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Fu Zhiqiao, heir to a conglomerate worth tens of billions, transmigrates into a book as the daughter of a merchant family in ancient times. She opens her eyes to hell mode: her father has died a horrible death, her family fortune has been seized, her engagement has been broken, and all she has left is her frail mother.
She rolls up her sleeves and sets out to make a life for herself and her mother. Starting with a tiny shop, she takes up the merchant trade, dismissed by the world as one of the lowest professions.
She opens taverns, builds wineries, organizes trading caravans... She puts modern business ideas to work with dazzling success, becoming one of the richest people around and leading the poor to prosperity alongside her. Before long, her fame spreads across the land.
Xie Zhuo, heir to Prince Duan, is noble by birth and peerlessly handsome. Every young lady in the capital dreams of marrying him. As the people gossip about which noblewoman will win his heart, he suddenly falls for a lowborn merchant's daughter.
He wants her not as a concubine, but as his lawfully wedded wife.
His family pressures him? His clan looks down on her? He declares forcefully:
A 700,000-word business article was created from scratch. The heroine's business scope is at a medium level within the same word count range of similar type of articles, and the business scope can be expanded. Career line is too flat The love line of the male and female protagonists, from the beginning of acquaintance to the ambiguous pull to confirm their feelings, the changes in the love line are not clearly written. It means that the writing can be more exciting, the emotional fluctuations can be more ups and downs, and the conflicts can be more intense. Because the male protagonist's engagement led to the breakdown of the relationship between the male and female protagonists, this turning point was poorly described, and the female protagonist's personal charm, views on marriage, and values were not well reflected. Every time the male and female protagonists expressed their opinions later, it felt like they didn't address the core points. The heroine wanted to let go, but the hero didn't agree, so she just kept saying "believe me, I will do it". As for the actions, there was no action at all. He just kept talking with his mouth. Deal with the consequences after they happen. Personally, I am dissatisfied with the male protagonist's behavior. He knew what would happen but did not deal with it in advance and did not think twice before acting. The male protagonist has an engagement and wants to break off the engagement, but he hasn't done so yet. He keeps pushing and pulling without breaking it off completely. The female protagonist can be more ruthless, and the male protagonist's handling is not good. Personally, I think this place is not handled very well.