After I Faked My Death, the God of Light Went Mad

? The ending made me laugh out loud. You are a circle god, right? There is a huge gap between the front and the back, and the finale is straight forward. Everyone makes dumplings together. I am convinced.

I feel uncomfortable. What should I do if I feel like this? I don't feel that the heroine loves the hero, and I don't feel that the hero loves the heroine either.

Seriously, the male protagonist feels like an NPD. He is always thinking about what he needs. When he says he loves the female protagonist, he actually needs love. The female protagonist made her thoughts clear and clear, but he can't listen to a word she says.

Personally, I think it would be much better if the author used the if line Jin Zelan as the main text. The if line has a more comprehensive explanation of Elsa and other backgrounds than the main text. The author can completely write more about the friction between homeless people, commoners and nobles. This can also fill in some gaps and give this work another layer of interpretation. The contradictions in the church can also be more prominent, and the origin and past of the male protagonist, the God of Light, can be more detailed. When I read this work, I personally felt that it was a little dry. If the gaps I mentioned above could be filled in, the plot might be more exciting and engaging. Personally, I think this novel could theoretically be longer, but the author, you finished it so hastily, which makes me feel very unsatisfied (actually, I read more first and crossed them out). I think the emotional transformation of the male protagonist can be more delicate, including the extreme contrast between the dank man behind the scenes and the bright god on the surface, as well as the interaction between boys and girls. I can't explain clearly. I think the author's handling of this aspect is a bit blunt, which may make it a bit inexplicable [poor] [poor]

The author just writes according to his own ideas... The male protagonist is actually okay. Except that he doesn't understand emotions, he will be too cold and mishandled, and now he loves too much. There is actually no other problem. But now that I know that Lulu had a purpose from the beginning, it is somewhat better to go back. But the words are like the tide, a flame that encourages and ferments each other. The system is truly disgusting. Just let the story develop slowly like this.

What's really going on here? The female protagonist says she has no feelings, but the male protagonist pursues her like this. The emotional line is really weird.

I feel more and more that the male protagonist's behavior is like the kind of person who kidnaps women and then makes her brain stupid so that he can trap the female protagonist.

I feel like the showdown between the female protagonist and the male protagonist was written in a bit of a fog... The male protagonist's entry into the female protagonist's world was also very sudden, and the author doesn't seem to be very good at writing transitions...

Wow, I can't bear it. This kind of depriving the heroine of her freedom and rights in the name of love is not love at all, it's just possession and plunder. What he loves is just the heroine who was good to him when he was a child. He deliberately makes the heroine leave her loved friends and family, leave the simple lifestyle, and force the heroine to adapt to the hero. If this kind of person were in reality, I would really slap him.

I feel that Kaka has been updated recently. I don't know if Lulu went back or Luoluo came here. I prefer the feeling of westward fantasy magic before, and I feel that the explanation of Luoluo's world after Lulu left is not particularly clear. Come on!