Lu Yanxiao is the only son of the Lu family: domineering, overbearing, and always fooling around, with one scandal after another in the tabloids.
His family elders give him an ultimatum: he must marry the granddaughter of an old friend. She's clever and level-headed, and she's even a PhD.
Every pore in Young Master Lu's body rebels against the idea!
Lu Yanxiao calls over his female companion and a group of friends, planning to scare her off. But the moment he sees Lin Mo, he panics. She's the person he's kept hidden in his heart for years, the one he's always treated with the utmost care.
Friend: Young Master Lu, a bunch of pretty girls just showed up at XX Bar. Let's go!
Lu Yanxiao: Get lost!
His female companion wraps her arms around him and purrs, "Darling, "
Lu Yanxiao: Who are you? Stay away from me!
*
People mock Lin Mo for marrying into a wealthy family only to be neglected, while her husband spends his days chasing women.
Little do they know Lin Mo doesn't care in the slightest. In fact, she's rather pleased.
Lin Mo: Men only slow down my experiments.
A few months into the marriage, Lu Yanxiao begins to question his life.
Lu Yanxiao: Lin Mo, you're my wife. I stay out all night, and you don't even call to ask where I am?
Lin Mo: Sorry, I'm writing a paper. I don't have time.
Cool, reserved female PhD x domineering CEO who's a dragon among men
Marriage first, love later.
The heroine is in science and engineering, and a slow burn.
At first, she isn't in love. She only agrees to the marriage casually because she wants to focus on her research and get her family off her back.
The hero's secret crush comes true.
Theme: Bloom, and the breeze will find you.
Cool? Female doctor? Good ooc, I thought it would be a more rational and straightforward character, but now it seems that it is a bit unsatisfactory and the heroine has no sense of deservingness for her identity (specifically, the heroine's high-end background is randomly changed into a female college student, who is not familiar with the world) The youngest daughter of a down-and-out wealthy family... Wait, the identity is also established. What is the role of this character? Maybe I haven't seen the back yet. The author may have added some background of the heroine, etc., But it seems quite thin now). I thought it was the kind of two-strong confrontation and the cold heroine. Occasionally, there will be cute contrasts (and the key is because the contrast is only cute occasionally, and if it is too much, it will be very OOC), but the result is still the redemption of men and women. More money = greater power & fewer difficulties. Of course, if it is a realistic novel, it also reflects part of reality, but This is a novel, it can be said to be a place where dreams are made. Can the power of knowledge and personal power be more prominent? Can the personal character be made more independent, gentle and powerful, so that the heroine can have her own persistence and belief, and at the same time move forward firmly towards her ideal? ... This part can be weakened but cannot be eliminated, and according to the copywriting, this part must be dominant. The heroine cannot solve any dilemma in life by herself. She must be saved by the superior male protagonist. It is very contradictory. If the heroine has a cold character in the copywriting, then there are reasons for some things, but the actual heroine in the author's writing is not like this. It would be better if the copywriting is directly placed in the front. The male protagonist's character now seems to be quite self-centered, and he will artificially create difficulties for the female protagonist. At the same time, he was instantly indifferent when he learned that the female protagonist had a fiancé, and he breathed a sigh of relief after learning that they broke up. It feels like he doesn't have to resort to tricks to get the female protagonist to break up. Great, the male protagonist's love for the female protagonist can be known from the fact that he never knew the female protagonist's name, and the female protagonist didn't know who the male protagonist was at the beginning. The male and female protagonists have never interacted with each other before, so how much of the male protagonist's love for the female protagonist is his own assumption about the female protagonist. It is simply unreasonable for the male protagonist to do these actions just because of this superficial liking (or facial expression, which is the feeling that the domineering president in ancient times restrained himself). As I said before, if you put the copy at the beginning or say It would be nice to be in the front position, as long as the purpose of the heroine's return is to go on a blind date... That ex-boyfriend is really inexplicable, as if he only appeared to set off the hero. How the heroine got involved is also inexplicable, which makes people think: Is the heroine busy? Question (What is the copywriting? Did the heroine suddenly become busy after marrying the hero)? If the ex-boyfriend part is just mentioned in the background, it would be more appropriate to slap it in the face one day after the marriage when the plot is weak/soft and needs some stimulation. Now it is a mess. It would be nice if I had finished writing the content first and then slowly added some content about the heroine inadvertently redeeming the hero and some of the lustful content, instead of confusing people with some ambiguous expressions now... I only think of these for the time being, and maybe my expression will be unclear in some places, but that's generally it (I only express my own feelings, if you think I am wrong, then you are right, I have no objection)
Another plot about the heroine being abandoned before marriage
So there won't be any updates today [oh oh oh]
When can it be explained clearly?
If you are uneducated, don't forget about YY female doctors. You can't read the introduction.
Such a familiar holiday name 🥺
Looking forward to the update 🐰, how long will it take to confirm your mind? []
Chapter 30 Not married yet?