Quick Transmigration: Saving the Beautiful, Strong, and Tragic Female Lead

This is an article whose collection and subscription are completely inconsistent with quality. I personally feel that it should be at least close to 10,000 collections to be reasonable, especially in the current environment where collection values ​​are inflated. It can be seen that the author has rich knowledge in literature, fashion, art, and classics. I admire the author's sense of design, especially the flight cabin, a safety device in the 23rd century. It has no trace of fantasy. Maybe there will be such a device in the future. I rarely post long comments because there is no logic in what I say. Just because the quality of this article is really good, so I boldly comment on it as a commemoration of my favorite article. Of course, since the following content involves the content of the article, there will definitely be spoilers. Those who have not read this article do not need to read this comment. In the first world, the Count of Monte Cristo is used to introduce the subsequent narrative, and it goes without saying that the plot trend of escape + revenge is very valuable. What is more interesting to me is that after I learned about Xiao Tang's original story line - the experience of escaping and being captured again and again, and would rather die than long for freedom, five big words came to mind: "Waiting and Hope." Waiting for the opportunity again and again, the flame of hope never goes out. Guess what, this circle has circled back to the Count of Monte Cristo. Perhaps it can also be said that Xiao Tang's original story is a bad ending of the Count of Monte Cristo. It belongs to the fact that the middle road collapsed before escaping, and Xiao Lin's arrival snatched the writing pen and directly rewrote the ending. It can only be said that the author is very good at selecting references. A copy of The Count of Monte Cristo outlines the direction of the story and the heroine's state of mind. But maybe it's not necessarily because he made the dumplings with a plate of vinegar first? After all, both of them have the surname Tang. ( The second world uses the Hungarian Rhapsody No. 5 As its title. Before I received the plot of the original storyline, my initial understanding was the binary opposition between police and gangsters. How can Kobayashi, who is on the dark side, break the situation and help the heroine, who is a police officer, reverse her tragic fate? This operation itself is difficult and shady. But I soon discovered that I was wrong. Xiao Lin's identity was exposed by Liu so quickly, and she still stayed with her. How could this biggest obstacle and twisted excitement be gone? As a result, I fully understood the original plot as soon as it came out. The police acted as undercover agents and went to the boss's house pretending to be his daughter to collect transaction information, trying to destroy the criminals, and finally died for it. Isn't this a Héro? De-élégiaque? From a macro narrative perspective, the bloodshed and sacrifice of the Hong Kong police against the terrorist forces is also a grand heroic epic. This is still the story of police and gangsters, but the perspective we bring in has changed from gangsters to police. But I have to say that from the beginning of this story, you can actually feel that the core of the heroine has changed. Liu retains the memory of the previous world (I realized this when she said that she did not want Xiao Lin to get hurt again). Even if Lin does not contribute to anything, Xiao Song's ending will change. At most, the timeline will be stretched longer - at least cooperation with the mainland police is something that never happened in the original plot. After I learned that Liu Ye entered this world with a little plot information, I understood that it turned out that it was just a plot on the surface, but in fact it was all about romance! Each of these two people is smarter than the other. It may be a bit difficult for ordinary people to pass the plot designed by the company. For them, it is just a matter of time and space, and they can even have some time to flirt and flirt. The third world is my second favorite story. The plot is more complete than the first two stories. If I have to say it, the narrative has waves and unexpected turns. Even though Lin still holds the script like the first two worlds, there are still sudden changes and the relationship between the two is more unpredictable. Moreover, this story is more logically rigorous, and the foreshadowings are consistent. Whether it is Yan's promise to Lin that he will not deceive her again, or the early disclosure of the identity of the sister-in-law, they all smoothly lead to the accident that happened in the valley. The protagonist is no longer like the god of war in the previous world who went to the meeting and killed the final boss alone (to be honest, I think in the previous world, Lin killed ten thousand people by himself, and was seriously injured and could escape in a car) Li, it's really a bit unbelievable. I thought there would be a good explanation for her physical condition, but it didn't seem to be there, so I thought it was a bug at the time. After reading the article, I found out that Liu had opened a cheat for Lin. Wow, this is unexpected and reasonable. Don't be too fond of Liu. In addition, I really admire the author's knowledge reserve. Although it is an imaginary dynasty, except for the modern products of the forest belt in the past (aluminum alloys, tanks and other armaments), the rest of the background of official positions, tax systems and government orders are supported by historical data. My understanding is that the main background is set in the Han Dynasty. Of course, it also refers to the Tubo and some democratic decrees of the Tang Dynasty (especially the Wu Zhao period), the provincial system of the Yuan Dynasty, and the most surprising thing to me is the return of power to the people. I have never seen this in an article with a feudal background. I clearly know that no matter how the monarch starts, Ming, those were all under the feudal system, without provoking the foundation of feudal royal power, so the emergence of this point made me feel some of the author's thoughts. It is better to say that it is an idealized monarchy transitioning to democracy. In reality, there is no peaceful system change, so why don't we let us dream? But there is also a plot that I want to complain about. Where did Lin come from as a water conservancy genius, and he actually thought of using a method of overlapping bamboos to divert water into open channels? Thinking about it carefully, it doesn't seem impossible. After all, there are indeed a lot of bamboos in Guizhou, but the diameter of the bamboos is also too thin. How many bamboos are needed? I thought about relocating victims, providing food relief, and even diverting groundwater into open channels like a karez. I never thought that bamboo would be used to divert water from an aboveground river into another aboveground river. Ancient Greece was a genius in controlling drought. The fourth world is the top one in my mind (but then again, why does this order seem to be arranged according to the number of chapters?), I have to say that the author is very thoughtful, using the state of amnesia to advance the plot, and cleverly avoids the common problem of fast-traveling novels: the long-term God's perspective will make readers lack interest in reading, just like reading a short article that already knows the outline and ending. The feeling of holding the script may be refreshing in the first few worlds, but the further it goes, the more it will make people tired. Therefore, it was at this time that many fast-traveling articles were abandoned. Moreover, this amnesia is not abrupt. It is not forced by the system, but determined by the character's own camp. The author has the intention. Even if we put aside the narrative trick deliberately arranged by the author and straighten the timeline, the plot setting is eye-catching. The most I can guess in the early stage is that Lin and the woman in red are probably relatives, and their camp is opposite to Liu; Liu should be related to the woman with two swords who was worshiped by the statue in the early years, and so on. But he didn't expect Lin to be a decoy, nor did he expect that Liu was actually transformed into the heart of an immortal and had gone through several generations of reincarnations. It's just that I think the fox died a little easily (I thought there would be more life-saving means, such as puppets and magic circles), and it seems that there is no explanation of how Liu became possessed. What was the inducement? Is it related to her identity? She will no longer be possessed by demons, so why didn't she survive the catastrophe when she turned 100? This seems to be left to the audience to speculate on their own. In fact, I thought that Lin Hui and the fox had a deeper relationship. Why did she give her soul to a mountain dog? The mountain dog was not enlightened enough and was cursed with a mantra. The value of its use is negligible. Is it just because a person's life is too lonely? Judging from the way they get along, Fox should have feelings for Lin. Does she treat Lin as a tease, a companion, or a follower or a tool? It would be great if we could dig deeper into this relationship. But then again, writing this way is not the structure of a fast-travel novel. However, the quality of this world can support expansion, and it is not an exaggeration to use it as an independent article. In addition, I have to say that in the early stage, I even came up with a scary idea based on the title "Ask the Immortal". I was thinking, is there a possibility that the enlightened people in this world cannot ascend to become immortals, but just fall? In fact, the spiritual power in them was not assimilated with all things in the world, but was taken away by some big hand from outside the world, or was absorbed by the biggest villain boss in this worldview? Ascension to immortality is just a dream carefully arranged for those who practice Taoism. In fact, after cultivating to a certain level, you will be noticed by heaven and then erased. The thoughts are lingering in my mind, especially when Liu said that she did not want to become an immortal, but only wanted to practice Taoism and kill all the evil spirits. This idea reached its peak, and I made up logic to justify it. For example, only the sect master can invite immortals to take possession of him. I understand it as: the immortals here are actually evil demons in disguise. They direct and perform it themselves. First, the powerful demon forces the sect master to invite immortals to deal with it, and then the demon possesses the sect master and then pretends to kill the opponent. In fact, the purpose of this play is to In order to make the cultivators believe that the immortal state can be achieved through practice, let them take the initiative to improve their cultivation level, so that the evil spirits can enjoy the benefits; the second is to leave a trace of divine consciousness in the sea of consciousness of the sect leader, and combined with the living puppet mentioned before, maybe this lick of divine consciousness can make the sect leader voluntarily become the puppet of the evil devil. As for the identity of the woman in red, I wonder if she is the evil leader. She wanted to attack Liu, so she followed her all the way. The method is probably similar to asking the immortal, first forcing her to invite the immortal to get on her body, and then taking advantage of the mechanism to make her a puppet. I almost convinced myself, but as soon as the plot came out, I wilted... Okay, I admit, I do like darker and twisted plots! The plot of the fifth world always reminds me of the VN Return to Blue Whale Island. I don't know if you have heard of it. The plot is probably an island + human experiment + escape. This island is also set near the United States, specifically the Aleutian Islands, but it lacks the prison element and is just a mansion. Although the fifth world is a little short, it is still quite interesting, especially after knowing that this island plot was designed by Liu himself. In my opinion, Lin's freedom in plot exploration has been greatly improved, so Liu should also be the same. What does this mean? It shows that neither of them knows the identity and appearance of the other person in this world, and their affection for each other will no longer be tied up with shackles and excuses to complete the task; it shows that their feelings for each other will sprout naturally even without the intentional matching of systems and tasks. That's why I think it's natural for Lin to go to Liu after this story, not stiff. Just talking about the plot of this world, I think the author has restrained himself. If I were to write about it, I would have to write that the warden was not working with a pharmaceutical company, but was directly under the orders of Armed Forces. After all, considering the background of the 1980s, a certain country went to great lengths to develop military equipment. Using some people who were already harmful to society to realize their American dream would really kill two birds with one stone. A certain Wikipedia even has an entry for Unethical human experimentation. But if you really want to write a story like this, it would be a bit difficult to review, and it would be difficult to expose it through ordinary means. As for Keats's poem, I think it is not so much suggesting the relationship between the two as a knight and a witch, but rather suggesting the impact of the blending of the imaginary world and the real world on the "knight". The knight met and fell in love with a fairy in the imaginary world, and finally woke up in reality. Even though he could understand that it was a dream and the fairy did not exist in the world, he still stayed and wandered on the cold hillside. The several copies that Lin has experienced must have brought her similar feelings. Perhaps as she said herself, her feelings for Liu may have been put aside long ago, but the frustration of being rejected and the melancholy and mysterious color Liu brought to her made her still linger on. She just wanted to see her again and say how grateful she was to meet her. But Liu is different. Liu hopes that she can still be moved by him, even if this method may be a bit despicable - letting Lin experience several worlds, each world using small means to get close to her and let her fall in love with him. In this way, even if he returns to the real world, Lin will have a moment of doubt, further strengthening the impression that he is the type of person who likes Liu. In the end, when Lin reviewed all the plots she had experienced in the first four worlds, her feelings for Liu became fuller. In other words, she had been affected by the imaginary world at this time, and she completely transformed her idea of liking Liu as a person into only liking Liu as a person, so her feelings blossomed. This does not arise out of thin air, but is an accumulation of feelings in multiple imaginary worlds. Liu Zhen had only one person to deal with, so it was no wonder that Lin Hui was trapped by her. Finally, as soon as I saw the half-finished world of Dragon Slayer vs. Evil Dragon, I knew that Liu was using it for fishing. You are joking with me, Sister Lin, who loves adventure. Will I, Sister Lin, experience the game in front of me? Let alone an unfinished product with many bugs, even if there were bugs in the game, Lin would definitely have to try it out. As soon as the general introduction to this world came out, I knew that I had guessed it right. It was the continent of Chamomile, and the heroine was a gathering of heroes. Liu's abacus hit me in the face. When I saw the heroines of each world appearing one after another like passing a baton, very strangely, the famous scene of EVA suddenly appeared in my mind, that is, the scene where everyone gathered around Shinji and applauded. This clip is known as a stream of consciousness. Although I don't know where this idea came from, I somehow feel that the whole world is a huge materialized stream of consciousness. The appearance of each heroine is like sending blessings to Lin, and it is like a thin thread stringing together all Lin's emotions, leading her all the way to the dragon's cave. After all, the Chamomile Continent is actually the prison of Liu's consciousness. There were many chamomiles planted in the Ji family garden where she once lived. Therefore, for Liu, chamomile symbolizes a painful memory in which personal emotions were withdrawn and her sexual and spiritual control were controlled. Others think that Liu is a genius and will be the heir of the Ji family in the future. He can start his own business territory and reach the pinnacle of life at a young age. It can be said that he is not without envy and envy. But almost no one knows the price of her journey. What others yearn for is exactly what she wants to escape from. Corresponding to this world, isn't it that the gold and silver treasures owned by the evil dragon are coveted by thousands of people, but no one knows that these wealth will make it endure all kinds of pain but find it difficult to escape? At this time, the dragon-slaying warrior Xiaolin appeared. Instead of giving the evil dragon a fatal blow, she destroyed the magic circle to free the evil dragon. Corresponding to the real world, isn't it the encounter between the two on the desert island? In Liu's opinion, that period of time was almost stolen from the hands of God. It was the most precious and fragile happiness. When she was frequently assassinated and gave up on the world, a woman walked from one end of the island through a jungle full of poisonous snakes and thorns to the other end, just to get to her side. Xiao Lin thought she had only been with Liu Qitian, but in fact he had been with her every day since they met. After this, Liu found an emotional home in her heart, and she finally had someone to care about besides her mother. You can say that Liu's successful escape from the Ji family was her own plan, but Lin's role in this plot is not unimportant. She may not have shown up, or she may have found it baffling, but Liu's "adventurous" actions and his hope to reunite with Lin as a free man were all controlled by Lin's invisible hands. Ah, the great sacred grove! As for the ending where the evil dragon turns into Cecilia, well, it can be understood that Cecilia is the heroine of the last world depicted by the main force, but my understanding is that the character of Cecilia is closer to Yanagi herself in terms of personality. After all, she designed it herself. I quite like the word rebel. Although in the plot, Cecilia has never been complicit or in the same camp as the warden, but she is indeed one of the people who maintain the operation of the prison system, even if she is only forced to participate, even if she is just a doctor who saves lives and heals the wounded. Come to think of it, Yoo is a rebel in the real world, right? She was sent to the stage where the Ji family was competing for the heir. She was born to be a member of the elite, and almost all the resources were fed to her. In fact, as long as she escapes assassinations again and again, she can always survive. But it was good for her. Not only did she have to withdraw from the gambling game, but she also overturned the table to prevent others from playing. Not only did she physically seduce her biological father, but she also gave up all her resources to her aunt. With two sets of combo punches, other stakeholders of the Ji family were stunned. In fact, as soon as I think about it, I know that checks and balances of power are very important. In the past, Liu and her aunt were fighting, and other Ji family members who wanted to take advantage of the opportunity to eat away at some of their interests were not easily taken seriously. But now, her aunt is the only one in power. Isn't it just a matter of time before she can fix others? Doesn't this stop others from playing or what? Carry out the rebellious spirit to the end, Mr. Liu. Finally, let me talk about a small plot bug. The route from Shanghai to Boston should be from the Arctic Circle. It is unlikely to fly through the tropics. The deviation of the route should not be that far? However, the plot requires a closed environment for Lin to meet Liu, so an island is the most reasonable. Since an island with a more dangerous environment is needed, a tropical island is naturally the most dangerous. However, I always feel that Lin's love at first sight for Liu at this stage must have been fueled by the suspension bridge effect of fear and pressure. This is also the reason why Liu did not dare to meet Lin again rashly. She may be afraid that Lin will forget the short seven days on the island. I want to over-interpret here, I think the number 7 here has a profound meaning. In Christian culture, 7 usually represents a complete journey, the process of creation from 0 to 1. This can be interpreted from the many details in Genesis. The seven days that Lin and Liu spent on the island were naturally the process of their relationship going from 0 to 1. They created a dreamlike world for the two of them in this corner, and quickly completed the process of acquaintance and love, as if time had been compressed in these short seven days. It seems like 7 days have passed and it's the next reincarnation. Although my thinking is very divergent, I don't think my interpretation is particularly outrageous, maybe? After all, the author is so knowledgeable that it is not impossible to add the meaning of "7" in Genesis. So since they can fall in love within these seven days, they will naturally fall in love in the real world, because the seven days on the island are the epitome of a lifetime in the real world. Whether it's a secret attraction to each other, or a red thread of fate, in short, they are destined for each other. I'm wondering, is Ji Xiujin Aphrodite in another sense? Eros was obviously sent to destroy Liu Buwen, but Eros shot an arrow at Liu Buwen and Lin Yuanfeng, and the story of the two unfolded. Of course, Eros here refers to abstract misalignment and airplane accidents. Without Ji Xiujin, would Liu and Lin still meet?

I was ready to cry, but it turned out to be false

I believe it! Damn it! Ahhhhhhhhhh! How about you torture me for a few more chapters hahahaha

Good guy, I didn't expect the sudden reversal and I was deceived.

Crying, are they going to meet? This kind of feeling is so deep and flowing, no exaggeration

Wednesday? Do we need to update it tomorrow too? Wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait. Guess whether the doctor lady has a sense of reality, wink and smile>.

Author, congratulations on finishing 🌈🌈. I just stayed up all night to read this novel, and I have to say it's really good!!!!!!!! 🌈🌈 It's really hard to find such good-looking fast-travel novels nowadays. I think no matter which story it is, it will become popular if you break it down into a novel! I want to follow the author for the rest of my life [Mao Tou] [Mao Tou] Good night! Baby, I will definitely have a sweet dream tonight [Spread Flowers]

Congratulations on the completion~Spread the flowers.

It's so beautiful, I recharged my money three times, woo woo, I offer my wallet to you~

Ahhhh! Congratulations on the completion~