In 2026, on the "Day of God's Descent", pagan gods in the guise of divinity tore up their contracts and swept the world with war, greed, and fear. The civilized order of the Old Testament era collapsed, and the madness and purgatory of the Erosion of Gods era officially kicked off.
The three Taoist corpse gods feed on the flames of war, and the dragon veins of the Qinling Mountains turn into a mountain of corpses and a sea of blood; the blood Buddha uses desire as bait, and the caste system alienates believers into lustful demons; the Son of Christ builds his power through fear, and the blood of children flows under the crown of thorns. There are also eighteen murderous gods born in response to the bad habits of the human world. They carry three-inch golden lotuses, burial coffins and staffs and other sinful weapons, replicating the darkness of human nature on the ruins.
The "Sacred Relic Guards" formed by the five permanent members of the United Nations and the "Alexander Salvation Mission" composed of survivors from all over the world struggled to survive amidst gods and killings, but could not hide their internal suspicion and betrayal.
The key to this catastrophe lies with two crazy souls. Crazy artist Li Xue has a glass eye from the Tang Dynasty embedded in his left eye. He uses menstrual blood as ink and human remains as brush. His paintings can swallow up time and awaken hell. God-slayer Tian Yu's right arm turns into flesh and blood beads. Each beads is the head of a family member who was sacrificed. When his divine power awakens, he will be entangled by the whispers of his loved ones.
They bonded over a "Hell in Disguise" and formed a symbiosis in front of the human blood exhibition wall at the Metropolitan Museum of Art in New York - Li Xue needed Tian Yu's divine blood to complete the prophecy painting, and Tian Yu relied on Li Xue's paintings to delay the mutation. When the gods engage in a decisive battle in the center of the earth, will this pair of twins, who depend on each other in madness, become the god-killing blade that saves mankind, or will they drag civilization deeper into purgatory?
Purpose: Use madness to write about human nature, and use killing gods to question the responsibility for the survival of civilization.