Pictures of the Gods: End Yan Gallery

In 2024, when God descends, the gods of human faith tear apart the veil of hypocrisy - the three corpse gods of Taoism carve out flesh as sacrifices and turn the meridians of believers into incense conduits; the end of Buddhism spins gilded death, and the sound of chanting dissolves the listener's skull; Cthulhu's cocoon of the void penetrates reality through prophetic paintings, and non-spectral colors swallow up reason; the Son of Thorns and the Searing Eye of Abrahamic religions harvest life with holy lakes and wailing faces. The gods of the seven major sects devour the world, and the Eclipse of Gods era has arrived. Li Yitong, a prophecy artist with a Tang Dynasty Bodhisattva's glazed eye embedded in his left eye, paints with menstrual blood mixed with divine blood, and uses the remains of his lover as a brush. In fact, he is a reincarnated Jiajing alchemist who is using the "Doomsday Gallery" to collect the DNA of gods in an attempt to transform the earth into the taboo "Picture of Ten Thousand Gods" recorded in the "Xuanhe Painting Manual". God-killer Tian Xiwei, whose right arm turned into flesh-and-blood prayer beads (each one a family member's head), drank her sister's brain on the night of the lunar eclipse to gain divine power, but her family members' whispers eroded her sanity. The two are entangled in a morbid symbiosis: Li Yitong needs Tian Xiwei's divine blood to complete the final chapter, and Tian Xiwei relies on paintings to delay the mutation. When they kissed in front of "Hell in Disguise" at the Metropolitan Museum, human blood oozed from the exhibition wall; when Li Yitong used Tian Xiwei's blood to draw "Push Back" on the glass on the top floor of the Shanghai World Financial Center, the city below was collapsing into a sacrifice to the gods. This is a crazy art that uses the world as the canvas and humans as the paint. All resistance adds color to the "Picture of the Gods." Intention: Put down the butcher's knife and become a Buddha immediately.