On Becoming the King of the World on the Grand Line

This is really the best female-oriented pirate novel I have ever read. It feels great that women are no longer accessories to the men in the story! ! ! [Love Eyes][Love Eyes][Love Eyes]

Teacher, I like this book so much. Even though I haven't used Jinjiang very much recently, I still check this book from time to time. It is the real enlightenment of my Pirates. I have always disliked the misogynistic part in it, but I didn't think too deeply about it. I just avoided places like Wano Country when I saw it. But this fanfic allowed me to see new hope, new resistance, and some enlightenment on reality. Even the title "King of the World" is true and very enlightening about reality. Winning over my companions, the women from Hiyori and Kabo, allowed me to see this way out for the first time. Author, teacher, your works are really part of the enlightenment of this era, and are of profound significance to your successors and children. Whether here or somewhere else, I'd love to see the continuation. Many works this year have lit a fire in my heart, as have many things on the Internet. I am honored to stand with people of the same gender as you.

This is the best female-centric novel I have ever read. There is no awkwardness at all about shouting slogans, which makes people feel really excited. I really hope that the One Piece comics themselves can not sexualize female characters and give them an awakening and such a resistance.

Stop listening to stories about heroes, listen to stories about heroes and heroines!

It's so beautiful. Some people may not like Shirahoshi's Madonna, but the teacher has completely written out Shirahoshi's charm. There will be gentle children like Shirahoshi in this world. She has some kind of divine motherhood, so she is the king of the sea and can understand the voice of all things. All the children in the sea will surround her [explosive crying]

Happy New Year 2026 from the author! Can we see more Lu hope, more female characters and more plots this year? [Poor] [Poor]

I don't want to listen to the hero's story anymore. I'm so lucky. I just called you into the pit yesterday and I saw you today. I'm so lucky. I read more than ten pages of One Piece and found this book. Although I knew it might be a trap, this book means to me that even if it doesn't have an ending, you will regret it if you don't read it. So lucky [hug]

The writing is really very good, the characters, the story chapters are all handled very harmoniously, and the writing style is also very good. It is a pity that this story will not be continued. I hope I can see the end of it.

Teacher, can we still see updates in November? [Poor]

Comment on "Becoming the King of the World on the Grand Line" First of all, I am very grateful to Teacher Jiu Sandie for bringing such a good work. I really gained a very happy reading experience. (My language is confusing. I will say whatever comes to my mind. What I say may not be accurate. I am just very happy so I want to say some thoughts.) I personally like the first person and the thoughtful beginning very much. It can be said that I was attracted by this article the first time I read it. And overall, there is no problem of confusing perspective, and it is very comfortable to read. It's really great that first-person writing doesn't have such problems, because the writing must be thought entirely from the "my" perspective, and it won't jump out of this frame and become God's perspective from time to time. The female-centered ideas spread by Teacher Jiu really made me happy. From the first chapter, there is a small detail. The original text is probably "Our mom and dad's opinion on this is... They have never appeared in Luffy and I's life." After reading this, I realized that this would be a female-friendly article. There are also words like "mother and father" mentioned later in the article. To be honest, I kind of admire Mr. Jiu. Although I myself have been exposed to these ideas, the habits I have developed in a society with a traditional narrative framework over the years are still very strong. Now I will consciously say mom and dad, sister and brother, sister and brother, mother and father, but it is really difficult to get used to the word "mother and father". Growing up, the shortest version of the name for both parents was "parents", which is almost the most authoritative way of saying it. So now I rarely mention the two-word title. Most of the time I use "mother, father" and "mom, dad". However, Teacher Jiu directly wrote "mother and father" in the article, and I felt inspired. If someone is willing to lead the way at the beginning and be the person who raises the sail, many things that follow will not be so difficult after all. People behind will feel more courageous when they see the footprints left by those in front. I also want to become more "brave", speak more, and develop a new language habit. The more you talk and do the more, the habits will naturally develop. I was so touched when I saw Lu hope inviting Guina! It was really the first time I saw the protagonist taking Kuina out. In the past, what I have seen is that the protagonist encourages her verbally and then leaves. Kuina is just a good thing that the protagonist does by the way, just giving guidance. The little Kuina should stay in Shuoyue Village, that small sword dojo, listen to the cliches of many people, and then work harder to defeat various challengers. Did she still have doubts and shed tears in her heart: Can I really become the world's greatest swordsman? Can I really be more powerful than men? These subtle thoughts must have existed, but she had no choice but to stay where she was and practice. Maybe when she gets older, she will go to sea to find stronger opponents, but there's nothing wrong with leaving early! Go out to see the big world, see more things, and strengthen your ambitions in practice. In Teacher Jiu's novel, Kuina is like a sharp sword, cutting everything sharply. Hedao was not left to a child with a green algae head. This sword was inherited by Kuina and should have been hers. In some stories, in order to ensure the original plot, the words "Wado" are still left to Sauron, and the protagonist often gives Kuina a new sword carrying hope. But why does the word "Wado" have to be left to Sauron? Isn't the originally chosen successor Kuina? If Kuina lives well and still retains her desire to become the world's greatest swordsman, then she should hold this sword. I'm not criticizing or blaming anything, I just see the differences between the authors. Teacher Jiu's fine-tuning of the original plot is so delicious! Delicious, delicious, thank you. Oh, yes, the setting of "The Navy's Hopeful New Star" in the article is also very novel and good. It really makes people feel the "wisdom" of the crane and the efforts of the Navy itself. "I", the protagonist Lu hope, is very smart, but sometimes she has the temperament of being wise and foolish like Luffy. There are some things she doesn't want to hear or won't listen to if she isn't interested, because she knows firmly and clearly what she wants to do. Many writing details also have the "idiot" flavor of the original work, which I like very much. After all, this quality was one of the reasons why I liked the OP in the first place. Moreover, Teacher Jiu does a good job of maintaining this balance of levity and drama. Hey, hey, thank you, Teacher Jiu. I like you. A big chapter after that is Wano Country. I can't comment in detail because I stopped when I saw it, so I will just briefly talk about my feelings. I have also read more or less online reviews of the original Wano Country chapter. To be honest, they are not very good. In short, they are very similar to Neon. Putting aside this part, you can still see the sense of humor in some places, but when it comes to whether WT takes the characters seriously, I think it does. I actually think the overall worldview of OP is very inclusive. It has all kinds of people, and the personalities of these people are caused by different environments, which is very real. I saw a saying before that WT is very good at female characters. This is true, but female characters such as Nami and Big Mom are also very attractive. WT arranges for Nami to wear such cool clothes, which is very eye-catching, but from another perspective, it can also be said that Nami is very confident, she is not afraid of being stared at, she is who she is, and she can wear whatever she wants. She loves money, uses tricks in battles, is smart, kind, and brave... She has countless advantages, and we women can all see how good she is. I have seen someone's character Big Mom not very good before, saying that she goes crazy when she suffers from Sirexia, and is not like other male characters... Normal. But what's wrong with this? I like Charlotte Lingling very much now. She has such strength that no one else dares to disobey her. She is the emperor of the sea. No matter how she rules, she is so powerful that no one dares to offend. All in all, I think WT is really great at creating such diverse characters, although I don't know if that's his original intention. But it doesn't matter, the characters are for interpretation, we see the characters and fall in love with them, that's enough. Wait, I'm going off topic again hahaha, originally I wanted to talk about Shu-sensei's Wano Chapter. I haven't read the original work, but that doesn't stop me from thinking that Teacher Jiu explained it very clearly. It might have been difficult to see clearly, but when the teacher explained it, it was like wiping away a layer of fog on the glass. Taking Yamato as an example, it clearly shows why she wanted to be Kozuki Oden and why she returned to Yamato itself. There is a sentence that I like so much: "A woman who wants to be a man can't win against anyone. She can't even find her own way." Women are women, and they don't want to be men. Women should be proud of their gender! Sometimes I read tweets and comment on people complaining that some feminist articles are too didactic. In fact, I think this is already very mild. Others may not realize some thoughts if they are not spoken out. People communicate with each other through language. Haha, maybe even Mr. Jiu's article would be called "too preachy". I have said so much, but in short, I really like the protagonist Lu hope, "I", in Teacher Jiu Sandie's works. This is also me, us, women in the future. Women are so powerful and good. Thanks again to Mr. Jiu Sandie for creating such a good and imaginative derivative. Finally, I sincerely request Boss to finish this book. Boss, I feel so sad without your writing!