From high goddess to demon lord, from domineering CEO to emperor, no one can rival Li Lu, but her road to dawn is anything but smooth.
Story One: A domineering CEO's fiancee drives technological development, and two domineering CEOs go bankrupt one after another.
Story Two: An empress becomes a nun, protects the realm, and expands its borders. The captured, deposed emperor ends up in an enemy brothel.
Story Three: A journey to find one's ancestors in ancient times, where the descendants of Yan and Huang witness the glory of Yan and Huang.
Story Four: Break the cycle of terror and completely destroy the blue-robed, blue-eyed evil god.
Story Five: Break the monopoly of gods and demons and shatter the enslavement plot of the high gods and demon lords.
Story Six: Grow up alongside Huo Qubing in the era of Emperor Wu of Han.
Story Seven: A remarkable revolutionary who makes whatever the organization needs (skipped).
Story Eight: A thousand years later, travel to the modern era with Huo Qubing.
Story Nine: In the future, Li Lu and Huo Qubing attain the Way and forge golden bodies.
Story Ten: A fairyland beyond the Han palace, a life spent in a great dream, and the divine tribulation arrives (not written).
The story draws on the backgrounds of the Yellow Emperor and Emperor Wu of Han. Although some research has been done, many liberties have been taken for dramatic effect. These are works borrowing famous names, intended only for entertainment. This is to make that clear.
The Battle of Hexi, the decisive campaign in Mobei, and the imperial edict praising General Huo under Emperor Wu of Han are partly quoted from historical records. My own inventions lack the weight of history.
Since this story borrows famous names, and Li Lu watches events unfold with a detached eye, the broad strokes of the Han Wu sections follow historical records. The stories of Dongfang Shuo teasing the dwarfs and criticizing Dong Xian are also recorded in history. As in the passage about Nanyue's memorial, the two classical Chinese passages attributed to Dongfang Shuo are also quoted from historical records. This is to make that clear.
Huo Qubing died young, and little was recorded about him, leaving relatively more room for creative liberties. I have therefore borrowed his name. The era of Emperor Wu of Han was a turning point in Western Han history, marked by civil and military achievements and changing customs. I have drawn on it for this story, with no disrespect intended toward the ancients. It can be viewed as a parallel universe.
The setting is fictional, and the story is made up.
Theme: This road is covered in thorns, but it leads to dawn.
I really think their story could be published in a separate book, I really like it
Huo Qubing: Will we have to guard against both men and women in the future?
How to put it this way, I think the previous ones are pretty good. The world of Huo Qubing is my favorite world, but later I feel that it is not as exciting as the previous ones. I find that the heroine sometimes feels too preachy.
I like the heroine very much, but she looks like a talkative king who talks a lot but doesn't actually do anything... Maybe I didn't look carefully. Apart from papermaking, I didn't do anything to improve productivity.
No, where does the power come from? Why do wooden people replace cleaners? Modern sweeping robots are not very smart, let alone ancient ones.
Borrowing from the Past to Satirize the Present (Confirmed)
Damn, let our heroine ascend the throne. In the Han Dynasty, when women were not severely suppressed, having a heroine would be helpful to improve the status of women.
Laughing to death, send me off to the court, what a good send-off
This should be a reminder of the shortcomings of the Liu Che family.
Huo Qubing, the genealogy should be published separately