The original title of this article is "Don't you know how to dance hip-hop?"
Jiang Xiaonan: Senior sister, don't be afraid of what I'm going to say!
Tan Yushen: I am Senior Sister Penglai, I will not be afraid.
Jiang Xiaonan: I just saw the bandit!
Tan Yushen: Rice cricket? Crickets in rice fields?
Jiang Xiaonan: It's not an insect, it's a person, a man!
Tan Yushen: Dao Zhuan? A hip-hop madman flipping his hair and convulsing on the street?
Jiang Xiaonan: Chu Liuxiang! He is that strange man who steals all the invincible hands in the world and leaves a scent on the moon!
Tan Yushen: Is the bandit handsome you are talking about beautiful?
Chu Liuxiang: Why did you throw the famous piano into the lake?
Wu Hua: After hearing that person's name, the qin became stained with blood and could no longer produce ethereal sounds.
Tan Yushen: You also heard that name and suggested committing suicide by throwing yourself into a lake.
Wuhua: Let's talk about throwing you into the lake.
Hu Tiehua: Your legs?
Ji Bingyan: My legs no longer work.
Tan Yushen: What you lost was just a pair of legs, but what Tiehua lost was love.
Hu Tiehua: What?
Ji Bingyan: I can't accept this.
Chu Liuxiang: I can't answer it either.
Tan Yushen: Tian'er cooks for me, Hongxiu reads for me, Rongrong talks with my hands, life is like this, it's hard to miss the joy.
Chu Liuxiang: Where is Chu Liuxiang?
Tan Yushen: What kind of fragrance?
Chu Liuxiang: Vinegar fragrance.
The heroine Umbrella Girl, cp Chu Liuxiang, the plot is original, for entertainment only.
This article is mainly for fun and entertainment. The opinions involved are only for thinking and reflection (by the way, break off Gu Long's head) and have nothing to do with the author himself;
There are many private settings, and some of the character dialogues are quoted and adapted from Gu Long's original work.
The author is trying something new or not, and the writing style may be weird.
P. S. Some of the strange typos in the article are to eliminate confusion.
Purpose: Sociology of the Body; Aesthetic Discourse; Cultural Capital
