
The Right Way to Reform a Villainous Princess
反派郡主的正确教化法
- Status
- Ongoing
- Length
- 268k Words
- Genre
- Baihe (GL)
- Updated
- 3mo ago
- Source
- JJWXC
Synopsis
92Chapters
6.3kFavorites
5.2kNutrient gifts
15.9kClicks per chapter
3.1kComments
In booklists 4
Absolutely Amazing
I really love these so much. I hope they all get the chance to be published, adapted into audio dramas, or made into shows or movies.
24Books5Follows4moUpdated
Awesome Authors
Guo Da, Yu Yu, Yi Jiang Ruo Shui, Man Man Xing, Gu Simu, Qianli Jiangfeng, Jinyu Manting, Su Yun Weixue, Qin Fangfangfang, and other authors
28Books2Follows5moUpdated
Female-Led, Switch, and Girls' Love, Some with Unexpectedly Girly Top 1s
Switch couples, with a preference for tops, though sometimes bottoms. Just my personal take... Some are abandoned.
34Books48Follows1yUpdated
Yuri
Classics, absolutely love them
52Books0Follows
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Snip the Male Lead's Little Sprout! [Quick Transmigration]
Reader comments 29
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In Chuan Shu Lily's novels, which are full of gentle influence and humble redemption, "The Correct Method of Educating the Villain Princess" breaks out of the clichés and redefines the true meaning of villain redemption and two-way travel with its unique "enlightenment by the strong" core. This book does not use cheap warm feelings to whitewash, nor does it humble to please and accommodate. Instead, it tells a healing story of dismantling darkness and reshaping the heart with a clear-headed pattern, restrained tenderness and reciprocal game, subverting the public's inherent understanding of the theme of "educating villains". Most redemption stories always fall into the solid template of "the weak relies on the strong, and warmth softens the darkness." The protagonist often relies on blind tolerance, compromise, and concessions in exchange for the villain's turning back and surrender. But the most outstanding feature of this article is that it completely abandons this humble redemptive logic. The author breaks the stereotypes at the beginning of the chapter and points out the misunderstandings of worldly salvation: educating villains is never about flattery, bottomless tolerance, nor is it a unilateral self-motivation. The real education is to crush the pattern and stick to the principle. It is to use clear rules and reliable responsibility to enable people who are trapped in darkness to regain their original intention, know how to be reverent, and learn to be kind. At the beginning, the heroine thought that killing the second heroine directly would be the fastest and best way. Now, as soon as many stories are published, the second heroine starts to beg for peace. The heroine in this article has always been in a dominant position and strives to occupy a dominant position, but she is not dominant for the sake of being dominant. Sometimes she can't help but show mercy to the heroine because of her true feelings. The heroine's teaching method is the essence of the whole story, gentle but sharp, tolerant but with a bottom line. She never preached empty words, nor did she forcefully change the princess's character. Facing the temptation of the second female lead, she was always calm and determined. She uses absolute strength to form checks and balances, draws boundaries with clear principles, and gives confidence with trust. She builds a stable place for the helpless princess, gives her the authority and responsibility to do things, allows her to find her self-worth in acting responsibly, and eliminates suspicion and hostility in being firmly chosen. This kind of education method of "use to promote change, use establishment to replace taming" is far more powerful than mindless influence. The transformation of the princess is never forced to surrender, but a subtle self-salvation. Under the condescending but extremely gentle guidance of the protagonist, she slowly sheds the sharp thorns in her body, no longer speculates on all the good intentions in the world with malice, and learns to restrain her emotions, stick to her true heart, and be gentle. Her change was not to completely smooth out the edges and become a docile vassal, but to retain her sincerity, shed her violence and gloom, and live a magnanimous and bright life. The depiction of emotional lines is even more delicate and moving, with great tension. There are no bloody misunderstandings or forced sadomasochism in the whole text. All the bonds are gradually developed through repeated games, companionship and running-in. It is not a one-way rescue and being saved, but a two-way healing and achievement. The heroine redeemed the second heroine who was trapped in darkness with her sobriety and gentleness. The second heroine's sincerity, dedication, and running forward step by step also cured the protagonist's coldness and loneliness along the way. The strong and forbearing leader and the broken villain princess are equally matched and support each other. From temptation and alienation to two-way trust, the bond is sincere and profound. Throughout the whole text, the plot is smooth and not procrastinating, the characters are vivid and three-dimensional, and the core is sober and profound. Breaking out of the clichéd redemption routine, unique educational concepts, and delicate and two-way healing make this work stand out among similar themes. It is not only a touching lily love story, but also a practice about growth, redemption and true intention, which is worth reading carefully. I hope the author can persist in finishing this article.
I wish the King of Song could go offline a little miserably. Shen's attempt to make such a big mistake is tantamount to rebellion. Will there be severe "punishment" after the reckoning? [Gotou] I hope the two of them can quickly resolve the conflict of ideas and argue for a long time about whether they love the country or the emperor. In the end, King Song usurped the throne and won the MVP. This throne was also played beautifully.
It's really annoying. Although Yuexi's betrayal is unnatural, just like the brain is underdeveloped and the cerebellum is underdeveloped, the most troublesome foreign enemies are caused by King Song. The worst situation is King Song usurping the throne. I don't understand. Didn't they just keep King Song alive? It feels like no one is monitoring him at all. Lin also took a step back to avoid conflict with Shen. Then why is Shen so careless? If she wants to take it The King of Song was used as a bargaining chip to contain the empress (according to her idea of being loyal to the country). Shouldn't he find a circle of people to monitor Song? As a result, one second I was sure of victory and I was a loyal minister, and the next second the enemy immediately rebelled. As a result, now that I am watching Shen's angry description, all I can think about is Cao Cao's "Impossible! Absolutely impossible!"
Suddenly I discovered that it was a deep pit. The author must insist on writing more well 🤩
Shen is also a god. This King of Song was the one she had to protect in the first place. She didn't have the ability to keep an eye on him. But when this man really did something bad, he actually fell in love with her unexpectedly. I thought this man behaved like a monster before. What's so surprising about doing this kind of thing now? The female officer next to me is also a monster. Civil War Fantasy God wbxl
Fortunately, I have you, Shen Mingxi
In fact, you can't recruit Lin Wu anymore.
After searching, I found that there seems to be no specific mention of the age of the two of them. Are they twenty?
The protagonist seems to be strategizing, but he is constantly being checked and balanced. I feel aggrieved. I don't understand why I have to write about the plot of Yuexi. The Fengchan incident that was foreshadowed earlier is so important, but the result was ruined by such a small character, and for such a stupid reason as Princess Xinyue. Since I want to write about the protagonist's strategizing, shouldn't it be that despite the twists and turns, the result is good? The protagonist has gradually gained control of power, and at least he is not so aggrieved. But what is written now? The protagonist is written as a loser.
This story is full of tension, but from Lin's perspective, it's frustrating. Emperor + time traveler, but I feel like I'm overwhelmed everywhere except in bed. I hope there will be more sadistic plots and updates soon. It's been 5 years.