After Rising from a Tragic Romance Heroine to the Enemy of All Worlds

(Because some cuties may skip the words, I will post my thoughts again in the comments separately.) A few days ago, a little angel named "There are no more than 100 good men" raised his own question, why are most of the male characters winning in the previous chapters, or having foreshadowing plots? At first I could still find reasons for myself, but then I kept thinking about a question in the past few days, yes, why? Why do I, as an author, subconsciously assign plot points to male characters? It's clearly said to be about torturing men, but so far there doesn't seem to be much progress. The first few chapters are full of male characters shining brightly. I don't know how to express the shock I felt when I discovered this. Even I, who consider myself the supreme creator of this article, do not consciously speak more to men, describe female images, and associate them more with chastity, love, sex and desire. Originally, the ending I designed for Miss Yi Yan was not the one mentioned above. At first, I wanted to shape her into a Bai Yueguang with a universal meaning. In the end, she died in dedication to Zhou Bingwen. But I suddenly thought, no, why? Why should Yi Yan dedicate himself and everything to Zhou Bingwen, who has nothing? Why do I write the kind of "after I die..." Literature that is already so bad on Zhihu? Life is life, death is death, you can't do anything for her before you are alive, and you still want to gain her favor after death? So I changed it. I personally believe that living as a hero and dying as a ghost is the path that a courageous, strategic and wise person will ultimately choose. I felt like the previous stories were full of unconscious manifestations of the male gaze. It is true that we all have been living in a social atmosphere that is autonomous or passive, in any case, extremely male-biased and misogynistic. The male gaze is reflected everywhere in our lives, studies, and work. I don't want to. At least in my article, I wouldn't write it that way. There is still a long way to go. In short, I don't want to write the original story, which is just a story about venting anger. I want my heroines to find the meaning of their existence, not just to be someone's wife. We are ourselves first before taking on some other identity. By the same token, they are also themselves. Never give up your vast life for a little bit of love or hatred.