[I've discussed this with my editor. The story will go premium on May 3. Since the full story is under 200,000 characters, it will go premium after 60,000 characters. Chapters 22 through 38 will be locked retroactively. There will be three updates on the day it goes premium.]
Yan Zili is an office worker who dreams of getting rich and buying a house.
She never imagined that one day she'd inherit a huge tract of land.
Though she starts out in a shabby wooden hut,
with the System at her back, she can stay cool in the shade.
She completes her missions one step at a time,
and her little cabin turns into a grand manor.
[Construction + gaming + farming + sweet romance]
[An imaginary ancient setting]
[No power struggles or conquering the world, just a secluded life of farming and development]
Theme: Bringing modern construction technology to the ancient world to strengthen the country and benefit its people.
I don't want too many emotional lines. The male protagonist can just be a tool. I just want to see the female protagonist be beautiful and pursue a career.
I quite like this kind of writing about making modern things in ancient times. It's so fun... I also read a story about making cars and mobile phones in ancient times. The early stage was also very interesting.
What a lie. The heroine's house rising out of thin air would not have attracted the attention of the government in ancient times? There is also a strange affection for the male protagonist
The allusions in the Three-Character Classic or the Thousand-Character Classic are not suitable. Use hundreds of surnames, disciple rules or tones for enlightenment.
This ending is terrible, fast forwarding all at once, it ends in an anticlimax.
The final goal should be a resort (I remember correctly), why does it feel like building a farm?
I still think it's better not to have a love line. The heroine is uniquely beautiful, so it's weird to have a love line.
Did the male protagonist pass away first?
Why wasn't it revealed that the male protagonist passed away?
I don't want too many emotional lines. The male protagonist can just be a tool. I just want to see the female protagonist be beautiful and pursue a career.
I quite like this kind of writing about making modern things in ancient times. It's so fun... I also read a story about making cars and mobile phones in ancient times. The early stage was also very interesting.
What a lie. The heroine's house rising out of thin air would not have attracted the attention of the government in ancient times? There is also a strange affection for the male protagonist
The allusions in the Three-Character Classic or the Thousand-Character Classic are not suitable. Use hundreds of surnames, disciple rules or tones for enlightenment.
This ending is terrible, fast forwarding all at once, it ends in an anticlimax.
The final goal should be a resort (I remember correctly), why does it feel like building a farm?
I still think it's better not to have a love line. The heroine is uniquely beautiful, so it's weird to have a love line.
Did the male protagonist pass away first?
Why wasn't it revealed that the male protagonist passed away?
It's so fluid, I like it so quickly