing lotus root (?). What was uncomfortable was that the daughter's body was exposed and she was forced to retire. In the end, it's hard to reconcile.
Traditional saying. Women disguise themselves as men. The heroine is a cute little girl without any scheming. The male protagonist is a powerful official. The emotional line is particularly easy to touch.
The emperor discovered the beauty of the heroine when he wore it on a dog. As an ancient novel, the setting is novel. But nowadays, the male protagonist of the emperor obviously does not abide by male ethics (?)
The description of the Republic of China era is very detailed, and the author should have consulted a lot of information. The heroine doesn't have any golden fingers, but she is traveling through time after all, and her vision and foresight are far beyond those of ordinary people. The heroine is trying hard to survive. The only thing that worries me is why the male and female protagonists are not together yet.
Comes with white moonlight filter. "May all the lovers in the world become dependents. It was destined in the previous life, so don't miss your marriage." This is a rare novel in which the heroine was smart enough to live a good life with her own skills before she was reborn. But as mentioned in the first chapter, it's hard to get over it. There was a mistake in the past life, but the present life is broken and reunited.
Mary Sue's Sweet Pet Articles. There is a male protagonist who directly bulldozes the boss along the way, and there is basically no disturbance. Very easy de cookies. Sweet sweet sweet.
If I remember correctly, it was a novel in which the male protagonist fell in love with the female protagonist after knowing that the story was about to embrace her.
A text I read in junior high school. I liked it very much and even added a post bar. I have forgotten the plot, but it should be a typical ancient saying. Antique.
The writing is very to my liking. It's a pity that the plot is a little subpar, and the male protagonist is not the prime minister. The scene where the prime minister gives the heroine a hairpin is really beautiful. It is to the extent that it can be made into CG. Gu Lang is the youngest, and his green grass is jealous of his spring robe. Actual three and a half.
I couldn't stop watching some of the ancient charlatanry of robbing and plundering. The author writes very well, don't write again next time. In fact, abuse is not the most abusive. But the sense of first-person substitution was too strong, and I was deeply hurt. Write a tragedy in a light and humorous tone, and you won't want to read it a second time.
The writing is very seductive (you heard me right) but it was the heroine that made me hate her a little bit. When you don't have a deep relationship with the male protagonist, you have premarital sex because the male protagonist is jealous and angry. You must know that this is ancient times.
The story of a princess becoming an empress. The male protagonist is very virtuous and is very suitable for being a good housekeeper. It's a story about a political enemy who turns into a lover, but it's obvious that the male protagonist loves her more.
Easy old saying. The heroine has a vest, one vest is loved by everyone, and the other one is hated by everyone. Both the hero and the villain love her. I love Mary Sues, as long as the writing is good.
A sweet and sweet article in a plain style. The female protagonist has a rather surly personality, and the male protagonist has his own filter and is responsible for pampering and slapping the female protagonist in the face. There are no twists and turns in the plot because the cannon fodder was bulldozed along the way by the male protagonist.
The story is fresh and interesting. It is set that the heroine is a killer who was adopted and trained by the enemy after her family was wiped out. The male protagonist is not very satisfying. Since the partner escaped, the direction of the story has been confusing.
A refreshing piece of writing about the Republic of China. The idea is good, but the pace is too fast. The slap-in-the-face plots follow one after another, and the vicious cannon fodder comes one after another, which makes people tired to watch.
Good looking. The female protagonist has the wrong partner, and the male protagonist is crazy jealous. The male protagonist is the brother-in-law of the original male protagonist. The ambiguity is well written. The male protagonist is relatively strong because he is in a high position.
The relationship between the heroine and her brother is still disappointing. In the previous life, how could her brother deliver poisoned wine to his only sister whom he swore to protect when he was young?
Strong women. Feminism. The three male protagonists are the prince of the empire, the prime minister of his country, and the emperor of the subjugated country (the emperor's brother). I like the last one the most, maybe because he is the craziest (?)