[Abduction and possession, a resilient, unflappable heroine vs. a cold, brooding hero, one-on-one, both chaste, unconventional happy ending, 70% of the text protected against copying for 72 hours, add to your library to leave comments as you read!]
The blurb for the upcoming novel "Love Cannot Be Forced" is at the end. Please add it to your library!
This novel's blurb:
A Yu is an orphan, supposedly born under an ill-star. She lives alone in a small forest, where no one dares go near her. Her life is poor and dull.
Until one day, Crown Prince Li Shu appears in A Yu's little forest, covered in blood.
The two hit it off and strike a deal: one will pay, and the other will save his life.
To leave the forest one day and start a new life, A Yu resolves to nurse Li Shu back to health.
Her precious medicinal herbs? Use them! Her last few belongings? Spend them! Her noble benefactor is being hunted by soldiers? Protect him!
But when all is said and done, just as A Yu thinks she can finally start a new life, she discovers that the man she saved may be a crown prince, but he is an ungrateful wretch who doesn't keep his word.
Li Shu's life has always been smooth and peaceful. Born to a prestigious and noble family, he can obtain anything he wants, including the throne.
Except for the orphan named A Yu.
He is calm and composed, emotionally steady, neither happy nor angry, but he loses his composure three times.
First, after A Yu calls him a promise-breaking ingrate and storms off, he goes after her, only to see her turn around and cry in another man's arms.
Second, he discovers that A Yu wants to marry, but the man she wants to marry isn't him.
Third, when he tells A Yu he intends to marry her, she runs away on the spot.
The first eighteen years of A Yu's life are spent in extreme poverty. Later, Li Shu gives her exquisite delicacies, gold and silver treasures, and magnificent mansions, but takes away her freedom.
*
Later, A Yu becomes the “auspicious omen” in the hearts of countless women in the Great Yan Empire. Yet she has never been able to obtain the things she wants.
If I cannot escape the things that torment me, then I will turn them into blades in my hands and cut a path through the brambles for other women.
Theme: Love is precious, but life is more precious. If freedom is at stake, both can be cast aside.
Upcoming novel: "Love Cannot Be Forced" is expected to begin in late 2026 or early 2027~
Wen Ning is transmigrated into a book as the heroine of a tragic story of abduction and possession. She was engaged to the emperor's younger brother, but the young emperor takes her by force because of her beauty.
Gu Heng seizes the throne in a coup. He is ruthless, cruel, and unfaithful. He plucks Zhao Rou, a delicate flower, only to cast her aside like trash once the novelty wears off. She dies young in the depths of the imperial palace.
When the imperial decree of betrothal reaches Wen Ning, she thinks she has changed the course of the story and has this in the bag.
Only when Gu Heng pins her in a corner with his dark, penetrating gaze does she realize that he is domineering and possessive, and that he will stop at nothing to claim what he desires.
“Your Majesty, you rule the empire. Why ruin your reputation for a woman like me?” Wen Ning's eyes redden, her gaze captivating.
“I have never cared what the world thinks of my actions.” The emperor wipes away her tears, leaving her no room to refuse.
Wen Ning assumes Gu Heng is only under the influence of the story's original plot and will soon forget about her.
Until one day, someone calls her a monster and uses a magical artifact to reveal her true appearance. Gu Heng has that person thrown into prison, yet remains just as devoted to Wen Ning.
Gu Heng whispers in her ear, “I know you aren't Zhao Rou, but I don't care. As long as you stay by my side, safe and sound, that's all that matters.”
Gu Heng loves Wen Ning with all his heart, but his affection is a prison, and the shackles keeping her trapped in this era.
To escape Gu Heng's control and return to her own era, Wen Ning turns her attention to Zuo Yuan, the powerful chancellor who dominates the court.
Zuo Yuan is gentle and refined, and reveres Confucian propriety. He despises the temptress who beguiles the ruler, and even thinks she ought to take her own life to atone for her sins.
But when the beautiful woman before him weeps with heartbreaking grace, a ripple stirs in his eyes, usually as still as deep water.
Theme: Love is precious, but life is more precious. If freedom is at stake, both can be cast aside.
If you want to write a crematorium novel that is more enjoyable, the male protagonist will regret it and be tortured to pieces. If you want to abuse him, you have to start abusing him from the middle part. At this time, the male protagonist's attitude can no longer be so aloof and must be humble. Isn't it a bit too sick to talk about duplicity after chasing after the crematorium? Even if it is because of the arrogance that power breeds over a long period of time, isn't it necessary to see the superior person bowing down to the inferior person in the crematorium? You can be high, but if you are high 90% of the time from beginning to end, isn't that a bit too much? Then you shouldn't have labeled Chai Wife Crematorium in the first place? You have to aim for a high point, that is, the female protagonist finally succeeds in her resistance and gains freedom, or the female protagonist changes the male protagonist and the male and female protagonists grow together, rather than the unilateral growth of one person. That is not called growth, that is called compromise, and it is really meaningless to watch. I want to write a story about running a girls' school to highlight the heroine's ideals, and how she has to bow her head in the face of powerful people, but in turn uses powerful people to seek equality for women in the world. This is very good, but you can't wait until the finale to get it with a compromised attitude. In the end, you still haven't escaped the attitude of men giving alms to women, such as superiors giving alms to inferiors. This kind of plot should appear in The middle part or the first half, the heroine compromises and then gradually develops her own power to seek equal status for women in the world. During this period, the hero gradually changes due to the growth of the heroine and begins to grow and learn to respect. Because it is too late to regret what happened in the past, then the final outcome will be in the hands of the heroine, whether to choose to forgive or to protect the world with the hero. Secondly, what I want to say is that feelings are two-way, and forced love must first have love before it can be forced. Since the male protagonist had previously plotted against the throne, causing the female protagonist to almost lose her life and causing the female protagonist to be insulted, is this considered love? Forced love is coercion when the person is well protected. This kind of nonsense is incompetent, and the love cannot be felt. It treats people as toys, insults, and still wants people to stay by their side. What is it called force? Are you sure it is not an insult? The emotional development is really very thin. I really didn't see the pull or love. It was all the male protagonist's unilateral paranoia and the female protagonist who was forced to resist and finally compromise. To put it bluntly, this novel could just be called a novel about ineffective anti-feudalism and forced to compromise in the end. What's even more disgusting is that for the female protagonist, she has lost everything, and running a girls' school is her only belief. For the male protagonist, she seems to be an emotional inferior, but in fact, what has he lost besides love? Now there is only one chapter ending and many contradictions have not been resolved. I think the author's biggest punishment for the male protagonist may be that the male protagonist will never be loved by his lover. I thought of that classic saying again, he just lost his freedom, his dignity, everything about him, but the male protagonist lost his love. I hope the author will polish the emotional line between the male and female protagonists in the next article, even if it is a BE article, especially the male protagonist's character!!! Don't do this kind of thing that is about to end, and the hero starts to regret something that he couldn't catch up with. This crematorium is a waste of time! Moreover, our coercion is to protect the heroine from harm. Coercion does not mean that even if the male protagonist forces it, it cannot guarantee the safety of the heroine's life. So what's the point of looking at it? Then what is the use of this male protagonist? It's like a decoration. You have to be strong enough to force. If you are not strong enough, why do you force?
Hey, I feel like the change of the heroine staying in the palace and setting up a school for girls is so sudden. The hero is not abusive at all. He has been abusing the heroine. Now it's almost the finale...
To be honest, I was quite disappointed with this novel. The heroine never knew what she wanted to pursue, and the hero never understood her own heart. The character was given in a hurry at the end. I felt that the plot was a bit disgusting. The hero did not feel that he loved the heroine from the beginning to the end, and the heroine never loved the hero from the beginning to the end. The two were forced to be together, and there were various misunderstandings. I wanted to write about the heroine helplessly accepting her fate, but every time I wrote it, it was sparse.
I kind of want to see a side story where the male protagonist is reborn or the female protagonist is free... It's okay for the male protagonist to be paranoid and not let go, but the premise is that the male protagonist is strong enough to protect the female protagonist from the outside world. I can really feel the preference for the female protagonist. I hope the author can improve the male protagonist's character in the future.
I don't mean anything else. I really recommend you write BE articles. As of now, I just want to say that as a newbie, your writing style is really good, and your characterization of women is also very good. But I don't know why, your portrayal of men is too thin. To put it simply, there is no change or growth at all. Maybe you want to express the feudal environment, but no matter what, the mood will always change a little! Even if you don't really want to respect women, even if it's for the woman you love, you will change a little and let go of your self-esteem! This is paranoia, not prejudice! This makes me feel that the male protagonist and female protagonist here are basically two people from two different books. Secondly, the heroine is really frustrated and I really feel sorry for him. Let's take a look at our male protagonist. What has he lost besides losing love??? In this relationship, apart from being the emotionally superior one, isn't the heroine still in a weak position in other aspects of the relationship??? Or when the heroine escapes for the first time, the hero bows to the heroine and apologizes for making amends for his mistakes (dignity, can you give some dignity? The most basic respect between people, the hero doesn't even give it! He is like a fool. He doesn't give material things when his material conditions are better, he doesn't apologize when he needs to apologize, and he doesn't make up for it when he needs to, let him be the emperor alone, my god) In short, I don't mean to scold the author, it's just a small suggestion (be, really be, go ahead and write be. Author, I think you are really suitable for writing be. If you write be, you are a god. This is nothing he says) If it doesn't work, let's just write the kind of story where the female protagonist and the male protagonist end up be, okay? Author, you said that the heroine will get everything he wants in the end. I hope you will do what you say (but getting everything you want does not mean that past mistakes cannot be made up for! The damage in the past cannot be erased and we have to discuss the matter!!)
Hey, that's it, I compromised.
Why is this article uncomfortable to read? If it is just a simple article about a strong man and a weak woman, the female protagonist is originally weak like Bo Sihua, the male protagonist is originally a very feudal dog man, and then 90% of the whole chapter abuses the woman, and the last 10% of the male protagonist regrets chasing his wife in the crematorium, then it is a very ordinary article about raping, robbing, and abusing a weak woman. His audience is very obvious, and people who are naturally good at it will not find it so difficult to accept. But the problem with this article is that the heroine is the kind of heroine who dares to fight very brightly and has a miserable life experience. The point of looking at the robbery here is how the heroine changes the hero. It is the dual growth of the hero and the heroine rather than the unilateral growth of the heroine. But the entire article highlights the growth and changes of the heroine, and the fact that the heroine has to bow her head in the face of the insults of powerful people, while the male protagonist never changes at all - he has no sense of respect. This is the point. If this is the male protagonist from the first 30 chapters, or the first 50 chapters, then I can accept it, but the problem is that it is almost over, and the male protagonist is still like this. In the end, Chapter 115 suddenly humbled me, and it was still the kind of humbleness, what is the use of it? Aren't you high-minded at heart? And even in reality, we all know that if you do something wrong, you should apologize and bear the consequences, instead of using other things to make up for it. No gold, silver, or jewelry can compare to a sincere and humble apology. This is the embodiment of respect. This is no longer a man's respect for women, it is the most basic respect between people. The problem is that this male protagonist can't do it. Until now, he has never said sorry, made amends, or lowered his head once for the insult to the heroine and everything he has caused to her now. What does this mean? It shows that he is still aloof at heart. How can he respect women in the world if he doesn't even respect the woman he loves? And to be honest, author, do you think it's really possible for the female protagonist to fall in love with the male protagonist at this point? Why should the male protagonist save her a few more times and help him block the knife a few more times? This routine is too cliché, right?
The growth of the male protagonist is not visible at all. He is humble on the surface but superior in his heart, which makes people very uncomfortable. In the final analysis, the author still fails to escape the comfort zone of abusing women. He only highlights the growth of the female protagonist but ignores the changes of the male protagonist. On the surface, this is an article that respects women, but in fact it relies on men's charity. Ideology is the most important, it only provides a material foundation, but the mentality has not changed at all, especially the insults brought by men in the past, and the male protagonist has no sense of respect for the female protagonist and women from the beginning to the present. This is the key point, the male protagonist has never lowered his head from beginning to end.
I'm tired of following this series. Hey, that's it. Young people can do whatever they want. I don't want to interfere too much.
I finally finished chasing it. I hope that the author will write more stories about torturing the male protagonist in the future and not make the female protagonist so pitiful again.