My author page's new novel, After the Demolition, Our Whole Family Made the Pig-Butchering Scam's Hit List, is now open for preorders. Also available for preorder: Can Infinite Failures Only Deduct Love? Please add them to your favorites, thank you!~
Synopsis:
+ Before the apocalypse game descends: Everyone thinks Wang Jiu is so pitiful. She was cheated on and divorced, then driven to a tiny county town in the middle of nowhere. Surely she's the most delicate and pitiful woman in the world.
+ After the apocalypse game descends: Her ex-husband sees his ex-wife effortlessly beat up hulking men and wipe out the BOSS, becoming the MVP of the whole event. He's not surprised at all, because this is the woman who secretly planned to kill her husband and dispose of the body. He only finds out later that the plan was fake, but that she really did make his mistresses cheat on him.
Content warning: Strong female lead. The heroine is a truly awful woman, like a sow wearing a bra, with one scheme after another. She's a polyamorous flirt, and the ending is open, so feel free to pick your favorite love interest. The ex-husband is a pitiful pawn, and there are too many flirtations to count.
My completed novel in a similar vein, Please Hold Tight to the Wrench in Your Hand, and my ongoing new novel, After the Spiritual Qi Revival, are also available next door. You're welcome to check them out. (A strong female lead, survival story, focused on her alone.)
My next novel, Is the Grand Archmage Making Money Today?, is described below.
In the alchemical magic, Western fantasy-inspired game world of Arcane Throne, a murder takes place in District 13, a low-class slum.
The wooden door opens. Xie Keli, a scumbag who used to roam the streets, stumbles out of the room belonging to Fu Chuan, a lowly commoner, in a state of disarray. Just as the furious crowd is about to execute him, a noble's guard unit appears out of nowhere.
As the illegitimate son of a noble, he gets away unscathed.
Late that night, he touches his face and remembers that before she used the "Devouring Scroll," her name was actually Fu Chuan.
And before transmigrating into Fu Chuan, she was a game-resource trader.
In the world of arcane arts, wands sweep through the air, elemental particles sing, flesh surges and is destroyed, and matter forged by time crumbles beneath a spell.
The Coffin Bearer, the Little Flayer Assassin Corps, the Cross Rose Knights, a cunning financial magnate, a zombie bride, an ugly goblin army...
Are all of these just dungeons?
The academic mages are choosing teammates for dungeon runs. The heir's eldest brother is figuring out how to eliminate his family's disgrace, his cheap younger brother. His beautiful, charming fiancée is already pregnant with the academy heartthrob's twins. And the male lead, equipped with a BUG-ridden System, is planning to kill the scumbag young master to earn the world's fortune.
Shaking a triangular potion bottle, igniting the cloudfire furnace with fire magic, calculating a miniature world of metal reactions, and struggling through the "infinite" alchemy system, Xie Keli, his hair a complete mess, is calculating how much this batch of alchemical products will sell for, assuming the reaction furnace doesn't explode.
Reader's guide:
1. A fusion of Eastern and Western dimensions: a high-martial world where the game becomes reality. Class divisions are severe. Divine authority constrains the monarchy, the monarchy rules everything, and capital monopolizes material wealth.
2. Equipment and resources come from dungeon runs. Defeat the BOSS to get gear and experience, or use alchemy: either burn money on technology or grind like crazy and scrape through dungeons. The story is mainly set in an academy, with monster fights and leveling up, countless academies competing, and arcane practitioners around the world caught in a rat race. The strong rise to power, while the tenacious fight their way back.
3. The characters' values don't represent the author's. Given the civilization and plot logic of this setting, please don't apply modern moral standards. The protagonist is low-key, an honest sort who could be male or female, plain and unassuming, with a dark, macabre streak. When people fight, it's either you die or you die.
4. Romance plays a small part and the route is open-ended. Imagine what you like based on the protagonist's identity and the plot. Reader interference will not be accepted.
5. I haven't thought of anything else yet. I'll add more when I do.
My next novel, The Mutants (Future Mutant War), is now open.
World setting: The year is 2500. Resources are depleted, and technology has developed along a single track: firearms, biological mutations, and energy. The world is on the brink of a wasteland-era transformation. Living resources are at an all-time low, the dominant political system is collapsing, and capitalist conglomerates control everything. The wealth gap is enormous, and class markers are appearing on people's ID cards. Society is immersed in extreme entertainment.
Synopsis: Global climate change and radiation disasters reveal mysterious areas across the oceans and land. With resources equaling wealth, the Tianxi Consortium, one of the world's largest capital groups, concludes that development of the Deep Red Zone B05 ruins in its key investment waters has failed. It sends the Ninth Exploration Team to investigate the ruins.
As the team's history and environmental studies consultant, the frail-looking Sui Xin is one of the consortium's highly intelligent middle-management employees. She stands out among the team's burly members, all carrying lethal weapons. But on their very first day inside, the convoy is engulfed in fog, its tires corrode and blow out, and with a loud crash, the vehicles plunge into a deep ravine.
When Sui Xin wakes from the pain, she sees that her arm hurts. She touches it and feels a two-centimeter-long worm crawling beneath her skin. In the pool where the wrecked car lies, countless blood-red worms are swimming toward her.
At that moment, she knows it's over. She also suddenly realizes that everyone chosen this time seems to be among the lowest-ranking people, with ID grades E and D.
And she's an E, the lowest of the low.
What Sui Xin doesn't know is that the moment she touches her arm, a global livestream begins. Livestream channels covering the Tianxi Consortium and countless other ruins around the world display this advertisement: They're trapped in deadly ruins and on the brink of death, but they will also carry humanity's hopes and complete their genetic mutations!
The ads are loud and flashy, heads are dropping like flies in the ruins, and capital is delighted by the enormous wealth the livestreams bring in.
But they never expected that three days later, some of these people would actually mutate.
The mutants go on a killing spree during the livestream, ruthless and powerful, on the verge of breaking out of the ruins and returning to the human world.
They're about to take revenge.
Humanity panics. In a global vote, people decide to execute the mutants trapped in the ruins. Capital and human society then send hunting forces and mercenaries to exterminate the mutants and rescue the poor souls who haven't changed.
Later, Sui Xin is brought back as a supposedly unmutated survivor. The consortium's young master smiles and asks whether she'd rather be locked in a laboratory and studied like a mouse, or bow her head and become his captive.
Five minutes later, in the restroom, Sui Xin washes the hot blood from her hands. Her eyes in the mirror are a pure, blood-red.
First mutation ability: skin-contact mimicry and disguise.
After returning to the consortium, she soon learns a secret: mutants have very short lifespans. The stronger the mutation, the more severe the cell decay and backlash. Only the major conglomerates have the ability to develop a cure.
Mutant forms include flight, telepathy, lie detection, limb duplication, invisibility, control, and transforming into other organisms (mutations caused by biological radiation and viruses: becoming cockroaches, mice, lionfish, shrimp, birds, and so on, with the risk of being overtaken by the instincts of that creature).
Mutant abilities are generally singular. Only a tiny number of prodigies can undergo multiple transformations. Most mutants are still made of flesh and blood, and can be killed by physical or energy attacks.
PS: This is a future mutant war in an unstable, class-stratified society. At its core, it's about the warning signs of a future apocalypse brought on by rampant capitalism, environmental and energy crises, the wealth gap, and an entertainment culture fueled by extreme hedonism. It's not meant to reflect current society, but is purely a speculative future story. The combat is limited to low-level supernatural abilities, not godlike or immortal cultivation: low-level magic, strange energy studies, and martial arts.
Theme: Even the most despairing person can find a chance to survive, and even the most ruthless person will have someone who treats her kindly.
Hahahahahaha Sure enough, white and black are so funny.
In the end, there was an ambush. Hahaha, who is it?
I feel that the early stage is very good, and the reverse and wonderful characters are outstanding in three-dimensionality. But it started to feel weak in the middle, and the author's writing style felt a little unable to support his imagination. In the later stage, it will be too messy, and it will be a pity to throw it away if it is tasteless. Especially the last fifty chapters, from when Wang Jiu entered the fourth space and time to save the old lady, it was chaotic all the way to the end.
Overall, it's still good-looking. It's rare for JJ to see such an upgraded female protagonist. Although there were some parts of the story that made me feel a little uncomfortable, and I still felt a bit masculine, but overall it was good, and it created many three-dimensional and vivid female characters.
It's a book that I won't read twice, but I won't regret reading it once.
So who was the unlucky guy who ended up being sent to the Sahara? ! ! ! !
In the later period, the writing was too messy and a bit crumbling. Maybe the book's results were not very good at that time? In fact, the world view is grand, and many contents can be said to be interlocking. The early and middle stages are very interesting, but the later stages are a bit poor.
Tears in my eyes, Ajiu whimpering
But who is the second person on the bed (smile)
The early stage is not bad, the characters and plots are beginning to be drawn, and it is different from the general apocalyptic genre. It is quite interesting.
The pace slowly started to get busy in the middle period. It can be seen that the writing is a bit messy. It just pushes the plot blindly and lacks the ups and downs of the plot. It keeps trying to push towards the climax but fails. It makes people feel like they are working hard but can't get enough milk, but they can barely continue watching.
The writing in the later period is completely messy. It seems that in order to set off the strength of the heroine, some new strong people always appear suddenly. The early preparation is not enough, which makes people feel that they are serving the protagonist. Everyone except the protagonist and those who obey the protagonist can be killed. There is no diversity of characters. In the later period, all the strong characters are reduced to a unified or ambiguous protagonist or a single character who rebels against the protagonist, gradually losing readability.
How to put it, it's like a broken synopsis. It's fun, but it's only the protagonist or the one who takes on the protagonist's perspective. Mary Suven is in the guise of the heroine.
1 Point in the early stage, 0 points in the mid-term, and -1 point in the late stage.
Total -1 point.
After reading it, please give a brief evaluation
The character creation is very good and the storyline is good, but the pacing is obviously too fast in the later stages.
And it may be a problem shared by Shuangwen, the combat effectiveness is broken.
The characters in the later stage are not bad, but there is too little ink, and they are ordinary compared to the construction girl in the early stage.
It was obvious that he tried his best to describe the eldest son of the Song family, but in the end he still didn't feel as interesting as the Xie family.
I don't know what is going on at the end, but from the messy and scrawled descriptions at the end, I can feel that it is a great story. Even if you are too anxious, it doesn't feel like you have the eye-catching feeling of the first few chapters at the beginning.
Probably after the old Taoist priest appeared and introduced the plot of the order system, it suddenly became boring. Even if there were a few outstanding plots later, there was nothing to save it. It was just bad.
But even in this way, the stories about strong women in JJ are unique. At least they are cheating with some brains, and their views are not too great and upright. On the contrary, they suit the current appetite.
In the later stage, the scene where the heroine's mother saves the heroine is probably the most eye-catching, but the old lady is resurrected, and the relationship with the old lady is a bit disappointing. I casually said that I want to resurrect people, and I am heroic, but I really can't bring in Shushu. My first reaction is that the money is not provided by civilians?
Another emperor traveled through time and space inexplicably. No, wasn't this busy man who was trying his best to show off that he was busy fifty chapters ago? He threw his son out and disappeared for more than a year, but he was fine. Why was he so happy all of a sudden? He, an emperor who worked hard to govern, didn't think of giving him a beating?
It's not that I don't know that the author wrote that they can't be beaten, but the foil is not enough, but it ends up being weird, as if the whole world revolves around the heroine.
At the end of the writing, the combat power collapsed, but I feel that this is also the basis of this type of writing.
If the author has time, he can re-check this article, because there are still many typos. Basically, you can see a lot of them in just a few chapters.
I thought this book was very good in the early stages. There was a scene that impressed me deeply, that is, Wang Jiu drove violently in front of the old lady's mourning hall and killed the Yang family's father. At first, I was thinking, I want to establish a society ruled by law, but it is actually very easy to understand from the heroine's perspective. Then Xiao Baiyang appeared later. To be honest, I was quite attracted to this couple, but there is a sentence in the article that is quite right. For people like Wang Jiu, non-contamination is a kind of preference.
The plot in the later period is not as good as the early and mid-term. In fact, it was quite good until Song Yin was killed. I felt that that part was so sloppy. The foreshadowing at the beginning felt like Song Yin was so scheming, and then in the next chapter, he blew himself up and was seconds away, huh? Xing Yao in the back also felt OOC, and the pace was fast in the back. After the first world came out, the relationship between characters and everything was messy. I felt that there were a lot of names. I wanted to remember them, but later I found that they were all passers-by. I thought they were awesome bosses, but I didn't expect to kill them quickly with three moves. It has a very complicated feeling. If I spent more time describing the Eternal Night chapter and stabilizing the rhythm, this article would be very nice.
It's beautiful and interlocking. Personally, I think the ending is great. It's not like A Diao's ending. It's very characteristic of Lao Wanghhhhhhhhhhh
Can Infinite Failure Only Deduct Love?
After the Demolition, Our Whole Family Made the Pig-Butchering Scam Hit List
Spring Contains Snow
I Love Your Throne
Alien [Future Mutant War]
See Evil [Unlimited]
Qinggui
Please Hold the Wrench in Your Hand
The First Master of Disguise Among Immortals and Demons
Climb High
I’ll Drink with You for the Rest of My Life
I Hear You're in My Heart
Hahahahahaha Sure enough, white and black are so funny.
In the end, there was an ambush. Hahaha, who is it?
I feel that the early stage is very good, and the reverse and wonderful characters are outstanding in three-dimensionality. But it started to feel weak in the middle, and the author's writing style felt a little unable to support his imagination. In the later stage, it will be too messy, and it will be a pity to throw it away if it is tasteless. Especially the last fifty chapters, from when Wang Jiu entered the fourth space and time to save the old lady, it was chaotic all the way to the end. Overall, it's still good-looking. It's rare for JJ to see such an upgraded female protagonist. Although there were some parts of the story that made me feel a little uncomfortable, and I still felt a bit masculine, but overall it was good, and it created many three-dimensional and vivid female characters. It's a book that I won't read twice, but I won't regret reading it once.
So who was the unlucky guy who ended up being sent to the Sahara? ! ! ! !
In the later period, the writing was too messy and a bit crumbling. Maybe the book's results were not very good at that time? In fact, the world view is grand, and many contents can be said to be interlocking. The early and middle stages are very interesting, but the later stages are a bit poor.
Tears in my eyes, Ajiu whimpering But who is the second person on the bed (smile)
The early stage is not bad, the characters and plots are beginning to be drawn, and it is different from the general apocalyptic genre. It is quite interesting. The pace slowly started to get busy in the middle period. It can be seen that the writing is a bit messy. It just pushes the plot blindly and lacks the ups and downs of the plot. It keeps trying to push towards the climax but fails. It makes people feel like they are working hard but can't get enough milk, but they can barely continue watching. The writing in the later period is completely messy. It seems that in order to set off the strength of the heroine, some new strong people always appear suddenly. The early preparation is not enough, which makes people feel that they are serving the protagonist. Everyone except the protagonist and those who obey the protagonist can be killed. There is no diversity of characters. In the later period, all the strong characters are reduced to a unified or ambiguous protagonist or a single character who rebels against the protagonist, gradually losing readability. How to put it, it's like a broken synopsis. It's fun, but it's only the protagonist or the one who takes on the protagonist's perspective. Mary Suven is in the guise of the heroine. 1 Point in the early stage, 0 points in the mid-term, and -1 point in the late stage. Total -1 point.
After reading it, please give a brief evaluation The character creation is very good and the storyline is good, but the pacing is obviously too fast in the later stages. And it may be a problem shared by Shuangwen, the combat effectiveness is broken. The characters in the later stage are not bad, but there is too little ink, and they are ordinary compared to the construction girl in the early stage. It was obvious that he tried his best to describe the eldest son of the Song family, but in the end he still didn't feel as interesting as the Xie family. I don't know what is going on at the end, but from the messy and scrawled descriptions at the end, I can feel that it is a great story. Even if you are too anxious, it doesn't feel like you have the eye-catching feeling of the first few chapters at the beginning. Probably after the old Taoist priest appeared and introduced the plot of the order system, it suddenly became boring. Even if there were a few outstanding plots later, there was nothing to save it. It was just bad. But even in this way, the stories about strong women in JJ are unique. At least they are cheating with some brains, and their views are not too great and upright. On the contrary, they suit the current appetite. In the later stage, the scene where the heroine's mother saves the heroine is probably the most eye-catching, but the old lady is resurrected, and the relationship with the old lady is a bit disappointing. I casually said that I want to resurrect people, and I am heroic, but I really can't bring in Shushu. My first reaction is that the money is not provided by civilians? Another emperor traveled through time and space inexplicably. No, wasn't this busy man who was trying his best to show off that he was busy fifty chapters ago? He threw his son out and disappeared for more than a year, but he was fine. Why was he so happy all of a sudden? He, an emperor who worked hard to govern, didn't think of giving him a beating? It's not that I don't know that the author wrote that they can't be beaten, but the foil is not enough, but it ends up being weird, as if the whole world revolves around the heroine.
At the end of the writing, the combat power collapsed, but I feel that this is also the basis of this type of writing. If the author has time, he can re-check this article, because there are still many typos. Basically, you can see a lot of them in just a few chapters. I thought this book was very good in the early stages. There was a scene that impressed me deeply, that is, Wang Jiu drove violently in front of the old lady's mourning hall and killed the Yang family's father. At first, I was thinking, I want to establish a society ruled by law, but it is actually very easy to understand from the heroine's perspective. Then Xiao Baiyang appeared later. To be honest, I was quite attracted to this couple, but there is a sentence in the article that is quite right. For people like Wang Jiu, non-contamination is a kind of preference. The plot in the later period is not as good as the early and mid-term. In fact, it was quite good until Song Yin was killed. I felt that that part was so sloppy. The foreshadowing at the beginning felt like Song Yin was so scheming, and then in the next chapter, he blew himself up and was seconds away, huh? Xing Yao in the back also felt OOC, and the pace was fast in the back. After the first world came out, the relationship between characters and everything was messy. I felt that there were a lot of names. I wanted to remember them, but later I found that they were all passers-by. I thought they were awesome bosses, but I didn't expect to kill them quickly with three moves. It has a very complicated feeling. If I spent more time describing the Eternal Night chapter and stabilizing the rhythm, this article would be very nice.
It's beautiful and interlocking. Personally, I think the ending is great. It's not like A Diao's ending. It's very characteristic of Lao Wanghhhhhhhhhhh