Want to See You Gl

Coming from Pure Sugar, I am late but arriving. Although my writing power is limited, I still want to talk about the subtleties of this extra chapter. You can just watch it for fun. Whether it is over-analysis or self-impression, I will talk about the "causality theory" in my mind. Although it is rude to mention other works here, I still want to say that I have wanted to write about "The Theory of Cause and Effect" a long time ago. The most typical work among them is of course Anjima, so I think this kind of works will also have something in common - absence and presence. But since this is jj's comment, of course I am elaborating on the basis of wanting to see you. First of all, I think we should look at the setting explanation (Chapter 15). The introduction clearly states the setting of "the only world in which she is not present". In fact, this basically directly states the possibility of countless parallel worlds. I think this is actually very similar to the treatment of Anjima's extra story ("With Shimamura"). The parallel worlds here are not branches of different possibilities as we usually understand them, but more like static worlds. Only the arrival of Tang will activate the world to start running. From this perspective, Tang can be considered the key to each world. But I also think that limiting Tang to just one person may be too narrow. Since it is the only constant throughout the world, the answer should be "love". Just like Borges's "The Garden of Forked Paths" - time is forever bifurcated, leading to countless futures, but Tangtang's intentionality is like an eternal compass, stubbornly pointing to the North Pole named Tang Qingyi. Secondly, let me explain what "absence and presence" mean. My reading volume is not too small. In various works, I have always been thinking about "what is love?" In other words, in such works, I can't help but think about whether love can transcend a single universe and remain unchanged in different world lines? Therefore, the necessity of "absence" is obvious. The reason why love is love is not that it can always bring perfection, but that even in situations where perfection is impossible, it still serves as an unyielding centripetal force to maintain the order of the soul. Often, we feel and affirm love through "presence." But if Tang Qing is also "absent", this absence is not a simple physical disappearance, but more like an ontological withdrawal - she becomes a trace, a vacuum, a ghost that only exists fully in Tangtang's memory. When the entire world loses traces of Tang Qingyi, Tangtang's persistent pursuit becomes a paradoxical behavior: what she is looking for is an existence that has been completely erased in the current reality, but has absolute authenticity in her inner world. Just like a silent night allows us to feel sounds more keenly, and darkness allows us to see glimmers of light. Tang Qingyi's "absence" actually magnified his "presence" infinitely. Every blank space in Tangtang's world has become Tang Qingyi's reflection; every loss that cannot be found has become the echo of love. Love here is no longer a passive feeling, but Tangtang's active behavior. Through memory, desire and action, she tenaciously reshapes Tang Qingyi's image in nothingness. Then, I also thought about Tangtang's pursuit of destiny. On the surface, Tangtang's "want to see you" is looking for Tang Qingyi (an external object), but on a deeper level, Tangtang is looking for himself. In other words, this is a journey to find his own heart. In a world without Tang Qingyi, "Tangtang", who was once deeply loved by Tang Qingyi and was given a new meaning, is also facing the crisis of identity disintegration. Her existence is defined in part by the fact of being loved. When the object of love disappears, the integrity of the self is threatened. Therefore, her search is also a search for her own identity. She not only wants to find Tang Qingyi, but also wants to find her complete self who is one and the same with Tang Qingyi. Tang's love for Tang has become the most powerful proof of Tang's existence in the world. Finally, I feel that at the end of my review, I should summarize and sublimate, which is in line with objective laws. "Want to See You" needs to be compared with "Pure Sugarism". If pure sugar shows what love looks like when it is "full", then "Want to See You" reveals the shape of love in "empty". In fact, we might as well put it into Jin Tang's perspective. This is a very desperate thing. Tang is an isolated ark of memory, and Tang has become a lost god being enshrined. You cannot forget, even a vague smile, a breath of fiction. This kind of memory is no longer a faithful record of the past, but a creative and ongoing shaping. Tang is not reminiscing, but re-excavating and shaping the bones of his lover with every breath, giving him an immortal form in the spiritual dimension. But if Don is gradually forgotten, as I commented in Pure Sugar, the world will soon lose its meaning (Chapter 15). True love may not be about fear of loss, but about being able to support a world with its inner energy even when the lover is absent. Tangtang's journey is a pilgrimage through nothingness. What he finally arrives at is not only the embrace of his lover, but also the indestructible truth about love itself. Love breaks away from the stereotypes of romanticism and possesses a tragic beauty of fatalism. Love is no longer the sweetener of the plot, but a law that precedes the world. The "missing world" described in the extra chapter may be just to prove that even in the most barren and least conducive soil for the growth of love, the intentionality of love can carve out its path. Having said so much, I still don't understand the meaning, but let's stop here. I haven't figured it out yet. I showed it to a friend and said that I over-interpreted it. As for over-interpretation or in-depth interpretation, it's a matter of words. It's up to the beholder.

It's a really comfortable article, and I feel like I'm being wrapped in gentleness. [Cat head]