A Player Grows Peas in the Port Mafia

You don't know how to write it yourself, right? There's no trace of love between these two, and wanting to be together is just talking in your sleep. The protagonist's ability setting that is so suitable for Dihua flow and the fourth natural disaster allows you to write like this. Dihua can tell it from time to time in one or two sentences. Have you forgotten all about the fourth natural disaster now? Why Don't Plant Peas? No writing or explanation. Nothing is written clearly. How did Fyodor and Osamu Dazai bring the protagonist back? What did Osamu Dazai pay? What you should write about Dazai's mood after the protagonist comes back, and how to explain it, instead of just thinking about having sex when he comes back. Do you like Quan Jinghua? Why devote so much space to writing about her? Even in the process of writing her, the protagonist deviated from the character design, and no one bought it now just to see Izumi Kyoka.

After the return trip, the focus was on completely meaningless things. There was no explanation of how Dazai Osamu and Fyodor brought the protagonist back, no explanation of what kind of feelings Dazai Osamu had for the protagonist, nothing was explained. The plot is also very weird. What does it have to do with Izumi Kyoka? If the plot was boring, everyone would have run away, the narrative was messy, and the out-of-control plot had a lot of thunder but little rain. All the foreshadowing in the front only served to poke the dark side of the mafia. Oda Sananosuke's reason for persuading Dazai Osamu to leave is also very strange. Those who don't know may think that the protagonist's operation of saving everyone is what you described as a "holy mother-in-law", but the protagonist just doesn't care at all, right? Others didn't notice it, but Osamu Dazai couldn't have noticed it. The reason for leaving makes no sense at all. It would be too much to not write anything directly. It would be too much if the Dihua flow is not obvious. Although your writing of the second half is terrible, the setting is so perfect. Are you willing to rewrite it... [Crying]

I really like your setting and the previous plot, but your subsequent writing is terrible, with various logic problems and setting problems emerging one after another, and you are stuck in time to revise the article. For the first month, I thought you really had something big to do, but it turns out that you really don't want to write... In fact, there are also very inexplicable things in the front, and it is the core thing of this article-where does Osamu Dazai's feelings for the protagonist come from? The previous article only saved a few times and has a very weird extension. According to the described plot, it is absolutely impossible to blame the protagonist for wanting to rest for a while and falling into a coma during the Dragon Head War. There is also no concern about the frequency and burden of using the protagonist's special abilities. Even in the later plot, where everyone is OOC, there is no substantial progress in the relationship, even in bed. I really hate you.

Let's get into trouble here. According to the current logic, writing a mess will only be a big mess. You might as well return the coins to me.

What a straw ending, no less than the sudden ending where the prince and princess live happily together.

Why doesn't anyone think there's a problem? The more I write the logic, the more confusing it becomes.

If you really don't want to update this book, can you just give me a refund? The money we readers spend reading your books is also money.

I hate you, such a perfect setting, I hate you

It's not clear why things are like this. This is your worst flaw besides the plot logic. The causes and consequences of what happened are always left in the dark, and you haven't changed at all.

I have no idea. Why did I find a trap after reading it?