After marrying Li Jixia, Xue Kerui thought her life had reached its end, and that she might as well put on a show of coughing up blood and dying.
Who knew that a few years later, after twists and turns, the one person she least expected to be her destined match would suddenly appear?
Only then did she realize that the person who had been saying no from the start
was actually the real boss!
This story is set in a completely fictional world. The heroine is gentle, respectful, virtuous, and enchanting.
The heroine's only job is to be beautiful; the hero is perfect in every way. Ju Gan has written too many villains and is trying out a different kind of male lead.
Since some readers have had questions while reading, Ju Gan would like to clarify that this story has a happy ending~
Theme:
Very good story. This is the second book by Qing Ju that I have read, the previous one was Yu Long. There are very outstanding plots in Liangzhou, such as the superficially harmonious but undercurrents of the relationship between the male protagonist, his godson, and the female protagonist; another example is the difficult, embarrassing and heroic plot of Feng Yu after being captured. Very exciting. But other plots, such as the house fight between the heroine and her sister, are not as good as those between Akagi and the heroine, or the heroine's rivalry with the hero. There are also some plot designs, such as calling the heroine's parents from the safer rear to Liangzhou in order to get married again, and the plot that led to them being captured and killed is very far-fetched. I think Qingju writes ancient stories and the writing techniques are modern. The development of the plot is driven by the characters' personalities. Therefore, when a character's behavior is particularly consistent with his personality, the plot advancement is ideal. For example, the male protagonist rejects the female protagonist for the first time and returns to the court to plead guilty. For example, the male protagonist repeatedly wants to separate from the female protagonist and save the female protagonist. These are very exciting. However, when a character's behavior is not so consistent with the personality, the story is reluctant to advance. For example, Akagi has always been too indecisive towards the heroine, which is not in line with his cunning, wise, sinister and sinister character. Especially at the end, when the heroine was poisoned and poisoned, Akagi did not see through it. The plot was a bit far-fetched. Talking about the emotional scenes in the play, the relationship between the male and female protagonists itself breaks some ethical restrictions. Unfortunately, the female protagonist is not oppressed by secular ethics at all and feels guilty. On the one hand, it can be said that the female protagonist's consciousness is more advanced, and on the other hand, it actually weakens the excitement of forbidden love. I think the best part of the story in the first part of the whole story should be the contradiction between wanting to love but not being able to let go. After all, a love story wouldn't be thrilling enough without difficulties. It's a very unsystematic idea. I really like novels where characters drive the plot, and Green Orange's story is much better than ordinary romance novels.
So well written! It's even more heart-wrenching because the ending is tragic!
Ahhhhhh!!!! I originally wanted to say it was so sweet, but it ended with a big knife!
Finished Spreading flowers Spreading flowers Spreading flowers Come on, come on!
Have you started writing "Guanshan Diao"? I really liked the text after reading it.
In fact, the extras are also very interesting!!! If you think about it carefully, it's really interesting!!!
Spread the flowers Spread the flowers Spread the flowers
Goddess Day turned out to be a tragic episode. I regretted watching it. Isn't it good to just stop at the moment when I became an adult's wife?
It's okay. If you change your thinking, the extras are also very interesting.
Selectively ignore be extra