The Frail Supporting Actress Decides to Steal the Apocalypse's Powerhouse

This emotional pull is delicious. It is obviously a deliberate attempt to seduce but the description is not vulgar at all. It is not deliberately writing some cb exciting content as a gimmick (there is always a kind of shame of waiting to see how the male and female protagonists can continue to act. It is so embarrassing that they lose their brains to avoid the drama). Because you can completely feel the malice and pain of the female protagonist, and the desire and restraint of the male protagonist, which are unique to the emotional game between the two of you - this time, no one will admit defeat in advance. In fact, I have been looking for such a novel with high emotional concentration for a long time (but I have always been dissatisfied). Especially the apocalyptic situation is naturally suitable for the compression and explosion of emotions. Many apocalyptic love stories are written in a routine, sweet and refreshing, and lack the true emotional flow of the characters. I like the unique thrilling adventures of apocalyptic novels, and I also like the pure flowers of emotion blooming in a dark background. Perhaps only in this way can the high-purity emotional crystals polished be convincing... Without pain, how can we talk about polishing?

Let me give you a thunder, with a few insignificant thoughts, to comfort you, just like an electronic artillery, to get rid of the haze [show your hands], keep writing, it will get better, after all, you are writing the story you like, and it is also for self-expression [Blue Heart]

Back to the author, I feel that there is no need to care too much about the tastes of all readers. Everyone has their own vulgar points, and it is impossible to satisfy everyone. Of course, readers have the right to comment and question, but how to write and develop a story should always be in your hands. You are the first person in charge of the complete work (whether it is for the pursuit of market or self-expression, how to write should be in your hands). I know that you are also an experienced author. Years ago, I searched for post-apocalyptic orthopedic articles and found the book "The Hero Has His Sister" written by you (although I wasn't very interested in it and didn't read it much), but I still had an impression after opening your column. As a reader, I feel that the traffic of Jinjiang has indeed dropped a lot. It is normal for a returning author like you to feel a huge gap (if nothing else, I am paying attention to DaDa at about the same time as you. The new article I wrote after returning last year was obviously very good, but there was no traffic or collection. I was once afraid that she would abandon it. Fortunately, the high-quality DaDa has finished it. I can feel that her continuous updates for several months are purely for love, so this article has no profit at all). Now Jinjiang is no longer the Jinjiang it used to be. It is a Jinjiang that doesn't do marketing, doesn't take advantage of the popularity, doesn't cater to the preferences of loud readers, and has no splash. As an old reader who has been omnivorous for many years, especially a veteran of apocalyptic literature, your article is not that bad. Although the writing style is relatively ancient (this is not a shortcoming, being ancient also means that the description is more delicate and the emotions flow naturally) The heroine's character choice seems a bit controversial at the moment - she was violated and abused in her previous life, and she was depressed and depressed after her rebirth. Nowadays, the most vocal group of novel readers hate novels about female abuse (even in the past), and the story direction in your article is certainly not to their liking. When reading a novel is not just for entertaining the story, but more for experience, involvement and possession, of course it will create moral requirements beyond the boundaries of the protagonist. However, a good story is not black and white, and a three-dimensional protagonist must also be mixed with the grayscale of human nature. A truly attractive character is definitely not someone who is advancing all the way in a smooth environment. Frustration, failure, injury, hesitation and retreat are painful. It is obvious that everyone will experience reality in life. Why do we require these to not exist in novels? Based on the above ideas, I admire authors who dare to create protagonists with negative traits. Novels should be all-inclusive, and authors should not easily change their creative ideas under the criticism of some readers, otherwise all future novels will become homogeneous. And sometimes there is a mismatch between the real demand and the volume of voices. If you look at how many wife-chasing crematoriums are still on the list today, you will know which one the real market prefers. I can feel that what you want to write is a story with high emotional concentration and tension. It's about love and redemption after falling into darkness. The relationship unexpectedly deteriorates when the brother takes care of his sister like a family member. The abuse that my sister suffered in her previous life is a psychological shadow on her personality. Only with the pain of this abuse can she have the struggle when facing redemption, the attachment when she is influenced by love, and the suffocation and entanglement like drinking poison to quench her thirst. It's just that the safer way to write now is to describe the beauty, strength and misery of the male protagonist. It doesn't matter how much the male protagonist is tortured, and everyone is more accepting of it. When it is replaced by the heroine, there is a faint resistance after being substituted. But for a reader like me who doesn't take on anyone's pain and only pays for the pure story, I'm not particularly caring, so I can feel the emotional intensity of a book. (This is a lot of words. Alas, I mainly think that the author can write very well. With such a bleak traffic, it is common for people to save and save. Seeing that your reply is so humble, I still stand up and say what is in my heart. Although I do not represent the majority of readers, I hope it can comfort you)

Does the author plan to stock up and wait for collection? But to be honest, these chapters are not pleasant at all. The heroine keeps reminiscing about the past life, which makes people feel that the hero is dirty and disgusting. He is not sweet at all, not sweet and unhappy, and has no desire to collect.

I was so busy today that I didn't have a chance to open Jinjiang. I was going to sleep, but suddenly I found that it had been greatly updated. My aunt laughed throughout the whole process of reading 🤗, and stopped from time to time to feel the delicate descriptions during the process (the heroine Yuer was in a state of shock when she came out of the water. I kept thinking about it. My brother's gentle kiss like raindrops in an unconscious state was so touching). I have seen too many POs, and this kind of routine has become numb, but I found that the warm interaction shown in the article makes my heart swell more than straightforward descriptions or deliberate cbs. I really like this kind of emotional interaction that can smooth the ripples in the heart and make people remember tenderly. This is the kind of love I want to see. Both parties cherish each other, devote themselves to each other, and carefully indulge in love, delicacies, and immortality 😭, rather than rough desires like beasts.

Is it updated daily? Is the update stable? 🙏 🙏

Anyway, I found it in the new article of the week [Let me be healthy]

I actually waited for the update, hurry up, hurry up

In fact, Xiaolan hates her brother. She hates that he didn't find her in the end. The author is so good at pulling the strings. Please write down this sour feeling of love and hate 🐶

It's very interesting. I've been looking for a novel with a male and female protagonist that's not greasy for a long time.