Also known as The Rise of a Nobody
Ming An's job is to help the ghosts of minor characters who die in every world because the protagonists are hopeless romantics move on. His method is a little violent, though, and before long he can turn from a nobody into a villainous BOSS.
World One:
Faced with a ruthless, domineering young warlord and a fragile, pitiful flower of a protagonist, Ming An chooses to team up with the vicious male supporting character and beat the young warlord into a cripple.
World Two:
Faced with a scumbag zombie king and a transmigrated protagonist determined to win him over, Ming An once again teams up with the reborn vicious male supporting character and grinds the scumbag to dust.
World Three:
Faced with a scumbag who chose to save the vicious male supporting character when forced to pick between them, Ming An looks at the supporting character beside him, all whimpering and whining, then at the calm protagonist, and finally hands the protagonist a sword. "Go on. Kill him."
Ming An can always twist the plot toward an unexpected outcome. But every time he thinks victory is assured and everything is under control, the vicious male supporting character he's working with ruins the mission.
"Aren't we partners?" Ming An asks, baffled.
"Who the hell is your partner? Every time you flirt with me, don't you mean you like me?" the vicious male supporting character snaps angrily.
This is the story of a villainous BOSS who thinks they're using each other, and a vicious male supporting character who thinks he's being secretly loved, but that the other person can't have him.
Expendable villainous BOSS, award-winning actor top, Ming An x vicious male supporting character, split into multiple incarnations bottom
World One:
Scheming villainous officer x narcissistic, spoiled actor
World Two:
Cold, crippled zombie emperor Enigma x reborn Alpha bent on revenge
World Three:
Flirtatious, amorous evil god prince x insecure, scheming little flower spirit
World Four:
Two-faced, duplicitous minister x patient heir who intends to rebel
World Five:
(Before rebirth) Naturally emotionless, domineering scumbag top x obscure, insecure bottom with a secret crush
(After rebirth) Vengeful celebrity scumbag top x amnesiac, devoted benefactor bottom
Note:
1. The top is romantically inexperienced, naturally a scumbag with an emotionally detached disposition. He's used to immersing himself in roles and acting, and is a little split-personality. He won't fall in love in any of the small worlds. The ending is tragic.
2. The story leans toward a male lead's perspective, with a strong top and a weak bottom. The bottom has a different personality in each world, like different fragments of the same person.
3. Because the top is strong and the bottom is weak, the bottom rarely gets a chance to pamper the top. If you like a strong bottom pampering the top, this may not be for you.
Opening of the new story:
Everyone in the World Wants to Form a CP with Me
An Di's perspective:
As a villainous NPC in a virtual game world, An Di has always dutifully followed the plot, getting killed over and over. Then one day, An Di gains self-awareness and discovers that he's the game's villainous BOSS. Every player wants to kill him to clear the game, but he doesn't want to die.
Why should an NPC have to die? An Di decides to turn the game on its head and make the players his prey. He becomes the game's strongest bug, impossible for any player to defeat. Just when An Di thinks he's changed his fate, some guy called Shenling runs him through with a sword.
An Di looks at the cold, expressionless NPC across from him. He forgot that the game had a protagonist, too.
Feng Shenling's perspective:
Taught from childhood to champion the weak and protect humanity, Feng Shenling is determined to kill every monster. Although plenty of people inexplicably approach him, act friendly, make intimate gestures, and want to be his friends, Feng Shenling was born unable to understand emotions and has no idea what the word "friend" means.
Then one day, he meets a strange man who says he wants to be friends. The man barges into his life for no reason, and also makes Feng Shenling realize that his neighbors, classmates, and relatives, seemingly everyone who's kind to him, may have ulterior motives. The world he's living in is not as simple as it seems.
Note:
This story has two protagonists, no CP, and a dark tone.
Theme: Reject romance obsession and focus on your career
To be honest, I really don't like Meng Liu very much. Even if the character of the protagonist is not paired with someone who is equally matched in intelligence, means, and ability, he should be a lover who has his heart and eyes full of him, not an idiot like Meng Liu who is overly self-aware, stupid, poisonous, incompetent, and thinks he can take advantage of everyone. A few days ago, I saw Meng Liu's self-yy protagonist being deeply in love with him. He immediately started to take advantage of him and tried to take advantage of the protagonist. It was quite annoying, but at that time, he thought he was cannon fodder and endured it. As a result, now it seems that he treats the protagonist as a backup, and he confidently feels that if the protagonist "likes" him, he will satisfy him and wait for him. In addition, the author admits that he is a CP or a slicer in the first world. It feels like a nightmare. Will every slice in the future be an idiot with excessive self-awareness like Meng Liu? He said that he wanted to give his benefactor happiness, so in the subsequent plot, is Meng Liu saying that he likes the protagonist and then the protagonist agrees to spend his whole life in order to repay his kindness? I now feel that this favor has been repaid enough. A steamed bun changed his identity as the second young master of the Sheng family and helped him get someone he likes. He also built momentum for him and gave him a good reputation. Isn't this the end of repayment? Does the protagonist have to be involved in it for the rest of his life? It's because of the partial attack in the copywriting that I've been able to see it now. Although the protagonist does have some selfish motives in secretly using Meng Liu, but from a clear point of view, Meng Liu has been benefiting endlessly from the protagonist, and the protagonist's task is only to break up the original protagonist and repay his benefactor. His selfishness will basically not have any impact on Meng Liu. Even from the current point of view, Meng Liu is not of much help to his main mission.
Um, I really want to complain when I read this chapter. The concept of emotions in it is so far-fetched and weak. It doesn't just refer to the protagonist Gong Shou. I feel that as long as it is about the description of emotions, everyone except the protagonist Gong is a puppet. They are forced to have such a relationship just to make the plot look like this, rather than because of the character's personality, the plot and emotional development proceed in this way. For example, I can't see how the original protagonists' attack and shou would develop in this way based on their characters. It's all written commentary in the article, from the side. For example, when the protagonist is not sure about the choice of the savior, he will still anger the original protagonist, and will let him get close to people with evil intentions. For example, what attracted the original protagonist to the original love? How can he be so decisive in love without the memory of his previous life? Moreover, a person who acted so coldly and rationally before would suddenly change his mind without any foreshadowing. Also, since the original protagonist Gong was able to deceive many people into liking him, would he have a character that showed his emotions on his face and could not bear it? How could he be such a noob and expose his true self? To put it nicely, the plot is confusing, the world view, values and character creation are imperfect, and the previous foreshadowing cannot support the plot. It may be that the author forgot to install brain plug-ins for the NPCs when creating them. Maybe I think too much.
I'm so happy, this one is so cool. The protagonist finally knows Meng Liu's psychological activities and treats him as a joke. It's really cool. I hope the protagonist will continue to work hard to maintain his cold attitude. Mainly because at the beginning of the plot, when the identity of the benefactor was not revealed, the protagonist's inexplicable wavering towards Meng Liu was really inexplicable. I almost thought that the protagonist was a love brain who would fall in love at first sight. Now that he is cold and condescending and treats Meng Liu's self-love as a joke, it is very satisfying. I hope this state can be maintained for a while. As mentioned above, Meng Liu has always thought that the protagonist must confess to him, and it is Zhuang Ming'an's business to express his feelings. I just looked at the subway, the old man, and the mobile phone. He is too trustworthy. And why do you think the protagonist has to take the initiative in everything? He confidently believed that this should be Zhuang Ming'an's business, and that Zhuang Ming'an should take the initiative with him. Zhuang Ming'an asked him to watch shadow puppets to express his love to him, just because he was a victim?
After reading it... I feel that the biggest failure of the whole book is that Gong was tempted at the end. If he is still egoistic after reading Love in a House, this book is considered a success. It's a pity that God failed in the last step.
What kind of drama is this about catching a horse? How can a vicious male partner be so weak??? It has no effect at all. It relies on attacking to complete the task. In the end, it blocked the gun to save Shou. It is not suitable for watching side attacks at all. I can't stand it O. O
It was originally meant to be biased, but it turned out to be a controlled article disguised as biased.
Want to see a powerful Gong who is emotionless? There are some strong ones but those who dote on Gong to the heavens With this kind of feeling, Gong finally fell in love, I was really speechless =_= Abandon the article
Meng's character is very unlikable, and it's weird to force the emotional line of the plot.
Nice?????????
Emmm, it's really weird that I'm not likeable. I feel that there are no supporting characters who are outstanding and have no personality charm. Even bad supporting characters can be bad and outstanding. Maybe my wife is a novice.