What Should I Do About This Violinist's Popularity?

I couldn't hold it in anymore after reading this chapter. The protagonist, a violinist who can participate in competitions and win prizes = has extremely solid technical training, also has the goal of becoming a soloist. She believes that "skills are greater than Tao", so she prefers to show off her skills. No problem, absolutely fine. You showed her in the article that she was completely ignorant of timbre and emotional intensity and still became a top professional player. How did she do this? Do you know how ridiculous this is? This is equivalent to her being deaf but still playing the piano/she has been tightening screws on the assembly line for more than ten years without any worries. You really can't let her get scolded for being emotionless even when she plays Symphony of Destiny. This can't be too funny... You can write that the protagonist is "sensitive to technology, but lacks understanding of specific aesthetic language"; you can write that "she has little experience and shallow thinking, and it is difficult to form a profound and amazing musical aesthetic". If that doesn't work, you can completely set her to have a deep bias, such as being good at performing Tchaikovsky, Johann Strauss Jr., Mendelssohn, the kind of music that has bright moods, soaring melodies, and clear structures. But Brahms and Debussy are not that interesting, so she needs to fall in love with three men to increase her emotional richness. The conflict between the professional description and the internal logic of the character is too serious. If she had been practicing the piano for more than ten years, it is impossible that she would not have developed her own potential perception. The violin is very dependent on physical emotions. Even slight finger tension, slow breathing, and an emotional disturbance during playing will directly affect the timbre. The setting of "completely incomprehensible emotions" itself is seriously inconsistent with common sense in terms of cognition. Moreover, the protagonist can be accused of being emotionless even if she plays casually. How dare she have such a grand dream as "I want to be a soloist"? Isn't it true that she will realize her lack of talent after practicing for a few years? Taking a step back, if there is such a person in reality, she must be paranoid to the point of morbidity...

There are obviously a lot of girls studying piano, so why are pianos made by men's hands? It's really annoying.

Teacher, it's not because of the man, it's because she was reborn.

I discovered that the author has written about my boring daily life before. The heroine is always in my comfort zone, confident, has a strong sense of deservingness, works hard for her career, has an edge, has many precious female friendships, and also has some virtuous male guests hahaha. The heroine gradually strengthens her acting skills in this book, which makes me sympathize very much, because I am a special person with weak sensitivity, and I feel very headaches in some creative work.

But if the protagonist doesn't love music and has no way to feel the emotion from the music, what supports her through the boring time of honing her skills? Is it just a thin vanity to show off her skills? It feels incredible...

Suddenly I remembered a piece of news I had seen before. It seemed that the side effects of certain drugs prescribed by psychiatrists would affect musicians.

Hahahahahaha, after taking this medicine, you can hear your voice lowering by half a degree. It's really famous.

It seems very rare to find someone who writes music specifically.

Suddenly I felt like some people who study music are just like the heroine, stubborn [Panda Head]

It's good to see that everyone will encounter difficulties, be confused, or let go, or solve it, but they must move forward!