Blurb:
In 1990, Lu Ziyang was born in Singapore. At nine, he crossed the sea to Hong Kong to make a living, and happened to save the only daughter of the Lin family, the richest family in Hong Kong.
In 2008, Lin Zhujun fell in love for the first time. She started hanging around the night school and argued with her doting parents over him. She was short and a little chubby, but was willing to lose weight and wear high heels for Lu Ziyang.
But everyone in Kennedy Town said Lu Ziyang was a heartless womanizer, and womanizers didn't love good girls.
In 2009, Lu Ziyang and Lin Zhujun boarded a plane to study in the United States, flying across the Pacific.
Lu Ziyang kept her at arm's length, while Lin Zhujun pursued him relentlessly.
It wasn't until they parted in 2013 that Lin Zhujun realized that clinging to someone could make them hate you.
In 2016, Lu Ziyang swept up film awards and became a leading young director, with fame and fortune at his feet.
Lin Zhujun returned home for medical treatment.
During a break in treatment, she drew the curtains of the villa and saw a man standing outside the gate. The Filipina maid beside her said, "He's already smoked more than ten cigarettes."
As if sensing her gaze, the man looked up, his eyes red.
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Once, as they watched the sunset in Kennedy Town, Lin Zhujun gave him a piece of chocolate and said, "I'll grant you three wishes. You're Guo Xiang, and I'm Yang Guo."
He'd scoffed at her then. Later, he knelt before her wheelchair and made three wishes.
Love me, love me, and be with me.
Content warnings:
The man has to win her back after breaking her heart / The male lead is genuinely awful at first and genuinely regretful later
The male lead is a ruthless opportunist in the beginning / Happy ending
Theme: Surrendering to love
The author's style is really very personal, and the delicate description makes the style of a specific era vividly appear on the page. And this kind of delicacy adds color to the description of emotions. The heroine and the hero can be generally classified as scumbags. After all the early developments are filtered through the era of the end of the millennium, it instantly feels like watching a metropolitan emotional TV series. I really like the slightly melancholy emotional pull in it. The heroine reminds me of Julie in "Heartbeat". She fell in love with the hero at first sight, so she almost went on a rampage to chase that heartbeat, and ended up with a bloody head. The male protagonist can be described as confused in one word. His identity suddenly changes, and his life undergoes drastic changes. Even a bad guy can't see his own feelings clearly. If he could recognize his heart for the female protagonist early, there wouldn't be so many problems later. It's a pity that there are no ifs. If you want to get ahead but you are tied up by the agreement, and you are still immature, it can be said that it is inevitable that things will develop like that. One of the things I really like is that during the process in the crematorium, although the heroine hesitated a little, she was generally very indifferent to the scumbag. Her out-of-sight, out-of-mind attitude was very relieving. The intensity of the crematorium was sufficient, but I felt that she could still abuse the male protagonist more www The character I like the most (or should I say the most surprised) is the second male lead. In the early stage, he was completely a good-natured gentleman-style scumbag classic to promote the plot. When his childhood experience came out, this character instantly became more arcane. If he were the male protagonist, even if the love in the novel is relatively smooth and smooth, it may be necessary to continue to develop. The time when everyone is studying abroad deserves more attention, but I know that most of them will involve the abuse of the heroine, so the detailed choice is very wise! Both the female protagonist and the male protagonist have suffered emotional and physical injuries due to each other, and judging from the length of the story, the proportion of male abuse is greater, which is worthy of praise. However, the male protagonist is really a scumbag in the early stage, so in the later stage, when I see him being abused like that, I just want to snicker, and I can't help shouting in my heart: If you like watching, please abuse harder (no) Although it is a long novel, the number of words is actually relatively short and concise. Compared with the narration-like relaxation of the previous article "Looking Down the Road to the Sea", the rhythm of this article is more compact, and the climax settings are also one after another. The trouble-making characters take turns to top in a relay race, but it does not feel abrupt, because looking back, you will find that many plots have foreshadowed the previous ones. As long as the heroine lives a peaceful life while recuperating, and there are not so many opportunities for resurgence, the male protagonist probably will not have a successful ending in pursuing his wife (. The author's writing style has a sense of life. Once you are immersed in it, you will feel that the way the characters speak is like real people without giving people a fake feeling. Moreover, the author also pays attention to the details to match the background of the times, so even if the timeline jumps back and forth in the early stage, it will not be said to be too abrupt. The tone of the memories and the present tense are very different. The memories are somewhat youthful when I was still in school; but when I first entered the daily life of recovering from illness, it was as gray as a dead leaf. It can be seen that effort was put into making the distinction. The roles of the two people seemed to be reversed in the later stage. The one who worried about gains and losses became the male protagonist, and the one who took the initiative was the female protagonist. It not only made people feel happy, but also felt that they were destined to retaliate. So many things that happened were like a test. The frustrated Julie finally decided to look back again, and the bright star seemed to have traveled through time and turned back into the young boy from the port city, running towards her with all his strength. The HE part at the end is very sweet, and it has the meaning of "plainness is the truth". Sure enough, the good ending is the best w
I think this story should be, and it's best to be. So here's what I saw.
Unexpectedly, it was because of Diao Wei Ya...
May I ask if Weibo has changed its name?
I like this text. I wonder if WB has any extras (a better one). I really hope they can put it down a little more.
It feels like for the male and female protagonists in the extra story, marriage is just a formality, but the life between the two still continues day after day until the end.
The second male lead is really upset TT
As expected, the male protagonist's humble appearance is more pleasing to the eye.
The heroine is quite easy to be soft-hearted.
Native dogs love to watch live broadcasts of confessions