Because of all the sorrow in her heart, even after doing so many hateful, despicable things, she still makes it hard for people to condemn her too harshly. In the end, they forgive her for her crimes.
Besides, when you get right down to it, perhaps those weren't A Zhu's crimes at all, but mine.
Extremely OOC. My own stream-of-consciousness style, written purely to please myself.
Sanemi Shinazugawa x A Zhu
Highlight: This story is based on Mr. Michihiko Tsukihara's "A Bellflower." None of the plot is my own; it follows the framework of the original story. If you're interested, please read the original.
The writing is very delicate.
Theme: "Please, take me away with you."
I thought about it for a long time and didn't know what to say. I originally thought that my wife's style of writing HP was delicate enough, but after reading this article I felt that the Japanese style was more suitable. Like the Immortal River in the article, I can't think of anything but sighs. Assuming that Nagisa is real, will the Immortal Sichuan hate Nezuko even more because he thinks of Nagisa when he meets Nezuko at the meeting with Hashira? And will it happen that after everything is over, looking at Nezuko who can stand in the sun, she will think of A Nagisa who died in the sun that day? Or when you see Nezuko holding Tanjiro's hand and calling her brother, will you think of the voice he wants to hear and the hand she wants to hold? What a shame. What saddens me the most is that Azugusa's neck, which he had been looking at so long and carefully that night at the Immortal River, was cut off by him himself. And Azugisa looked at Fusukawa's hands for so long and carefully that night, but he was willing to be killed by him for this. In your next life, live as happily as you did when you were a ghost, Azhu.
A pure passer-by, the whole story is described in fragments and accompanied by subtitles. The stream-of-consciousness writing style and the fact that the subject matter is Japanese create a hazy aesthetic, quite reminiscent of the Showa period, combined with a conversational style similar to classical Chinese. The creation of the environment and characters is the highlight of this article. The delicate and eloquent writing does not feel artificial when reading.
It is indeed a very Japanese description... The wandering girl's sorrow is written in fragments and clearly under such circumstances.