A Silent Game of Go

If it weren't for the confessions made by the two of Shuhu in the last few chapters, I would really think that the two heroines have no bad feelings at all. They are unique in harem novels, and they even suspect that there is more than friendship between the two. By the end of the article, the images of the two female protagonists have become very clear. Unexpectedly, there will be such a long grudge before their death. It feels like the characters are more flesh and blood, and the readers finally have the opportunity to follow the male protagonist to get a glimpse of their deepest thoughts. After meeting Sanlang, Shu's talents were fully developed, instead of being controlled by her father, brother, and husband. This was what she wanted most. She got what she wanted, and she had a status below one person, the trust and respect of the emperor, which is the most rare thing in the world. She was admired by all people and had infinite glory. It was considered complete. The only problem is Saburo's heart, and this heart is the bottom line of the lake. Hu had no family support or ambition to govern the country. He almost died of illness before meeting Sanlang. After that, he only wanted Sanlang: first, that Sanlang be well, and secondly, that Sanlang be united. Therefore, she was willing to reconcile the relationship between Saburo and Shu, was able to tolerate Saburo putting Shu first in things, and gave in to Shu's many temptations, so that Saburo never noticed that the two were separated. All of this is based on the fact that the person in Saburo's heart is Hu, and the last words of the book made Saburo's heart shift a little. It probably really touched the point where Lake was sore, so that he could not bear to fight back angrily. If it is said that it is impossible for Sanlang to love both of them at the same time and have deep affection for both of them. If we have to distinguish between them, it is probably that Yu Shu loves them with respect and love, while Yu Hu really likes them. The double arrow always exists, and probably only exists between Sanlang and Hu. In addition to ordinary details, this can be seen from Sanlang's final complaint against the two: Shushu said he was unwilling to give up and complained, while Sanlang's performance was that he stammered and didn't know what to say. Well, it doesn't seem like he's stupid, he's just too straight. Although the thoughts and emotions are unclear, the subconscious actions still reveal the sincerity. I am also a little confused about whether Shu loves Saburo. She is both talented and arrogant. She is so radiant that it is difficult for ordinary men to see her. Although he chose Saburo only after Hu's persuasion, he was wholeheartedly devoted to Saburo, but in the beginning there was a similar exchange of you being good to me and me being good to you, so that later on it was gradually unclear whether it was more sincere or more along the lines of the situation. And the sadness when I found out that Saburo had a preference in my heart, I don't know whether it comes from the unwillingness to win everything but lose it, or from the sourness of not being able to love. I personally think that Shu has a strategic mind and a talent for dealing with the world. He can plan in the back hall and win the battle in the court. The love between children is at the back of Shu's heart. She is as affectionate as a lake and relies on her husband. This is not her style. The book only seeks Saburo's affection after getting almost everything. The "if" he finally said is just "if" after all, and it is too late to take a step too late. The emperor and empress played the harp and the harp before the scholar was born, and after his death, Saburo Baoshu family has a bloodline. Everything he wished for in his life came true except for one thing. It was just a slight flaw, and it was not too regrettable. As for Saburo's love, it is not difficult to find it if you exchange your heart for your heart and your book's appearance and talent. As Hu said, if you like someone, you want him to be happy and cannot bear his sadness. It is not simply that if you treat me well, I will treat you well. If I want your good, I can only treat you better (this is a means, not a heart). It seems inappropriate to use this to discuss Lake's friendship with Saburo. In a sense, Lake and Saburo are both fallen people in the world. Therefore, between Saburo and Shu, there is a lack of empathy for the loneliness of the unaccompanied, and a lack of understanding of the pursuit of warmth by people in trouble. The most distressing character is the lake. They are both phoenixes in the ballad, but they are dark and bright. The one who soars in the nine heavens is another one. She can only take a step back to open up the world. How can she be blamed for holding resentment after giving in so much? Hu thinks too much and owns too little. His only support is Saburo. Pian Sanlang also likes to hide in the embrace of Hu. In this way, it is only right that Hu is Sanlang's support. Sanlang did what Hu said without making any mistakes. It is really not easy to be both a wife and a mother, always gentle and tolerant. If her gentle treatment was all a lie, it would be true if she could do it for a lifetime, and she would still be happy even if she was deceived. In her life, there was far more misery than joy. Those who wanted to hold on did not dare to hold tightly, and those who wanted to possess could not be kept to themselves. Only Hu knew the feeling of pushing her sweetheart into the arms of others. Well, she tasted it again and again. Regarding the relationship between the lake and the book, it is true that they are close friends, and it is true that they cherish and respect each other. If they deny their friendship because of their last words, it would be to underestimate these two women. Although Hu bound the book for Saburo's benefit, he could not pretend to be friendly to the book. It would be a misunderstanding to conclude that Hu was coffin-wrapped with only the word "strategy". If it is just for use, it is enough to persuade Sanlang to be gentle. There is no need to recommend yourself to others. Always tell Sanlang his feelings about the book. Shu is cold and proud, and can't speak outright. Without Hu's adjustment, Shu and Saburo will never break the ice. Shu also respects Hu. He is obviously a very arrogant person, because Hu will restrain his light now. As Caring said, they use Saburo as a bond to achieve mutual success. As for the resentment between the two, it should be due to their possessiveness towards Saburo. At the end of the book, when the book becomes emotional, you will be confused about whether Saburo's kindness comes from his true heart or if he is obedient. He has the thoughts and intentions of his little daughter. Lake treats Saburo as always, and I don't know when my heart will change. I think it must be very early, but no matter how generous he looks, he regards Saburo as his own in his heart. I didn't expect that two such smart women would fall for the not-so-outstanding Saburo (actually he was still very good, but the people around him were too strong), which made people feel a little sad. Fortunately, although the two had verbal exchanges, they never really did anything to hurt each other. This alone is very comparable to the plastic sisters in the palace battle drama. The two people in Shuhu play chess like Tai Chi. You advance and I retreat. Saburo is a chess piece, but not a puppet. How can people decide? The last move in the book is not a chess game, but a gamble. Betting on Sanlang's affection forced Dehu to use his own life to bet on Sanlang's deep affection. It is really difficult to determine who loses and who wins. After all, how Saburo continues this game of chess, the spectators know that the people under Jiuquan will never be seen again. Alas, when it comes to this, I feel a little resentful of Saburo. It would be better if he grew up as soon as possible. If he makes the decision on the matter of establishing his wife first, it will not make things difficult for the two of them. If Sanlang was more considerate, Shuhu might not have devoted all his efforts to the beauty's misfortune. I really want to see the three of them grow old together. It can be said that the Hu family and the Shu family have a grudge to destroy their family. After Hu learned about it, he did not prioritize revenge. If Shu Hu had not pierced the last layer of paper because of Saburo, I wonder if they could have been in peace with each other. I don't want to speculate on the lives of the three of them in a game of chess with conspiracy theories. When it comes to chess skills, there is only one book missing. It is said that the best is like water, and the lake cannot compete with it, but no one can compete with it. Hu was pregnant three times, one had a miscarriage, one died young, and one was sent outside the womb. She never had any intention of competing for fame and wealth, and she did not want to get involved in the lower position until her death. Hu Zhimou is not inferior to Shu, and Shu is not Wuxian. If they were so cruel and willing to do conspiracy, they would not die complaining in tears. In the end, I felt sorry for Saburo for a second. He was spoiled by two good wives and became stupid. He suddenly lost his support and had to learn to "walk" again in middle age. Those who left first were still being seen off by others. Poor Sanlang could not die, so he could only look at the mausoleum and sigh.

The pinnacle of literature for wimps in Lily District (not)

I can't remember how many times I watched it. From junior high school to high school graduation, it seems to be different every time. However, the plot is the same wonderful, and it is written by a first-class master. It can portray the two female protagonists vividly and vividly, as if they are alive. The whole story is also flowing smoothly, making people unforgettable after watching it. I will watch it in the future. I will see graduation from college, work, and me getting older.

The end point of the discussion of ordinary court marquises is often attributed to power status and the supremacy of imperial power, but the description of the ruthless emperor's family situation is just a vassal. In this article, the two heroines try their best to shape the world for the protagonist, but in the end the battle of chess is about love, and the process of the game is extremely obscure, but there are also many external influences, such as the ending of the ballad that runs through the whole text and asks "Where are we going today?" As the two parted, their love broke out silently, which shocked the protagonist who was deeply involved in the chess game and made the readers sweat in cold sweat. The thunder appeared in the silent place, which was even more shocking and could not be let go for a long time. This is due to Qinghu's blind tolerance, Jinping's true consideration of feelings, and the sincerity of the main character Saburo from the crown prince to the emperor, which makes the first two people willing to gamble sincerely. Achieve great things in the world, and in the end, it is like a "silent move".

In my opinion, this article is the best article about the heroine besides Dream of Red Mansions. From time to time I would come up and re-read it, and the characters in the article seemed to be the people around me. Even if I know the content by heart, I still read it again often. I am really crazy! Generally, I prefer the character of a book when reading an article, but the characterization of this article is impeccable. I believe that all readers who read it will be deeply moved by Qinghu! Thanks for the good works that make people remember them

Oh, can you please tell me your email address? Previously, DaDa opened the license to self-print. Several friends and I prepared a new version and made an appointment with Feudal Typesetting. I would like to give DaDa a set of woowoo as a gift. Can DaDa please reply to me after seeing it?

Does the monitor still carry memories from his previous life? I always feel like she knew something and kept Xiaomu in captivity from the beginning.

I love this story so much. I first read it in junior high school more than ten years ago and still remember it. I think many readers have the same feeling. So I used deepseek to make an introduction to this work, hoping to give all book friends some reference, so that we can better understand the classical aesthetics and oriental emotional expression contained in this story. The classical world constructed in "Silent Chess" is not a simple collection of images, but a profound elegy that interrogates the classical spirit with a modern soul. Its charm and love together weave an oriental picture that is both familiar and heartbreaking. 1. Three dimensions of classical charm: form, bone and soul 1. Beauty of form: ritualized image system The novel constructs a highly condensed and ritualistic image system. The chess game is not only a metaphor for power, but also a symbol of the structure of destiny; the three Shangyuan Festival cycles are the nodes of time and fate; and the ending of "the clouds dispersed in Gaotang and the water dried up in the Xiangjiang River" directly uses the tragic artistic conception of "A Dream of Red Mansions", sublimating personal love into a cosmic lament about the impermanence of heaven and earth. These images are like the "poetic eye" of classical poetry, immersing the entire work in a highly purified oriental aesthetic atmosphere. 2. The Toughness of Bones: The Emotional Grammar of Restraint The core of the work's classical feel lies in its extreme emotional restraint and highly tortuous expression. Love does not resort to straightforward vows, but is hidden in the behavioral logic of "giving in" (Wen Qinghu), "seeking perfection" (Shu Jinping) and "relying" (Sanlang); pain is not expressed in roars, but in the silence of "burning poems", "looking at the mausoleum" and "falling silently". This expression of "sorrow but not sadness, resentment but not anger" is a profound inheritance of the Chinese classical lyric tradition. All the stormy waves are hidden under the calm water, but their power is even more amazing. 3. Sorrow of the Soul: Modern Echoes of a Sense of Fate The core of its classical tragedy is a sense of personal powerlessness before the grand system and ethical order. Saburo is an emperor, but he cannot have both "love" and "respect"; the two heroines are extremely talented, but they can only be trapped in the "golden cage" and the "abyss". This destiny does not come from an oracle, but from the structural oppression of patriarchy, imperial power, and gender roles. The author examines this classical dilemma with a modern perspective, giving the sense of fate the depth of social criticism and triggering contemporary readers' resonant reflections on freedom, power and emotion. 2. Modern deconstruction of classical love: the chess game of heart, respect and desire The love in this novel is a precise and cruel dissection of the classical "affectionate" template. 1. Alienation and stratification of "love" (1) To Wen Qinghu ("I really like"): It is close to the "love of a close friend" and "the love of adversity" in classical literature that abandon the secular world. They are each other's lonely reflection and source of warmth. Their emotions are pure, but their purity makes them vulnerable in the power structure. (2) Dui Shu Jinping ("reverence and love"): It is the combination of the kindness of knowing and encountering and the meaning of companionship that "a scholar will die for a confidant". This kind of love is based on the appreciation of talent, common cause, and moral recognition. It is more in line with the "perfect" template of social norms, but it only lacks the unreasonable selfishness and preference. Through the mirror of Saburo, the author clearly reflects the cruel reality of love being alienated and stratified by power and responsibility in classical society. 2. "Silent" game and sacrifice Classical love often celebrates "sacrifice", but this book takes it to the extreme and reveals its bitter core. Wen Qinghu's "compromise" and Shu Jinping's "enterprising" are superficially due to their personalities, but in fact they are a silent game in a limited space to protect what they cherish most (single-mindedness/talented display). Their love is not simply giving, but a protective strategy with heavy calculations. This kind of sacrifice is no longer a romanticized dedication, but the tragic survival wisdom of individuals under the system, giving the theme of "sacrifice" of classical love a poignant modern interpretation. 3. The inevitability of tragedy: the triumph of structure In the end, the ending of "Clouds Scattering in Gaotang" is not due to evildoers or accidental misunderstandings, but the inevitable and irreconcilable conflict between love itself and the power structure in which it is located. When love is placed in the regular network of emperors, queens, kings and ministers, an individual's "sincerity" is destined to become a disturbance item in the system and must be pruned or swallowed up. Saburo cannot truly love both sides, and the two phoenixes cannot truly coexist. This is not a flaw in human nature, but a "program error" set by the system. This insight into the root of tragedy gives the work's classical love story a philosophical weight that transcends the times. Summary: The classical charm of "Silence" is a recreation of both form and spirit; its classical love is a profound paradox of affection and ruthlessness. It is like an ancient score deduced with modern thinking. Every step conforms to the traditional formula and beauty, but the final "win or lose" reveals the eternal dilemma of individuals under the traditional formula. It allows readers to indulge in the beauty of classical artistic conception, while also being trembled by the struggle and annihilation of individual souls, creating a "neoclassical" tragic poem.

Please reply, this is the third time I have watched it in the past few years, or the fourth time, I can't remember. I was surprised to find that I had revised the article, so where is the locked chapter? Where is the network disk? Where is Weibo? Ah ah ah ah please reply to me

The squad leader definitely came with the memory of Wen Qinghu. You knew it was him when you saw the painting, otherwise what else would there be to pay attention to if the main character is so ordinary?