Power max, heartthrob x intelligence max, afraid of pain, arrogant and protective of cats. Force?? Intelligence?? Plug-in push. A new force x was introduced in the later period, so I was too lazy to read on.
Ke Tong is the only true God. The male protagonist has dual identities, relying solely on his personal intelligence to push everything. The cool black side? The contrast is cute with the red side. Relief Five. Black's identity bullied the entire Black team, including the three undercover agents, to death. Bad taste comes first. Cool articles come first. And it fully describes the beauty of everyone. The supporting characters are well detailed. Kenji is the little sun angel, Jingguang is the nanny Sang of the wireless inclusive filter, and Zero is the talented junior student who was bullied. Jinpei is the big brother next door who can't bear to clean up the mess and can't bear to beat up the male protagonist. The male protagonist has always been away from the world, and this is not his hometown. But because of Kenji's gentleness and the trust of all the red parties, a wonderful and inseparable bond was established.
Ke Tong is the only two true gods. If you haven't read Spells, it won't affect your reading. I can only describe it as a "wonderful sermon". Except for some small battles in the final battle that are a bit stiff and illogical. The overall plot is full of ups and downs. My rating is invincible. Contains Mobius elements. The protagonist participates in three timelines in reverse, which is very delicate, touching, exciting and exciting. There are only some flaws in some small details. For example, setting forum comments will affect reality. As long as readers are made to think that the protagonist knows spells, the protagonist will gain the ability to spell. However, in the later period, all readers thought that the protagonist had lost his memory, but the protagonist did not lose his memory. This kind of plot with only buffs and no debuffs is somewhat contradictory. The author didn't give a good patch or explanation. But overall, the flaws outweigh the advantages.
Relief five people. Become the sixth man. The male protagonist is miserable and injured in various ways.
In order to save everyone again and again, it is both sharp and touching. But after
The male protagonist in this issue is a bit too Mary Sue. Various baby dyeing threads. Let
I think it is more like a stock buying NPC article than a rescue in the same period.
J. C clearly has a pure male protagonist who saves the world, but the five-person team basically
Waiting for the hero to be rescued again and again. Then inexplicably, the male protagonist and everyone
They become brothers of life and death. Then somehow the baby got dyed.
The supporting cast is all tool people. The plot is like a floating root. For Mary Sue
And Mary Sue, the knife for the sake of the knife.
Nice piece of writing. Needless to say the advantages. Definitely, they often forcefully give reasons in order to advance a certain plot. The unpaved background feels rather stiff. For example, at the end of a plot, the male protagonist and Kenji go downstairs to retreat. Conan and Kidd retreat upstairs by gliding. It was suddenly arranged that there was a bomb downstairs, and it happened to explode at the right time between the male protagonist and Kenji. The male protagonist and Kenji dispersed very coincidentally, and the male protagonist retreated upstairs and coincidentally saved Conan Kidd, who was on the line between life and death (he happened to meet the villain who had been knocked unconscious in the previous plot on the top floor). It just so happens that Kidd's hang glider can only take one person. The hero sacrifices himself to let Conan Kidd go first. Then when the male protagonist retreated by himself, he happened to faint at the moment he climbed out of the window. Jingguang's soul materialized and saved the male protagonist. He happened to be seen by Yanji who arranged an air mattress downstairs to pick up the male protagonist. It happened that Yan Er saw it when the other hundreds of people didn't see it. Then the male protagonist was coveted by an nb villain. The villain made some small moves when he came to visit the doctor, but didn't directly take advantage of his illness to kill him. Wait until the hero wakes up before starting his sinister plan. Then the male protagonist will use his tricks to promote the development of the plot. It's just too hard. Why can it be so hard? And the forum part is basically written for the advancement of the plot, because the protagonist's super power is realized through the forum, and there is a lack of very real complaints and reasoning.
It's similar to Mobius. The male protagonist interweaves back and forth at different nodes in time and space. But I feel like the author had a good idea. The writing is average.
It's good-looking, and without Mary Sue's shortcomings, the essence is still Mary Sue's writing. The heroine has the superpower of Natsume's Book of Friends, so she basically reduces the dimension and kills with explosive force. The plot is super funny.
A nice red and black reversal game. Rather than saying that the male protagonist is black, it would be better to say that the male protagonist is purely red except for the setting. The male protagonist doesn't know Conan and is just playing the game as a guide. Then, in the process of conquering, we gradually established a deep bond with the five-person group. Plot flow. Natural task transition
Sand glyphs. The hero's superpower is watermelon. All the difficulties in the whole map can be overcome with just one watermelon. It belongs to the super power explosion style (passive). There are many Dickinson plots. The warmer part is that the further the story goes, the more like a child the male protagonist becomes. The entire protagonist's image is very warm and real. He doesn't love anyone, he doesn't have any obsession, he has no purpose, and he doesn't covet anything. He was just a child and never grew up. His world is filled with sweet bread. It's really very clumsy but gentle.
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