At first, Mo Youning didn't take Su Muchen seriously. She knew she wasn't a good person, but after she fell for him, she reined herself in for his sake.
She held him close to her heart, uneasy and afraid, unable to bear even the slightest harm coming to him.
A formerly violent heroine who later becomes docile VS a gentle, kind hero
The male lead is sexually inexperienced; the female lead is not. She has a harem during the story, but the ending is one-on-one. Male pregnancy. The characters' bodies and appearances remain unchanged.
The heroine has a harem. Even after falling for the hero, she doesn't remain faithful. She says she only loves him and would die for him, while sleeping with other men and constantly bullying him.
Theme: When you love someone, you'll come to love the world
I also like 1v1... I don't like harem stories regardless of male or female. If love can be divided, it is not love.
It's okay, you abuse the heroine, I support you
It's okay, you abuse the heroine, I support you
It's okay, you abuse the heroine, I support you
It's okay, you abuse the heroine, I support you
It's okay, you abuse the heroine, I support you
First of all, congratulations on the completion. After thinking about it for a long time, I decided to write about my reading experience. I think as a reader, I have a relatively "voice". I started reading the author's writing in 2021, and now it's been a full year since I "got to know" the author. Except for this year's "The Husband is a Young Husband", I have read all the novels written in the wife's column. My favorite is the book "The Queen's Modern Dog-Blooded Theater", followed by "The Queen's Sweet Pet Short Story Collection". I have always liked my wife's various whimsical ideas, and I joked about them with my friends. I summarized some of my wife's personal experiences and writing habits: The heroine must be strong and dedicated, even a little arbitrary and domineering. Most of them, more or less, have a strong and unscrupulous cruelty towards things. But these female protagonists, who play around with everything and are careless about everything, will definitely treat the male protagonists with caution and treat them like treasures. Afraid of being rejected and disliked by the other person, and tries to please them in every possible way. Even bending down and kneeling for love, the whole person changes. Either create a peaceful and prosperous era, or dismiss the three thousand harem. This not only makes the heroine full of personal charm, but also makes the heroine a carrier to satisfy the beautiful fantasy that love can turn everything around. The male protagonist must be innocent and kind to a certain extent, and he will definitely fall in love with the female protagonist. He will almost always discover cruel and terrible things after falling in love with the female protagonist: indifference to others, and treating life like ants or playthings. Unlike other authors who like to create male protagonists who don't take it seriously but still love the person who only sees themselves. Most of the male protagonists in Madam's novels are afraid of this, not only afraid that the heroine will treat them like this one day, but also afraid of the characteristics of the heroine herself. This is the point that I appreciate and am most excited about when reading novels. It is also the point that my wife is more accustomed to writing in her creations and loves to write the most. It's about the female protagonist being broken up by the male protagonist, about the female protagonist being afraid of trying to please her, and finally changing because of it, and finally going to HE. Of course, the above are not in "The Collection of Short Stories about Sweet Pets by Women", and they are most likely not in the book "The Husband Is a Mistress" that I haven't read this year. I am making a wild guess that the wife may have the idea of challenging different characters. The female protagonists here tend to be kind-hearted and affectionate without expecting anything in return, while the male protagonists are somewhat scheming. Back to the topic, let's talk about this book. This was probably the first book I read. It was still being serialized at the time. There were many male characters, each with their own style, but the ending was too hasty, which made me regretful. But I also respect my wife's idea of not getting tired of writing. Unexpectedly, my wife decided to continue writing again. To be honest, I was very happy at the time. But when I saw the newly written chapter, my eyes started to darken. In my opinion, the so-called rush means that things that should be explained are not explained clearly, such as the endings of some characters and the clear direction of some things. These things should be explained clearly. For example, explain how the male protagonist discovers the truth that the child is not there, how the female protagonist helps the male protagonist deal with the matter, how the female protagonist gets better step by step, how the male protagonist helps him, and what ending the others gradually lead to... Instead of another incident happening suddenly, suddenly, the male protagonist loses his memory, and the male protagonist thinks that his wife is someone else, and the female protagonist continues to have a harem, and everything starts over again. I was completely dumbfounded. In my opinion, the "second love" that will be continued in the future can be called a love story that breaks bones and puts them back together again. After the sequel, the male protagonist became even worse, and was persecuted inexplicably. Amnesiac, whipped, slapped. Well, I can summarize it as: the history of abuse and persecution of the male protagonist due to the continuation of the film in those years. Moreover, the heroine's personality changed drastically from her original life-and-a-lifetime relationship. It was really like being forced to write. The heroine was also transformed a second time. She thought that after the hero's death, she would start a harem, get others pregnant, and abuse the substitutes who looked like the hero but were not... Hmm... Wonderful. It's okay to abuse men, and it's okay for the heroine to change her temperament drastically, but the reasons must be sufficient. In my opinion this one doesn't. My only motivation for reading the novel in the later period was probably to see when the male protagonist was treated well, and to see how far the female protagonist could pursue her husband in the crematorium. Ah, how should I put it, it's a bit too childish or frivolous for me. The heroine's so-called husband-chasing crematorium is to punish herself for the mistake of "it turned out that the male partner didn't like me, but it turned out that the hero was the only one who was good to me. I regret it so much", which is cruel to the heart and body. But wasn't it the heroine's own doing? What's the matter with Zhui Husband's crematorium? If you seek death by yourself, of course you will be killed by something unexpected. As for the sudden kneeling, the inexplicable echo of the heroine wearing this person today, and that person tomorrow, it feels like a very strange and outrageous plot... I even boldly spoke randomly and without knowing what was good, and felt that the author was tired of writing again, and I just hit my head and came up with the story of going back and forth to complete the story. As for the male protagonist, I have to say that he is still the kind-hearted type who says, "It turns out she loves me so much, and I feel soft for it." Watching the heroine kneel down, watching the heroine beg, "She loves me so much, her heart softens," "It doesn't matter that I lost my child and she beat me. She was willing to kneel down, she begged hard, but in the end I didn't choose to forgive her." Not perfect at all. It made me feel extremely complicated. To be honest, I still felt that the story "ended abruptly" and "cut off in the middle". It can only be said that more things have been explained than before. From the previous perspective, a lot of things have been explained clearly. When I first started following it, I couldn't remember much of the previous plot. I won't say more here. My wife said in the postscript that she wanted to write about the abuse of men in this article. This was something I did not expect, and she respected the freedom of creation. As for N and 1V1, this struggle is probably understandable. Thinking that love should be exclusive is a human nature that cannot avoid yearning for love. It is a yearning for beauty, and it is also a moral requirement. As for N, it is a kind of greed, or even sublimated, it is greed for male lust and women's resistance to injustice (laughing) I don't know what kind of aspect the author has, so I won't speculate here. If you want both, you naturally want to be morally high and beautiful, and you want to have everything. It can be seen that the author is trying hard to write a heroine who gradually gets better in the later stages of growth, both physically and mentally. This is also the kind of heroine the author always likes to write. Having said all that I want to say, I will stop here abruptly. Terminate as you please. Best wishes and looking forward to the next one.
Light a cigarette and the heroine won't be tortured later. If I don't regret it, I will refuse.
Alas, Xiaojia, come and take Chenchen away. Suddenly, I feel that it doesn't matter whether I love you or not. What's important is to live a quiet and ordinary life.
I'm standing in front of you, and you see me a bit like before. Chen, has this wife given up?