To Li Zhao:
Only after the thick fog cleared could I just barely see you.
See your ambition, your compassion, and your obscurity.
The obscure hide surging tides beneath the surface.
(Jiang Manzhuo, Memoirs of a Musician)
Someone as tough as Jiang Manzhuo was born to be roasted beneath society's rules. Before she turned to ash, she only wanted to become a piece of charcoal, so the fire could burn a little more defiantly.
She thought that someone like Li Zhao belonged singing on the upper reaches of the riverbank, wandering through clear-headed nights, and loving beautiful girls.
But he was just as tough as she was. Like their first kiss, they clashed head-on with no beauty to it, all conflict and raging fire, leaving both of them wounded.
But he was willing to give everything for it.
Goddess of the music scene and producer x a fallen genius drummer
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For a playlist that fits the story, see Weibo: @ZhongcaiDeDao
I have a fear of writing long blurbs, but I can guarantee the story itself is better than the blurb.
Sapiosexual romance | happy ending | both leads' first relationship | Kill me if you want, but I'm still getting things done
Theme: The struggle of cultural workers in the new era
↓The advance collection of "Chunjiang and Wangshan" is next door! ↓ The proud daughter of the acting academy × the know-it-all boss of a small town miscellaneous shop Everyone in Ganyao town doesn't like the drama "Hui Chun Jiang", and everyone doesn't like Fang Xia, who plays the heroine Chun Jiang. Except for Mount Kewang. Seeing the "big star" Fang Qia break up and suffer setbacks, Ke Wangshan, the always good-natured "know-it-all" made sarcastic remarks over and over again. Fang Qia learned his shame and became brave, determined to take him down. The film festival film was shot on the ship for three days and four nights. Fang Qia was wrapped in her coat and sat on the messy deck to warm up her words. Wan Qing's "Qinhuangdao" was playing on the speakers. Ke Wangshan folded a paper boat and sent it to her, wishing her to sail through the mountains and reach the other shore. In the chaotic night, Fang Qia kissed him for a long time and asked, "Try with me?" Ke Wangshan coldly rejected her because she was not from the same group. He thought that their relationship was over. After graduation, Fang Qiachuang staged his own play and became famous all over the world. She returned to the stage in the small town and ran towards the exit after the curtain call, stopping the man in the hat in the corner. "It doesn't matter if you're not from the same place. You can't let me go anyway." "Fang Qia, stop making trouble, I will take it seriously." "I take it seriously too." "My soul is so lonely that when I clink glasses with you in the depths of the emptiness, the echoes are entangled."
Hegel's understanding of aesthetics in aesthetics may be able to express my love for Manchu's emotional line. I remember when I was talking about Hegelian aesthetics, the teacher said that beauty only exists for a moment when you are touched, but if you are moved by beauty for a long time, it may be a great thing. This is why I particularly like stories about reunions or reunions after a long absence. But often the so-called joyful and sadistic aspects of the crematorium overshadow the real reunion, thereby drowning out what I really care about, which is the reason why two people can still be moved by each other after the blurring of time and space. This is why I particularly like Manchu. Feuerbach said that in love, people degrade themselves to a part, but this self-deprecation and inferiority are compensated because the other is also degraded to a part. He has a sense of self-confidence as an intellectual in the Enlightenment era, and is full of academic self-confidence. A good family background breeds a lazy and vigorous heart, but the real vitality is not entirely related to this. "Let the world be desolate and the public opinion is turbulent. The arrogant people will occupy one side and laugh at each other to make peace. They will laugh at themselves and the building will collapse. Our time has quietly arrived." Then Chu left without looking back. I like this sentence very much. I feel that Chu has a "youthful spirit". If you break it down, it is a kind of self-confidence with a strong sense of responsibility. If the keyword for "" is "confidence", then I would like to give Man the keyword "land". Thick, solid, and tough. Man is indeed not a heroine in the traditional sense. Man is not perfect. Compared with Chu's "dormant volcano" vigorous inner passion, Man is closer to a "cold feeling". If a person is working particularly hard, he will involuntarily have a layer of coldness to protect himself. But Man's coldness is not decisive. Maybe you will find that Man is very rebellious. Under the pressure of the dual standards of a heroine with a mediocre family background and a strong desire to control, Man does not follow the rules at all. Such rebellion is like a small nail entangled with the cold ice. The fullness before the reunion was a bit like an empty shell state, because the inner core was in a state of unconscious confrontation and was not self-contained. I really want to write a lot of side stories about the campus period, because I especially want to see those stares that go straight to the soul. Like the boundless plain, build a house for each other. When I was seventeen years old and was hit by a red hydrangea, white doves flew across the sky, and Big Ben next to the Thames began to chime. It was an encounter orchestrated by the omniscient perspective of Jehovah.
Hegel's understanding of aesthetics in aesthetics may be able to express my love for Manchu's emotional line. I remember when I was talking about Hegelian aesthetics, the teacher said that beauty only exists for a moment when you are touched, but if you are moved by beauty for a long time, it may be a great thing. This is why I particularly like stories about reunions or reunions after a long absence. But often the so-called joyful and sadistic aspects of the crematorium overshadow the real reunion, thereby drowning out what I really care about, which is the reason why two people can still be moved by each other after the blurring of time and space. This is why I particularly like Manchu. Feuerbach said that in love, people degrade themselves to a part, but this self-deprecation and inferiority are compensated because the other is also degraded to a part. He has a sense of self-confidence as an intellectual in the Enlightenment era, and is full of academic self-confidence. A good family background breeds a lazy and vigorous heart, but the real vitality is not entirely related to this. "Let the world be desolate and the public opinion is turbulent. The arrogant people will occupy one side and laugh at each other to make peace. They will laugh at themselves and the building will collapse. Our time has quietly arrived." Then Chu left without looking back. I like this sentence very much. I feel that Chu has a "youthful spirit". If you break it down, it is a kind of self-confidence with a strong sense of responsibility. If the keyword for "" is "confidence", then I would like to give Man the keyword "land". Thick, solid, and tough. Man is indeed not a heroine in the traditional sense. Man is not perfect. Compared with Chu's "dormant volcano" vigorous inner passion, Man is closer to a "cold feeling". If a person is working particularly hard, he will involuntarily have a layer of coldness to protect himself. But Man's coldness is not decisive. Maybe you will find that Man is very rebellious. Under the pressure of the dual standards of a heroine with a mediocre family background and a strong desire to control, Man does not follow the rules at all. Such rebellion is like a small nail entangled with the cold ice. The fullness before the reunion was a bit like an empty shell state, because the inner core was in a state of unconscious confrontation and was not self-contained. I really want to write a lot of side stories about the campus period, because I especially want to see those stares that go straight to the soul. Like the boundless plain, build a house for each other. When I was seventeen years old and was hit by a red hydrangea, white doves flew across the sky, and Big Ben next to the Thames began to chime. It was an encounter orchestrated by the omniscient perspective of Jehovah.
Knife! I was very touched by reading this chapter, and I feel that you have spoken out the thoughts you wanted to express. It is the first time I have seen an author like you in the romance section who explores art and social distribution in depth. I also grew up in a small town and was indoctrinated with many restrictive ideas. It was only after I went to college that I discovered that other provinces and other families have more advanced and open ideas. My dreams were not realized because of uneven resources. I don't understand art as well as you, but I can completely understand what you mean. Really, I have tears in my eyes...
It's amazing. It explores topics that interest me very much, such as feelings of equality, class, art, officialdom, philosophy, etc. It gives me a vision of an ideal world and allows me to see possibilities. The writing is really good.
I really like this kind of intoxicating yet sober writing style, idealistic yet full of human fireworks.
Throw flowers! It's so well written that I couldn't bear to finish it, so I read the last few chapters all night long hahhh
I like it so much, it has a thick and peaceful vitality, like the earth. If I met her in high school, I would have had a crush on her for at least two or three years. . .
Do you like our drummer?
Wow, I just like to see scenes where beauties and beauties coexist peacefully and love each other. Daozi, you are so good at writing about women, but this pair seems to be able to fight. Ji Liji is so angry hahahaha