Unlimited Authority

Hello, Mr. Chen, as your fan, I like your music very much. I can feel your sincerity and abundant emotion in creation from your songs. It is with this appreciation of your artistic expression that I finished reading "Unlimited Permission" with great expectations. I also admire your courage and imagination in trying literary creation across borders. During the reading process, I was not only immersed in the world you built, but also combined my own understanding and reading expectations to write this long review. I hope to share some feelings from the perspective of readers and provide some reference for your future creations. 1. Advantages: Visible progress and unique shining points After reading through the 52 chapters of your work so far, you can clearly see your significant progress in narrative skills and other aspects, especially in the following aspects: 1. Narrative fluency and information integration In the process of narrating, more informative events are integrated into the narrative, while a large number of complicated descriptions that cannot advance the plot are deleted. For example, the previous article talks about the fearful atmosphere faced by the protagonist while climbing the stairs. It prefers to use a time-static method to describe the surrounding environment, character psychology and other aspects in detail, but there is no specific event to trigger it, and the purely literary meaning is stronger. In the later stage, it can start from the protagonist's personal experience and describe what he sees in a more detailed way. The flow of expression makes the picture more dynamic. For example, the scene where the protagonist participates in the concert is very vivid. The vertical section is from the event to the end, and the cross section is the protagonist's feelings, which is very full. In addition, it also shows that the clips integrated with the author's real life experience can allow readers to feel the creator's true soul projection. 2. Natural and vivid character interaction The character dialogue in the latest chapters is more lifelike and functional. For example, the dialogue between the two male protagonists in the office in Chapter 50 is not only natural and interesting, but more importantly, it shows the tendency of changing emotions in a back and forth: during the dialogue, Chen Die went from doubt to self-persuasion to open-minded comfort, and Hu Qing went from understanding to teasing to fear of hurting the other person's self-doubt. Such dialogue is not only rich but also able to advance the plot, and is also a good way to shape characters. 3. Network expression of comedy scenes The scenario-based use of jokes makes the comedy segments of the article go beyond the limitation of hiding jokes in thin dialogues, and become more dynamic on the Internet. For example, Chapter 51 is a perfect practice of this technique. Chapter 51 sets up a meeting scene and uses the classic comedy technique of "misunderstanding": first, the previous chapter foreshadows the misunderstanding between the attacker and the receiver, and within the comedy scene, first introduces the endless comedy scene. The topic is changed, and then the misunderstanding is thrown out, resulting in unexpected surprises. In the aftertaste of the comedy clip, not only the caricatured exaggerated reaction of the colleague is described, but also the offensive and accepting dialogue paragraphs are used to deepen the sense of comedy and extend the reader's reading experience. The overall rhythm is bright and the gag density is high. It can also be seen that Teacher Chen is gradually getting on the right track and has begun Jinjiang's traditional writing practice of "three major scenes per chapter". 2. Suggestions: Reconciliation of narrative core and genre expectations While appreciating the advantages, I also noticed that there is still room for optimization in the novel's infinite flow genre framework and protagonist's narrative dynamics: 1. The character's initiative can be further strengthened (1) Character perspective From the perspective of the characters themselves, the creation of the characters is not perfect enough. In Jinjiang's plot-based novels, character creation is first and foremost a top priority, including their unique personalities (personal and popular, including commercial characters), character charm and core desires, which will ultimately be reflected in the characters' specific actions and methods of dealing with the world/events. In this text, the author's focus on the protagonist Chen Die is focused on abstract and macroscopic suspense curiosity rather than specific and strong personal goals. On the contrary, the weakness and monotony of the suspense itself make the characters lose the motivation to pursue specific pursuits. It is recommended to break down the macro suspense into more specific and executable "phased goals" and design corresponding climax events to form a complete cycle of "action-result (success or failure)-growth". In addition, the author is better at starting from the psychology of the characters and using delicate personal feelings to express the image of the characters themselves. This is the author's advantage. However, this method can more easily reflect the personality of the protagonist, or is more suitable for the writing of psychological novels and private novels, while commercial novels need to outline a more explicit image or model to facilitate readers to see from a distance. Rather than experience, of course, if the narrative perspective is limited to the protagonist, then it is indeed necessary to express the characters more through personal psychology. However, it is obvious that the narrative technique the author is trying is a more modern frequent switching of multiple limited knowledge perspectives plus a narrative from God's perspective, rather than a single limited knowledge of the character, so the method of shaping the characters should be more open. (2) Narrative level In the two copies of the protagonist experiencing his mother's life experience, focusing on the mother herself not only abandons the protagonist's sense of participation, but also reduces the protagonist to a background for gaze. The first is the issue of content selection, which will be discussed in detail in the next section. The second is the content related to the characters. Even if the copy tells the complete story of others, the protagonist should also show his role. The key point is that he is active rather than passive. The solution is to set more events closely related to the protagonist, so that the protagonist can take action and reflect their desires and choices. Even if the copy tells someone else's story, its subjectivity should be reflected through the protagonist's choices, intervention, or emotional resonance. For example: set a puzzle that only the protagonist can solve, or let his actions directly change the progress of the instance. 2. The narrative commitment of the unlimited streaming genre needs to be strengthened This novel carries the label of "Infinite Flow", and readers' expectations for reading are based on the protagonist using courage and resourcefulness to break the situation in a copy of the high-pressure environment. However, the readers' expectations are not exceeded, but they feel that their expectations are subverted. Let's start with the two copies and discuss them in detail. Copy 1: Mother's college life The main line of this part is: the protagonist is pulled into the game world by his mother, trying to find the clue to the biggest suspense of this article. First of all, the biggest suspense of this article is set vaguely at the beginning, which makes readers lose the sense of participation. Secondly, the final clues are basically limited to: this game is the mother's past. Compared with the grand biggest suspense, the clues are tiny. Finally, the author gives up the process of "searching", which is the loss of the protagonist's initiative mentioned above. In addition, the protagonist's active participation only lies in the two people's participation in the music festival, and this part is not deeply related to the main content and cannot reflect the protagonist's true sense of participation. Copy 2: Mother's pregnancy and love conflicts The main line of this part is still: the protagonist is once again pulled into the game world by his mother, trying to find the clue to the biggest suspense of this article. Obviously, the biggest clue has not gradually become clear. Although it can be seen that the author is trying to use "off-site assistance" to involve the bunker staff in promoting the clues, the lack of core events makes the patches attached to the core events appear fragmented and unclear. The author uses more pen and ink to describe the mother's birth process and women's love psychology. The mother's strength and bravery, the great maternal love, and the independence of women are well expressed. You can feel the author's concern for women and her modern thinking about women's situation. But as a dungeon, the plot is still a bit off-topic: this part generally revolves around the mother's pregnancy process and love conflicts, and adds life-like scenes to adjust it, weakening the mother's actions in career, and focusing on the dispute between the mother and her boyfriend, which is still deviated from readers' expectations for unlimited flow dungeons. In addition, the problem in this part is that the author tries to explain the reason for the conflict between the two: the boyfriend wants to give up the controlling stake in exchange for the survival of the company, but the mother refuses to give up because the company is her own hard work. However, how to ensure the normal operation of the company after the mother refuses to sell? This was not mentioned during the quarrel because the quarrel itself was logically weak. Secondly, the boyfriend's image transformation was somewhat fragmented. The boyfriend changed from an introverted student who was not good at words to a scumbag in the worldly sense who did not care about his girlfriend. This huge change lacked enough plot foreshadowing or profound analysis of the human level, so it seemed a bit abrupt and thin. However, the author should have put a lot of effort into the process of the dispute, and the dialogue can affect the readers' emotions. However, in the end, the mother's rational dispute turned into an emotional conflict, and the focus was on "why not love". This part is the derailment of the mother's elite rational character. The construction of the dungeon is the essence of Infinite Flow novels. This not only requires that the dungeon itself has a beginning and an end, that is, a beginning and an end, including the setting of suspense/inciting events, the protagonist's active choice, the climax of the event, etc., But also requires the protagonist's active participation. Here you can consider making the protagonist's experience of watching his mother into a suspenseful event that the protagonist can personally participate in, that is, weaving the "theme" into the "genre framework" to achieve a win-win situation of "emotional expression" and "plot advancement". In short, mother's story carries your in-depth thinking on issues such as AI, human nature, and intergenerational inheritance. This original intention is very precious. But if this thinking can be cleverly combined with interesting narrative forms and dramatic conflicts, the work will undoubtedly be more exciting. 3. Summary Your novels have already shown unique advantages in terms of realistic emotional care and delicate psychological description. They also obviously become smoother and more rhythmic as they are written. The above suggestions are not negative, but are based on trust and expectation in your creative potential - you are fully capable of telling stories that are more in line with the genre framework and have greater narrative tension while retaining your personal style. The above is my immature opinion as a reader and fan. If there is any offense or misunderstanding, please forgive me. In any case, thank you very much for this work. It has also brought a lot of touch and inspiration to me. I hope that you can stick to your original intention and courage in writing whether you are revising or continuing to write in the future. I will continue to support your music and all your creations. Best wishes and looking forward to your next chapter!

When the time comes for the radio drama to come out, how will you feel about it? (Evil)

Will this happen later 🐶 Original work: Chen Yiming Composer: Chen Yiming Lyricist: Chen Yiming Singer: Chen Yiming

Teacher Chen, is this the case? You who wear many vests

Can you let Mr. Chen do the narration for the novel he wrote?

Teacher Chen is all-powerful. I didn't dare to think how great it would be for Chen Yiming, who wrote the original song, was a singer, composed lyrics and composed all at once 🤩

Stop, stop, stop, Yao Shunyu? After reciting it several times, I realized that it was Yao, Shun, and Yu.

Can anyone tell me when it will be updated (●—●)

Mr. Chen, you have a hard time writing your book. Please remember to finish it!

Teacher, do you still plan to come back and write?