
This Emperor Is a Little Ugly
这个皇帝有点丑
Synopsis
73Chapters
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In booklists 9
A Grab Bag of Top-Pov and Nonhuman Stories
Mostly BL, especially stories with a top protagonist and non-human characters, with a few BG stories mixed in now and then
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A little bit of everything.
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Book Recommendations, A Bit of Everything
A bit of everything. I can only promise that every book has something going for it, and its strengths outweigh its flaws.
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Stories I've Read
Stories I’ve read and liked
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Romance
They're all cute, sweet little treats, except for the one where the emperor is a bit ugly. That one is genuinely great, though.
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Reader comments 36
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Has this ended? It feels like your emotions are lifted to the highest level, and then nothing happens. The story may be enjoyable to watch. The protagonist is not limited to love in the deep palace. She never loves the emperor from the beginning to the end. She just tries to live well in the deep palace by taking advantage of the emperor's heart. She has never thought about leaving the palace to wander around the world, which suits her character as a charming young lady. However, when she traveled through the past, her prosperity, wealth, high position, and love between men and women did not make her truly happy, so this time travel seemed to be meaningless to her (our perspective). This novel has only one protagonist. The most charming thing about it is that the protagonist guarded her heart. She did not sink like Ruoxi, but she also did not find a place in that dynasty that made her life radiant.
It is a more reasonable and more acceptable ending for me that the heroine dies first. In fact, many details in the article hint at the BE of this article: the emperor and the heroine are walking on the same road, but the heroine takes the first step, and the hero can only watch the heroine's back leave him; before the emperor goes on an expedition, the heroine tells the emperor the story of the good relationship between the king of Shang and his wife, and the wife is a beautiful woman but has a poor life. The King of Shang left, and the King missed him endlessly; the Emperor later went on an expedition, and missed the blooming of the sweet-scented osmanthus with the heroine... The two came together briefly because of a mistake in time and space, but the three views formed by the education they received destined them to not be able to go far in the end. The heroine is originally a rich girl, she has no desire to have sex with others, and she does not want to engage in palace fights with others. She thinks these are humiliating and disgusting to her. But in the few short years since she traveled through time, she was poisoned, blocked by an arrow, and fell into the water. This also reflects that the female protagonist has to fight for favor to save her own life and seek favor and protection from the male protagonist. The male protagonist is just an emperor in ancient times, and he may be somewhat sincere. He truly feels that the female protagonist has warmed him, and he also sincerely wants to protect her (but I don't see him protecting her very well). In the eyes of the people in the palace, it is a supreme honor for the heroine to remain favored, but the emperor is cold and cold after all. He really likes the heroine and will not give up a new love for her, and the heroine will not really fall in love with him because of his sincerity. The two of them may also have some feelings, such as attachment and mutual comfort. The heroine gets some sense of security and protection from the hero in a foreign world, and the hero also tries to gain some sincerity from the heroine to warm himself. After all, it was inappropriate. The two of them couldn't make it to the end in the end, and they shouldn't have made it to the end. The male protagonist is just an emperor in ancient times, and the female protagonist will not give up the education and outlook she has received in modern times. After the passing of the heroine, I have a very good expectation, that is, the heroine had a big dream, returned to modern times, and continued her life as a wealthy daughter. But all this in ancient times was just a dream after all. Even if it was in a trance and uncomfortable at the moment of waking up, she would not remember it again, nor would she be sad about it.
Let the heroine go home, she should go home, this world is not hers, she is just a guest.
Does Rong Zixing know that Jian Suhan doesn't love him that much? You know. But the beauties in the harem were the only ones he loved for their independent pampering. Sometimes they would comfort him appropriately, saying, "Golden scales are not things in the pond." Sometimes they would stick to the side of his face and praise his imperial strategies and thunderous methods from the bottom of their hearts. During the mutiny, she stalled for time and assassinated King Duan. After the failure, she jumped into the lake in hopes of dying. She left a shocking glimpse to the world and sealed her fate of dying young. Rongzi Guild would pick lotus pods and osmanthus branches for her with his own hands, support her words and follow her tone. He would feel ashamed of himself. An emperor who had spent his entire life in the military and vigorous military affairs could not help but feel a little inferior. He thought that if it hadn't been for that palace incident, he would probably not be so reckless now, how could he have such stunning beauty, unparalleled in the world. Rong Zixing loves Jian Suhan, but Jian Suhan doesn't love Rong Zixing that much, but Concubine Yue, a beauty who has lived a life of hard work and dedication, who can say who has paid more. The emperor does whatever he wants, but sometimes he has to bear such regrets and pains. Before his beloved woman dies, he must deceive himself, leave the last sight before death, and pick off the sweet-scented osmanthus that has not bloomed at all.
The author's writing power is really profound, and the running-in and entanglement between the male and female protagonists are eloquently described in several chapters. When I watched it for the first time, it was completely from the perspective of the heroine. I felt that the heroine was trapped in a different world and no one understood her and loved her. I felt sad for her. When she died of a serious illness, I even breathed a sigh of relief for her. I felt that the worldly world could no longer trap her. The nature comes and goes clean. Where will the soul after leaving the body go? Is it the place where she came from (previous life) or the other shore of the soul (return place) after the big waves are washed away. I also speculated on how the remaining people would live, imagining that the emperor was heartbroken and made the heroine vacant in the harem, and that the eldest prince was favored by the heroine and had a better chance of ascending to the throne. A line in the history book "Jian Shi won the heart of the emperor" has become a well-known love story between emperors and concubines. With large time jumps and montage techniques, countless imaginable and unimaginable things are left in the unknown blank space. This is probably the charm of words. After I calmed down and watched it a few times, I felt that there was really no true love between the male and female protagonists. One could not love (the cost was too high), and the other could not love (no one taught him to love). The two had been together for several years, and they were not completely in love, but they were somewhat sincere. The emperor who liked the new and disliked the old and was self-centered finally learned to let go. Duan came to take care of the heroine, and the arrogant and self-respecting eldest lady also softened her heart before she died. Her hesitation and sending the hero to pick Guizhi were because she didn't want to be entangled with him anymore, or she couldn't bear to see the hero feel sad for her departure. The latter does not mean that the heroine loves him, but that the heroine pities him (in my personal opinion). At first, the heroine regarded life in the palace as a transaction. She used her beauty to win over him, but neither of them could be sincere. Later, the heroine passively and actively sacrificed her life for him several times, and the hero later realized that he was sincere. After all, for a powerful emperor, the grace of saving his life could only make him compromise for a while, but could not allow him to stay by the heroine's side for six years with peace of mind. But what stands between them is the gap of time and culture. The heroine cannot love him, because loving him is equivalent to accepting the dogma of three wives and four concubines in another world, and accepting her fate of being reduced to a concubine and competing for favors. This also betrays herself and her life in her previous life. The male protagonist cannot completely love the female protagonist. He is an emperor. Since he has the eldest son, he has to have other sons to compete for the throne (his family really has a succession to the throne, and the female protagonist may not want to see the male protagonist by her side every day), but I personally feel that he loves her, but he always knows it later. In hindsight, it was just like what he had talked about with the heroine before about the Shang King Wu Ding missing his wife so much that he could not sleep (it felt like a foreshadowing by the author). Thinking about it carefully, this was not a metaphor for him (they both fell in love with a maverick and strange woman, and they would eventually face the pain of loss). Whether the sweet-scented osmanthus has bloomed at the end may be an excuse for the heroine to get rid of the male protagonist (the sweet-scented osmanthus has not bloomed), or it may be the relief that has finally arrived (the heroine really smelled the fragrance of the sweet-scented osmanthus at that moment); but for the male protagonist, the hindsight of searching for the sweet-scented osmanthus and not knowing that it has not bloomed may symbolize his heart. The deep feelings will never see the light of day again now and in the future, and will eventually be buried in the dark underground with the body of the heroine. The hero will eventually be like the Shang King Wu Ding, trapped in the night when the heroine left. After that, even if he meets Sanqian Ruoshui, he will have trouble sleeping...
I think this ending is very good, the heroine guarded her heart! He has not been assimilated into ancient times, and he has not been moved by the emperor! Coming and going as the wind brings is a relief for the heroine! What's more important is that she didn't have a baby! I read this novel from time to time. It's really good. I've never come across anything like it again.
The heroine will forget about the emperor when she returns to modern times. No matter how strong the feeling in the dream is, she will be empty for a while when she wakes up. When she closes her eyes and then opens them, she will forget them. The heroine is a person who can live well in the present, so in the end, Zi Xing only represents a person's name and has no other meanings.
I don't care, the heroine had a dream, woke up in a big villa, and continued to live her good life.
This novel is written fluently and has clear logic. First of all, it didn't feel like it confused or insulted my IQ. Secondly, I think the story is very good. Why not just say that the heroine traveled back in time and simply had a love affair that she was not passionate about, just like having fun with a modern and beautiful girl. Because I am an ordinary person, I do not have the strong will to choose one from a thousand, and I do not have a wealthy economy. Naturally, I do not think that there is a loyal love. The emperor is an ordinary person. I feel that the author borrowed a lot from the story of Tang Xuanzong and Yang Yuhuan. In ancient times, even if an emperor really had a little love, he would hold it in the palm of his hand, but he could still be half-hearted. Not to mention that the heroine has a dull temperament and treats everyone sincerely. Whether a person likes me or not, I can actually feel it in my heart. The heroine does not love the emperor at all, and the emperor's favor probably does not include love. Wouldn't the emperor really know later that the heroine was pushed out to block the knife? Maybe he just thinks that a precious porcelain, fragile and short-lived, beautiful, talented and kind, is very suitable for his status as the master of the world, and the heroine is a loyal royalist. Loyalty is something he is willing to cherish, right? The advantages and disadvantages of this are very reasonable, and it also makes people feel helpless, but human affairs are like this, if you want to get glory and wealth, you have to pay the price. If you can't get it, you can only give it up.
The heroine should be allowed to return to modern times alive. She is really dead now. The dog emperor is still alive and well. Why! ! !