The Night Before Our Divorce, She Turned Into a Mushroom

I am a reader who bought the physical book and read it. After reading it, I just found it unfinished, so I found it here and posted a long review. I want to express some gratitude to the author, but also because many characters and writing styles in the article moved me, and I am curious about some that may be ancient foreshadowing. It would be great if the author could see it! The following is the original text of the long review: I finished the third volume in one go, and my impression of the foreshadowing is actually better than the first two volumes. Although there are still some flaws, they are not harmful. When the mystery is revealed in the final chapter, it turns out to be the homophone of the devil--the God of Mushrooms. Generally speaking, "mushrooms" are not a species that can connect the divine continuity from the beginning of chaos to the present day. It is quite surprising that the author can pinpoint the Ning Qingqing race to such a niche but humorous species. The identity of mushrooms, from jokes to serious ones, provides many refreshing points and details for the protagonist to turn danger into disaster and make jokes. The reason why Volume 3 is given a high score is not only because the mystery of the Demon God and the Goddess of Xiyin is revealed in a refreshing way, but also because the emotional development of Ning Qingqing and Xie Wuwang finally made a leap forward in the sea eye. The tacit understanding between love words and actions in the line between life and death actually became the secret code for the two to break the situation, which is more vivid and powerful than any line description. On the other hand, Ning Qingqing is about to die, and Xie takes the Taoist bones to heal her injuries. Although the two sides have reached a point of mutual agreement, maybe because there is too much foreshadowing in the previous chapter, it is not as natural as the jade figurines. The overall character image of Ning Qingqing has some inconsistencies and flaws. In the first volume, the delicate woman was hurt by love and was eclipsed. When she lost love, she was able to understand her true heart. The process of starting over was still a bit thin. But the story of Zhu Lin watching himself crying and feeling sad in the past, and accepting his current state of mind as his lover regardless of everything else, is another eye-catching highlight. Ning Qingqing is willing to love herself and never give up, instead of giving up her love and the ability to love, let alone denying her past self, which is really touching. In comparison, I found Xie Wuwang's portrayal of Ning to be deeply in love without realizing that there was already a gap in his heart depressing. In the later period, he was willing to be a Taojun and work side by side with Ning, just because Ning could love himself, had the ability to match Daojun's cultivation, and could see clearly many of his unspeakable character flaws, and then love from a high place. In the whole book, it seems that the male protagonist is the delicate character with weak room for growth and realm... In addition, the development of the emotional drama between the male and female protagonists did affect the creation of some supporting characters. Therefore, I feel that the few characters depicting the boat, the young junior sister with the heavy sword, the loud-voiced second senior sister, the martial arts-mad senior brother, the lotus flower monk, etc. Are well portrayed. The story of Yun Shuimiao falling in love with an ugly but upright person, and finally dying at the hands of an old lover by accident is also intriguing. It's a pity that these foreshadowings were not elaborated in detail, which is a pity. Ji Huaizhou has an outspoken nature, and dares to duel with Xie Wuwu for love. He can clearly see right and wrong. Although a warrior is easily manipulated by the elders, he still stands with Ruxue on the side of the common people and rushes to help the seal. The section is particularly impressive. Among the supporting characters, I really have a good impression of Ji Huaizhou. His provocative and clamoring for a fight makes people feel a bit cute. In the same way, the simple-minded childhood sweetheart Huang Xiaoquan is actually quite clever in his portrayal. It's a pity that after the plot of Canglan Realm, he couldn't find this person, and there seemed to be no follow-up development. But speaking of the medicine king Gu Yin's father and son in a negative sense, they killed innocent people's daughters, the father raped the "goddess" and brought trouble to the people, and the son deceived people's hearts to do dirty things. The root cause is that the bad spores control Yin, and then the inner demons corrode them, which always makes people feel that they are out of step. Other supporting characters, such as the sibling relationship between the Yu brothers and sisters, the right front envoy who is good at calculating and flattering, are also obviously meant to pave the way for the emotional journey of the male and female protagonists at the expense of dramatization. Several foreshadowings left over from the first volume are also very curious. For example, the prophecy that the Tao Lord is the only one who cannot leap into others seems to have been forgotten in the later chapters, which makes people regretful. Is Ning Qingqing's physique with all five spiritual powers also because she inherited the blood of the Goddess of Heart, so she is naturally good at controlling weapons? In addition, Ban Yazai mentioned that he fought side by side with Ning's ancestors. Does he mean that the goddess once fought side by side with monsters in the past? If these doubts and the fate of the supporting characters can be clarified, I think I will like "Mushroom" even more.

My feelings after reading it: It was so exciting that I still have more to say. Let me talk about some of the controversies in the comment area based on my feelings: 1. The male protagonist is not really a scumbag (he is one who thinks he means what he says without knowing it). If you read it patiently, you will find that the male protagonist actually has a very charming personality. No matter how miserable the experience is, his love has not been eradicated. He is fair and strict in dealing with things. He has never given up. He has given up on things before, and values ​​promises and keeping promises. He will reflect and find his own mistakes, instead of awakening through the heroine's own scars. His experience has made him afraid to give unreserved sincerity, and he does not admit that he is actually affectionate. It's a pity that a dog has a mouth (it's a crime of harboring a treasure, and being conceited in a high position). 2. The heroine is not a dodder who cannot live without the hero. When I meet a heroic male protagonist, although she is lost in love and worried about gains and losses in the early stage due to the difference in strength, she is actually very clear-headed and will set a bottom line for herself. She is principled, wise, and knows how to neither break nor establish, even if she has closed off her past emotions and is trapped. The male protagonist who knows how to love is attracted again and will not irresponsibly forgive the past for the present. He grows up quickly, can save himself and others, and can do things that even the male protagonist of Daojun cannot do. The female protagonist who has self-esteem is actually the same as the male protagonist, both are characters with great love. 3. This is a love growth story that neither breaks nor establishes, and understands each other. No one is perfect, they all grow up through collisions. The male protagonist is humble and upright, and does a lot but does not understand love. The female protagonist understands love but lacks social experience. She is trapped under the absolute protection of the male protagonist's ego and can only think about the male protagonist's love. They need a breakthrough to integrate into each other's world. They also re-recognize themselves and improve themselves in pain. Deep affection needs the soil of a healthy relationship to be nurtured. When they are self-perfected and get along in a healthy and equal environment, their love will be fruitful. (To be honest, the male protagonist in this article is really good in nature and has a high vision. He respects the female protagonist's feelings after reflection, does not force things, and avoids the answer to death. The point of pursuing his wife is not that he regrets losing the female protagonist, but that he regrets his past thoughts. Many of the male protagonists who have read some crematorium stories before are desperate to stay alive. Although they can correct their mistakes, they are essentially disrespectful and feel a bit suffocated. The male protagonist in this article is worthy of love.) 4. I think the heroine does not just accept the hero again because she understands him after seeing his world and finds that he has changed for the better. There are indeed some details with the hero in the past (the specific details will not be spoiled, they will be reflected in the following articles), showing that the hero actually cares about her and has always been consistent. The two are indispensable, and the heroine can completely untie her heart. The process of torture is not torture for the sake of torture, it is a very natural kind of torture with a bit of stream of consciousness. Some people may feel that it is not enough to torture the male protagonist, because the plot is more joyful and the abuse is not concentrated, so it may not be easy to feel, but it is actually quite sadistic for the male protagonist. The dialogue of the unconscious female protagonist is stabbed from time to time. The unconscious behavior of the female protagonist after the roles are reversed allows the male protagonist to experience the experiences of the female protagonist in the past. He has already empathized with it very much.

I feel that after reading this article, I will never fall in love with other male protagonists again. Daojun is really worthy of love and is really good and good. Strictly speaking, this is not a complete reunion, but it is indeed a breakup and a reunion. Wow, I can't get enough of their stories.

Not bad, a very good novel, written by Xie Wuwang and Ning Qingqing.

I want to see a collaboration with Piranha and Piranha [please][please][please]

If it can be like the extra story, the Nirvana Bone will probably not be used. Then when will Qingqing awaken the mushroom attribute?

Ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh were they looking so pretty! ! !

Wow, I really like it. I can't find any meal replacement. My wife, please promise me to keep writing at this level, okay?

The author has worked hard to write more articles. The book is really great and beautiful! !

Good-looking [hug][hug] Brother and sister 99999999