Miss Su woke up one morning and found herself transmigrated into a book, as the villainess in a sweet romance.
The crown prince, the male lead, was cold and ruthless at first. For the sake of the throne, he married the legitimate daughter of the Chancellor as his principal consort and the legitimate daughter of the richest merchant as his secondary consort. As they spent more time together, he fell in love with his warm, lively crown princess, and his icy heart gradually melted.
The secondary consort, who had long been deeply in love with the crown prince, naturally turned into a vicious villainess. She did everything in her power to lay traps for and frame the heroine, becoming the greatest obstacle in the leads' romance.
In the end, the villainess was tossed into a mob of rioters by the male lead, where she suffered humiliation and died. Her story came to an abrupt end.
Su Qingzhou was so terrified that she trembled all over and fled her wedding on the spot.
Let whoever wants to be the secondary consort take the job!
But after she escaped the first time, the male lead caught her and brought her back. His sharply defined face was full of icy disdain. "Miss Su, know your place. You have no right to say no."
The second time, he caught her again. "Su Qingzhou, my patience is limited!"
The third time: "Making you my principal consort is the biggest concession I can make."
And finally, the haughty crown prince held the delicate girl tightly in his arms and said in an almost humble voice, "Zhouzhou, what is it that I'm doing wrong? Tell me, and I'll change."
*The hero and heroine are both devoted only to each other. The male lead has no other women besides the heroine and has no romantic history with the original heroine.
Coming soon:
After My Archrival and I Became Betrothed
Shen Zhoucheng and Lin Nian'an were notorious archrivals in Shanghai's wealthy circles.
An accident sent them both into a book.
Shen Zhoucheng became the male lead, a man showered with every halo, the nation's dream husband and heir to the Shen family. Lin Nian'an, meanwhile, became the villainess who opposed the real heiress heroine: a fake heiress who had occupied her place for over a decade.
The story was already at its midpoint. The villainous fake heiress was one step away from being thrown out of the house. Her adoptive parents had seen through her true nature, her biological parents were heartbroken by her behavior, and even her fiance, Young Master Shen, had sided with the heroine.
Lin Nian'an decided she would leave the Lin family with her dignity intact.
It was only when the production team called that she found out the original owner had signed a dating show contract long ago. After leaving the Lin family, she couldn't afford the penalty for breaking it, so she had no choice but to follow the plot and join the show.
The dating show brought together the heroine and villainess, as well as the male and female supporting characters. In the book, the villainess repeatedly sabotaged herself on the show. When she failed to seduce the male lead, she went after the male supporting character instead, only to be thoroughly face-slapped by the heroine. After being mocked by the entire internet, she disappeared from the story for good.
Lin Nian'an decided to quietly make it through the entire show without getting into any conflicts with the heroine or anyone else.
Later, when the show began airing, people in their circle heard Lin Nian'an was participating and laughed at her. Was this fake heiress who had usurped the real heiress's place really hoping to win Young Master Shen back through a dating show? What was she without the Lin family?
Soon, viewers keeping an eye on the show noticed that Lin Nian'an hadn't fallen on hard times after being cast out by the Lin family. Her life had become even more luxurious. She wore priceless, limited-edition couture, her accessories were the headline jewels snapped up by a mysterious tycoon at auction, and she was driven everywhere in one of only five supercars of its kind in the world.
Just as the whole internet was speculating that Lin Nian'an was being kept by a rich businessman, a livestreaming mishap occurred. Without the production team or the guests knowing, a camera switched on and began broadcasting.
Viewers saw the window of the supercar roll down. The man inside called after the girl getting out to go to school: "Pay attention in class. Don't get into arguments with people for no reason. If anything happens, I'll back you up. I'll pick you up this afternoon."
The handsome face was unmistakably that of Shen Zhoucheng, Young Master Shen.
Lin Nian'an had the nerve to tug his hair. "I'm so mild-mannered. I would never argue with people for no reason. They're always the ones who start it."
The famously aloof Young Master Shen didn't get angry at all. He took her delicate hand off his head with a helpless look, kissed it, and coaxed her. "All right, it's all their fault. Niannian is the sweetest girl."
Everyone: ???
So you two pretend not to know each other on camera, but have been sneaking around in private?!
Theme: I am the protagonist of my own life
If you can't say something properly, you have to give me this kind of lesson. Has the male protagonist ever put himself in his shoes? If the female protagonist had a nominal relationship with another man, would he be angry? Why should he suffer this kind of injustice because the heroine made a mistake? Isn't it just because the heroine likes him? As long as they communicate well, they won't feed me a bowl of shit. What I hate the most is this kind of conflict between couples, when men use other women to make their partners sad and reflect. Why is it that he has no words? The male protagonist directly said that the female protagonist would make him sad by doing this and asked the female protagonist to think about it from her perspective. The female protagonist is not unreasonable. Wouldn't she change it if she made sense? Why bother teaching the heroine a lesson in such a hurtful way? Would you accept it if your boyfriend did this to you? If a man borrows another woman to make me jealous, especially if this woman has thoughts about him, I will just let him crawl. Every time the hero wants to teach the heroine a lesson, he either makes people frightened or hurts her heart like this. Looking for a husband is not a teacher. Although the female protagonist is really pretentious and does something wrong, the male protagonist goes too far. He has to teach the female protagonist at the cost of pain, which in itself is a kind of inequality. Both of them relied on the other to like them, but they both hurt each other. Don't you think this kind of love is very childish? Can't we sublimate and sublimate the theme? Why do we have to surround the heroine in a small pattern? Could it be that after she became the queen, she could only do it? Can't you write about her developing her career? Using this method to teach your partner will sooner or later make him feel cold. Most things in the world are based on deeds, regardless of heart. The male protagonist does not speak his mind, but insists on teaching the female protagonist, which makes the female protagonist hurt and realize that she is wrong. Isn't this a disguised form of domesticating a pet? If he really loves the heroine, he should put himself in her shoes, and of course she does too. Has he ever thought about what the lessons he taught the heroine would look like in the eyes of others? The male protagonist simply doesn't understand how to love someone properly. I think the male protagonist is just trying to tame the female protagonist. If this method continues, the heroine will slowly lose herself and become the canary in the palace. As a romance novel, we are not only looking at love. What we want to see is two people growing up with each other because of love and knowing how to love. Otherwise he will become more and more like an emperor, and she will become more and more like a wife. Does he think that being together for the rest of his life is his gift to the heroine? This idea itself is wrong. Blow his head off and let him know where he went wrong. By the way, someone should teach the heroine how to behave, instead of doing it every day just because the hero likes her. Now that we are adults, our methods of solving problems are not rational at all. Both of them go and transform. I suggest the author revise it again and see if he can write about evenly matched love. Love grows with each other. It was originally very good, but the last extra chapter made me vomit.
Skip to the extra chapter, the male protagonist makes me speechless. Just because the female protagonist doesn't want to get pregnant, he stimulates her like this. The most disgusting way is to use the female protagonist's care for him to get close to others to stimulate people. The male protagonist even enjoys the female protagonist's fear. Can the male protagonist accept that the female protagonist suddenly treats someone differently? He can't, but he treats the female protagonist like this. The female protagonist is trembling, afraid that the male protagonist really likes someone else. The female protagonist seems to be a queen, but she is powerless and can only rely on the male protagonist's power. If the male protagonist is really with that person, the female protagonist can only accept it. She loves the male protagonist, and this may not be her.
I shouldn't have bought this chapter, I'm so angry. What is the male protagonist doing? The female protagonist should kick him aside and let him chase his wife into the crematorium. I'm speechless. The male protagonist can do whatever he wants, and the female protagonist can only rely on him.
... This extra episode gave me a new understanding of the heroine's work... I'm so speechless.
I have to say that sometimes the heroine is quite reckless.
It's really strange, why do you always use the female-fighting method??
It's really ironic that the mistress's son is older than the first wife's son. I don't know how such a mistress, whose husband is not the head of the family, can gain a foothold in the circle of wealthy ladies.
This is no longer a question of writing skills, the skills are in the exquisiteness, and the plot remains unchanged. To be honest, it is better to delete it if it is not well written. It will in vain reduce my favorability of this book. If I insist on writing about children, it is better to write about the heroine who figured it out later.
Whether it is ancient or modern Yan, it is so
After waiting for so many days, I finally looked forward to the update. I just want to ask when will the next update be?