The Bandit

[Super action pirate eldest lady × sickly, self-destructive and crazy regent] [As the old saying goes, a woman favors a man + she plots against him + she abuses a man + an extremely dependent relationship] [Dog Head] Teacher Mamada's new work still has the same formula, stable writing style, more abundant descriptions of "male sex", and more delicious sickly handsome men. Sisters who like this type of writing should not miss it! It's really not easy to stick to your own path outside of the mainstream novels about nuns and heroines. I devour them every time ~ This book feels like it combines some of my favorite characters from "Manu" and "The Powerful Minister". It's so delicious 🌸Generally speaking, when stories about strong women and weak men are written, the mainstream always revolves around two sets of narrative systems: one is that power flows directly from men to women (feminine setting). Men are relegated to the "second sex" under the same female-dominated patriarchal system and become objects to be viewed, conquered, and objectified. The woman conquers the man; the second is the emotional investment from women to men (GB saves Fengchen). The man is in the "🌟right position" and is placed in a position that needs to be protected, tolerated and entered. The woman uses the power brought by the "phallus" to take over his desire and heal his fragility. Teacher Mamada's romance works take a path full of heterosexuality outside of these two narrative systems: The male protagonist is fragile and strong at the same time. He is not just a man who is admired. He is powerful. As the regent in the court for more than ten years, his power and resourcefulness are truly presented in the story. It is not just a personal label. At the beginning of the story, a testing ground for the power struggle in the capital is designed, and the male protagonist completes the display of power crushing without showing up. Then the male protagonist strategizes the government, the formation of troops to suppress bandits, and the later analysis of the truth of the year. These are the highlights of his masculine charm. He has his own battlefield, his own obsessions, his own enemies, and his own plans. He does not need to be seen by the female protagonist to exist. On the other hand, the male protagonist's fragility is not repairable, and he has never aimed to become a "sound person". He actively chooses to fall, and he destroys his martial arts and harms his body. His "madness" is completely divorced from the traditional patriarchal social value system, and he is a highly restrained self-destructor. The trauma on his body is too many, too deep, and too irreversible. His mother will not be resurrected, the tragedy in Yanxi Village will not be erased, the humiliation of Zhunu will not disappear, and the mental damage caused by drugs can never be cured. He desires everything from the heroine, wants her to never leave him, wants her to hold him, touch him, kiss him every time when he is sick, wants her to say "no" when he says "kill me". Underlying his power and resourcefulness is the ultimate lack of independence. He only wants her and he can't live without her. I especially like the teacher's description of the male protagonist's various "viewable" fragility and "falling", "clinging" and "borderless" states. Excellent writing style! ! ! I hope all the authors who write about beautiful sick men will watch and learn. Labeled vulnerability and visualized vulnerability are completely different! In contrast to the extreme internal friction of the male protagonist, the female protagonist has no detours or internal friction at all. She never tries to "cure" him mentally, she just lifts him up properly every time. She didn't even think he had anything to heal. She never conducted a value trial or emotional test on whether he was worth it. When she rescued him from the ship, who was dying and missing for a year, she even wanted him to stay with her in a safe and empty state. Throughout the story, she has been looking for "foxtail grass" to heal his body, but actual "healing" has never been the purpose of this story... At the end of the story, she stole him away from everyone's eyes, stole him to her territory, and she fulfilled his wish, where he could live without power, identity, or sobriety. He took the initiative to give up everything in the world and only wanted her, and she accepted him, crazy, sick, and broken. As long as he was with her, it was more in line with the kind of true heterochromatic happiness that the two pursued than any complete recovery. He was destroyed and could no longer rebuild himself within the power system that destroyed him. What he wanted was her who was willing to take him in unconditionally. The only way he could exist was to cling to her and breathe. She is not his savior, she is his spider thread, she is his co-existant in ruins. [Milk tea]

Cui Yang is such a good little emperor. Everyone is fine. Cui Yang has been dizzy since the first boat ride. Now he is going to the distant sea to draw a chart. But he is still not used to Xiao Man becoming a princess. It sounds like he has become an accessory.

Thank you very much. Although it was not a grand and dramatic one in the end, the long-lasting love is more touching. When life is happy, there is a feast in white water. Consummation is a fruit, very sweet. I waited until chapter 128 to read this book. While waiting for the extra chapter, I read it again and again, but I haven't finished it yet. It's an honor to meet Da Da. I have read every one of Da Da's works and like them very much. Will always follow~

The author wrote so well! I'm still not satisfied after reading it. Why are there so few collections? It's totally unreasonable! Sometimes I wonder if the introduction to the work is not so straightforward, which prevents many people from getting it to the point where it's really fun. It's really super fun! ! !

With emotion, the whole story of Lao Pei gave me a feeling of Zhou Zhiruo. It looks cold and cold, but there are also moments of pitiful little white flowers. I like this setting.

Look good, look good. I was super happy and satisfied after watching it. I feel like there is still a lot to write in the extra chapter. I will write about their past days and the process of falling in love. I am still confused about the past timeline. After Pei Juan rescued Xiao Man, he stayed in a village for a few days and then separated. How did he teach her martial arts? (Only through correspondence?) How did Xiaoman know that he was a master of swordsmanship (didn't everyone kill Xiaoman who he picked up?) How could he maintain the correspondence for more than ten years... If this book can be published, there will be many words in the special chapter (in fantasy)

Beautifully finished reading! Cool! Next time I want to see the prisoner moaning.

Open the anti-bone bar. Open the anti-bone bar. Is the next anti-bone book good?

Ending with flowers~~~I really like the heroine Shang Wan, she is so charming! ! ! She is like a big tree, with the ability to solve problems, and can also protect the male protagonist from wind and rain; and like the earth, she is tolerant, accepting, and has the power to support. Such a heroine setting is too rare. In most common novels, the male protagonist acts as the "male mother", holding the female protagonist in the palm of his hand and pampering her to the extreme. Shang Wan, on the other hand, seems to indulge the male protagonist in every possible way and dotes on him without any bottom line, but the decision of how to dote on him and to what extent is hers is always hers. Her favor is not to please, not to lose oneself, but to give after a clear choice. When she loves, she loves, and once she loves, she loves everything. When faced with the love of her male partner, she doesn't act sloppy and refuses it openly. She doesn't use other people's feelings as a bargaining chip, and she doesn't use ambiguity to prove her worth. The goodness and charm of the heroine do not need to be reflected by the "heartthrob" character. Her charm comes from the stability of her personality, the richness of her emotions and the firmness of her choices. She will not play tricks on the male protagonist, nor will she deliberately be ambiguous with the male co-star to stimulate the male protagonist to go crazy and become jealous, thereby increasing the intensity of the relationship. Her love gives people a sense of security, rather than relying on a sense of crisis to maintain it. After reading this, I am about to fall in love with Shang Wan [biting handkerchief]

This one is longer than the others. Which one should I open next?