Jiang Ran, who had repeatedly faced setbacks in real life, unexpectedly embarked on a fantastical journey. She transmigrated into a stepmother novel she'd read and became a background character in the book: the original wife who died young. Before the story even began, Jiang Ran became the male lead's wife in name and in law. For Jiang Ran, who had never been in a relationship but longed for love, the male lead had an irresistible appeal: he was responsible, handsome and refined, came from a wealthy family, and had sound values.
How will Jiang Ran navigate her relationship with the male lead, whom she unexpectedly married?
In another time and place, can Jiang Ran escape the fate of repeated setbacks and become a success by society's standards?
See how Jiang Ran, in the 1990s, sees through the confusion between the sexes, goes around mountains and swims through rivers, and keeps trying and exploring until she lives a life of her own choosing.
Theme: The self and freedom are always life's true direction.
Is it correct to only protect oneself through defensive methods? This director is also very extreme, right?
Some of the anxiety is written in a real way. I don't know if it is the baby's real experience (I guessed this because I saw it was the first book). I hope the writing will get better and better [Cat Claw]