I Became a Nobody in a Novel About the Real and Fake Young Masters

Let me mention a few points that I would like to complain about from a personal perspective. I was attracted by the first two movies, but this one was so uncomfortable that I can't complain: 1. Character design. People who fight zombies to death in the apocalypse will not be as "soft" as the heroine, unless they are in a position where they don't need to fight on the front line or they are not so bloody, right? To be honest, the apocalypse is about the jungle of the jungle. Those who fight zombies can immediately adapt to the oppressive environment of feudal male supremacy after traveling through time. The main conflict is to talk and scheming with a bunch of women in the back house. Will a person in the apocalypse really be patient enough to live like a canary in a three-quarter acre of land for the so-called rich food and clothing? In this era, there are no zombies who have skills or special powers. There is no one in the house that I care about. Wouldn't it be nice to go out and be free in the vast sea and sky? If you like to be an aristocratic, then you should just find a way to contact the people in power to show off your powers and your modern knowledge. Why is it that the heroine's biggest pursuit is to "marry a suitable person"? The layout is too small, and this vision is really inconsistent with the character of an apocalyptic traveler. If the heroine just likes to live a comfortable life of eating, sleeping, and eating, then does such an apocalyptic person really have the personality charm to attract readers? 2. The description is too detailed, which makes a lot of redundant words, but makes the article very complicated. Even the unimportant maid and woman want to write a full chapter, and all the important and unimportant characters have to be introduced. There is no distinction between primary and secondary, simple and traditional, just a detailed description. To be honest, I skipped the character introduction of the whole family at the beginning and it had no impact on reading the article. That paragraph felt like superfluous. I really don't want to watch the psychological journey of an unimportant maid or mother-in-law. Anyway, this person will not appear after this conflict. If you arrange to appear again later, wouldn't it be better to complete the character in the extra chapter when the character exits? It feels like: We are here to eat fast food, and the boss is very serious about dotting the disposable paper lunch boxes, and I just want to eat delicious food. The disposable lunch boxes are good-looking and fine, so I can get extra points, but I prefer to focus on the food. Seeing that the boss is so serious, I think I shouldn't tell her, but I am really impatient and want to move to the next stall.

How can a step-brother's daughter supported by a noble concubine allow her first wife's legitimate daughter, who is a head shorter than her, to take care of her son??

What era is it? Actually using ginger juice to induce tears? Do you think everyone else has a weak sense of smell?

It seems that the heroine is so frustrated now. Is she really a salty fish? I saw that she and the male protagonist have been bullied and despised. She is really a person in the last days, and the heroine is really too soft.

If you have the ability, would you still waste it on this three-thirds of an acre of land?

I never think those with vested interests are innocent

I think both the original male protagonist and the original female protagonist are disgusting, especially the original female protagonist. They all suffered and were persecuted by her relatives. She is innocent and kind-hearted and is like a great white lotus.

I hope that when I get married, I will really be involved in farming and not get involved in all kinds of nonsense.

Isn't the first wife's family a general? Aren't you afraid that they will come to your door?

How can anyone say such a thing as ruining someone's innocence?