Han Xuan transmigrated into the body of a remnant from the previous dynasty.
The leader of her organization told her that if she didn't overthrow the Ming dynasty, she'd be as good as dead.
Han Xuan's mission was to impersonate Fu Gui, a junior palace maid, get close to the Fourth Imperial Prince, Zhu Xian, and seduce her master!
Zhu Xian was a prince, second only to the emperor. He could write lofty ambitions with his brush and ride a horse to bring peace to the land. By all appearances, he was an ordinary royal guardian.
Who could have guessed he was this crazy behind closed doors!
After completing her mission, Han Xuan faked her death and escaped. Zhu Xian went to dig up her grave, unearthed an unmarked corpse that had rotted away, burned it to ashes, put them in a little jar, and locked it away deep in the palace. What a poor widower, having lost the love of his life, spending every day and night pining for his white moonlight.
But she was a rebel, and a rebel with a deadly poison in her system, requiring an antidote every six months. She had no real feelings for him at all. She had been soothing him, deceiving him, and putting on an act. He thought their souls were in harmony only because she was a consummate actress.
Han Xuan gazed up at the sky at a forty-five-degree angle and sighed. "The head of a prince will only buy me another six months of life."
And six months was far too short. Han Xuan had no choice but to return and hide in the shadows of the court, watching coldly as Zhu Xian galloped far ahead on the road to madness.
That day, Zhu Xian turned around and recognized her.
"I know you're just acting. But please, see it through to the end."
What a pity. How did the perfectly good Prince of Yan end up determined to become a great rebel alongside her!
Content warning: The heroine is the smartest and most beautiful person in the story, a master of sweet-talking and manipulation.
#Two equally matched, sharp and courageous leads: the quick-witted, two-faced princess consort x the cunning yet devoted Fourth Imperial Prince
#An unconventional salvation story
#Also known as
#I Transmigrated into a Rebel and Started a Rebellion with a Prince!
#Damn, why didn't anyone tell me faking my death had a bug?
My next contemporary angst novel, The Thirteenth Love Letter: an older woman-younger man romance, reunited after a breakup.
Qin Nan returned to her home country, and a man entered her world, bringing thirteen love letters.
Please add it to your reading list!
Theme: Love life, love yourself.
Sprinkle flowers in the finale~ After sorting out some of my feelings after reading the article, there are actually thousands of words, and the first long comment was born! When the second brother was sent to Texas to hang the Yan army, it seemed that Han Xuan only considered his own relatives and not Zhu Xueshi and other soldiers. Regardless of those high-level macro concepts, from the perspective of personal psychological motivations, I understand the heroine very well. In fact, the heroine has always been very smart. She seems to say these words to protect her relatives, but in fact she also wants to protect herself. When she protects Zhu Xue, she takes all the consequences on herself (protecting herself and taking responsibility are not contradictory) Shield) She must protect her second brother. The second brother is proof that she is still the daughter of the Xu family. Han Xuan has been changing, from a rebel to the daughter of the Xu family. Because of this identity, she has received the most. Except for Zhu Xueshi's love, she has received it before. Other emotions, including her ability to realize her talent and become the number one scholar, are all obtained because she is Xu Ceying. From not wanting to live to being reluctant to die, from being alone to having friends, relatives and lovers. All her identities are being reorganized, whether she was Fu Gui, a rebel, Xu Ceying or Han Xun. After she exposed all her identities, the Xu family still recognized her, and her second brother was also her second brother. With Zhu Xueshi's love alone, she would not be able to stay in this era. If her second brother is killed by Zhu Xueshi now, her sense of belonging will lose its source. She is no longer the daughter of the Xu family, and she is afraid of disappointing the Xu family. She is a person who has been cut off by her lover. She likes to use "I can't live if you die" to describe her love for Zhu Xueshi. This is very cunning, because in fact life is the thing she cares about least. Even though she has a lot of worries now and has the belief to live, she is a person who may die of illness at any time, so when she can threaten Zhu Xue with her life without any scruples, she is using nothing. But Zhu Xueshi cared about her survival, so she used "I won't live even if you die" to force him to agree to the conditions. As long as Zhu promised her to protect her second brother, she would promise Zhu to live well. She didn't choose the second brother between Zhu Xueshi and the second brother, she chose the former between a clean death and a shameful life. In her default, the second brother will not let Zhu Xueshi go, and this is precisely the not-so-good ending that she can best bear. If Zhu Xueshi dies, she can die for her love and leave with love and happiness without any sense of guilt. Both deaths are also he, until the end she is also the daughter of the Xu family. She is helpless when she comes, and she returns to her roots after death. This is good. But if the second brother was killed by Zhu Xueshi, she would have to face the painful guilt of her lover killing the second brother while she was alive, and she would have to carry this guilt with her when she died. This is what she really cannot bear. So she luckily chose to tilt the scale in favor of her second brother. As long as she protected her second brother, no matter whether his second brother let go of Zhu Xue or not, she would not have to bear the guilt of killing her relatives and survive. The emotional guilt was more painful than letting her die.
It would be great if there could be a extra story about Sister Nan finding Yanzi ~ 😭 😭 😭
Huh~ I followed it all the way to the end! I really want to say that Dada's portrayal of our heroine and Sister Nan is really great! It can be felt that Dada has put great care into the shaping of the heroine, and also gave us a lot of highlights. Watching the heroine has been I felt particularly sorry for her when she was struggling to escape from being choked by others. Fortunately, she solved it all by herself later on. Her charisma is undoubted. In addition, the emotional line between the female lead and the male lead is slightly weaker than the line between the female protagonist and her career. One point, the prince is not perfect, but he is real. He will also compare his future with that of the heroine, and will consider the gains and losses. However, after the heroine escapes, he finds that he is deeply in trouble, heartbroken, and even falls in love with a woman disguised as a man. It was really funny and heart-wrenching at the same time! All in all, this is a novel with flaws that cannot be concealed. I am really grateful to my wife for making each of them flesh and blood! I look forward to seeing the next masterpiece with a gentle male protagonist (I like gentle men the most)
There should be a turning point, right? Turning danger into good fortune, after all, it feels like this Mei's line is also a line buried before.
Some are happy and some are sad, and they don't know who will get the final sum. My family killed my husband. War is always unreasonable.
Will everyone be fine?
War is so cruel, but fortunately the people around us are unwavering. But being a strict wife is so funny hahahaha! 🐶 Meimei will be angry~
It's really fun for the young couple to convince each other 🐶, but both of them are reasonable, and their starting point is for the good of each other, so it's a cramped meal
If anyone doubts it, suppress all doubts. Only by using strong methods can the public be convinced to support this theory. In such troubled times, we should not feel too sorry for the subordinates.
Come on, come on, do well.