Erhu, Impressions, Jia Pengfang

I was also amazed when I heard "Water Lilies"!

I like Jia Pengfang's Far Thunder. It sounds great. I fell in love with this instrument after hearing his erhu.

I really like his water lilies and used them as ringtones for a while.

His soundtrack in The Twelve Kingdoms is very nice.

Is it sunset in the Forbidden City? Of the spiritual thinker

From my understanding, foreigners have a better understanding of symphony, which can be seen from the soundtracks of Korean dramas. This resulted in their compositions being patchy. Each instrument played its own role, but the combination was 1+1>2. However, if you want to learn symphony and Chinese music performance, you have to start from the basic skills. This cannot be accomplished by one person's energy. Therefore, I think the people who perform the music are usually foreigners, and the performers will inevitably be Chinese. Chinese people who study symphony often go to the West and rarely value the music of their own nation.

Like Biying, I like Jia Pengfang because of The Twelve Kingdoms. I was so shocked when I heard it. I watched it several times, cut out the title, downloaded the MP3 to use as a ringtone, and bought the book of The Twelve Kingdoms. I would read it every time when I was lost and confused, and listen to the songs of The Twelve Kingdoms when I was upset. Later, when I heard "Water Lilies" again, I completely became a big fan of Jia Pengfang, and of course a big fan of Ono. In addition to buying two copies of the CD, I also bought the book. Later, I also bought "Ghoul" written by her... Ah, I am digressing here. ORZ~ I also started to listen to Erquan Yingyue and the like after listening to Jia Pengfang's Erhu. It can be said that it was after listening to Jia Pengfang that I started to listen to our country's traditional musical instruments. The impact is quite large. Nowadays, if there is Erhu background music in TV dramas, I will listen carefully... (Where do you put the plot of the TV series~~)

Just because I saw Erhu being labeled as a "tragedy", I couldn't help but refute it. I just hope that the poster can search for "Liu Tianhua" and the song "Good Night" will be enough to overturn the so-called "tragedy" label. Not to mention the magnificent works such as "Capriccio on the Great Wall" and "Tianshan Customs", or the ditty full of life such as "Henan Ditty" and "Walking Street", even the most commonly heard "Horse Racing" is full of vitality, and "Joyful" is almost in many lively and cheerful occasions. For a long time, "Er Fountain Reflects the Moon" = Erhu's understanding has been formulated by many people. Such a partial and blind "view" really makes those of us who have studied Erhu for many years sigh with emotion... I personally also highly recommend "Jia Pengfang". His works are indeed very nice and he is a highly recommended contemporary erhu player. Haha, as for the praise of folk music overseas, I am also aware of it. Sometimes I feel that the children who are learning traditional musical instruments now are carrying the hopes of their parents, perhaps because they want not to lose at the starting line, perhaps because of the various names of "artistic students"... Alas, for the "revitalization of traditional Chinese music", the road is really long and long...

My favorite is "Spring Scene" performed by Jia Pengfang and Jia Pengxin brothers

I found my peers~~ Jia Pengfang's erhu made me realize that in addition to being sad, erhu can also be so gentle and gentle~~ Highly recommend this album [Best - Memories Jia Pengfang's 20th Anniversary]~^_^