The 1980s Female Supporting Character Doesn't Want to Get Married

["The Villain's Nemesis Girl in the Seventies [Book Transmigration]" is now being updated with great enthusiasm]

Ye Ying is reborn at nineteen and gets to choose her life again, without having to marry or have children.

It doesn't take long for the villagers to notice that the fat, lame girl has become beautiful. Her brother and sister-in-law discover that the younger sister they always considered a burden is buying meat every day and even building a new house.

Ye's mother is astonished to find that the daughter who always worried her has not only become beautiful, but also fiercer and incredibly good at making money. Her only regret is that her daughter refuses to marry or have children. This leaves Ye's mother fretting, and she goes around trying to find a match for her daughter...

Then the scumbag husband from her previous life shows up to ask for her hand in marriage, and his mistress comes by to make nice. Ye Ying glares, swings a wooden stick, and beats them both out the door.

She thumps her chest and declares: In this life, I don't need a man. I can still live just fine!

Until one day, the river floods, and she rescues a man on the riverbank who is barely clinging to life...

He looks like a movie star. Just looking at him makes her heart flutter and pound, nearly breaking her vow not to marry. To keep him from messing with her peace of mind, she waits until he's fully recovered, then drags him out into the dark and dumps him by the roadside...

[The heroine is reborn and has a golden finger]

[The heroine has a leg condition, but it will be healed]

Blurb for "The Villain's Nemesis Girl in the Seventies [Book Transmigration]":

Liu Mengyu is a pampered rich girl, spoiled and lazy, who loves to argue with the whole world. One day, she wakes up in a period novel.

In the original story, Liu Mengyu's father died young, leaving her and her mother and younger sister to depend on one another. Before his death, her father had accidentally caused the death of Song Tianhe's mother.

Worse, Liu Mengyu not only ruined Song Tianhe and Wang Xuelan's first date, but also spread the story all over the village. They came to see her as a thorn in their side.

In the end, Song Tianhe constantly made trouble for her, and Wang Xuelan fanned the flames. Eventually, Song Tianhe framed her, and they both went to prison.

Liu Mengyu looks at the mud walls, the kerosene lamp, and the enormous black iron pot, longing for her old home more than anything.

But given her combative nature, when she sees her mother being bullied and the villagers, officials, and even their relatives picking on the mother and her daughters, all she can do is be true to herself and fight back with words.

So what if she's a villain? So what if she's the enemy's girl?

In her eyes, they're nothing at all!

One day, Song Tianhe approaches her with a dark expression and demands, "You said you don't care about the boundaries between men and women. So if I do this, do you think that's fine too?"

As he speaks, he grabs the back of her head and kisses her. After a long while, he pulls away and looks at her flushed face, teasingly asking, "You really don't care?"

Liu Mengyu turns to stone. As he starts to come closer again, she frantically shakes her head and cries, "I do care! I care a lot! I'll marry you! Isn't that enough?"

Recommended: my good friend Hong Qinsujiu's period novel "The Seventies' Delicate Little Wife"

Completed novel recommendation: "The Eighties' Stand-In Bride Cannon Fodder Girl"

Theme: A story about a woman who is reborn and wants to properly care for her mother, vowing never to marry, but finds true love through a twist of fate.