++++Getting a pocket dimension isn't necessarily a golden finger. It might be a deadly poison!++++Living forever isn't necessarily a good thing. You might lose even more!++++When I am no longer human, I will give everything I have to spend a peaceful lifetime with my family.++++++++~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~++++Don't be fooled by the blurb. The protagonist isn't tragic, just melodramatic!++++There may be a CP at the end++++This novel is also known as Years and Months++++ "I Keep Transmigrating to Stay Alive"++++Lastly, this novel includes derivative works and original stories.++++Coming up: Dream of the Red Chamber, the Republican era, Three Kingdoms, an alternate dynasty with the imperial examinations...
Reading suggestion: Start with Dream of the Red Chamber. The Demi-Gods and Semi-Devils world is just there to get the golden finger, and the story is too uneventful.
Announcement: Going premium! My dear readers, thank you for your support. The novel will go premium on the 29th, with three chapters released that day. Chapters 1-31 will then be locked, starting with Chapter 32. I hope you'll continue to support me. Thank you!
The male lead has appeared, so everyone can read with peace of mind. The two will gradually adjust to each other's personalities.
Theme:
I feel like I'm in a daze after seeing updates for two days in a row~ Author, if you are sure you don't want to trick me, just review it and then read it!
The progress is so slow, and the main plot is unclear. I don't know what the author wants to tell. I feel like I'm going here and there.
Wouldn't King Yong find out that he couldn't become the crown prince and want to rebel?
Don't turn it into a novel where the female protagonist is stronger than the male protagonist, which weakens the female protagonist.
What is the identity of Ma Xiucai's step-sibling? Is there any foreshadowing?
Why arrange the plot of selling antiques and almost getting hacked?
It's great that Wen Wukeng is there! What a good man!
1. "Three Character Classic", written by Wang Yinglin, brief introduction: "Three Character Classic" draws on classic materials, including literature, history, philosophy, astronomy and geography, human ethics, loyalty, filial piety, justice, etc. Of traditional Chinese culture; 2. "One Hundred Family Surnames, One Thousand Family Names", the author is anonymous, brief introduction: "One Hundred Family Surnames" is an article about Chinese surnames. According to documentary records, it was written in the early Northern Song Dynasty. The original collection of surnames was 411, which was later expanded to 568, including 444 single surnames and 124 compound surnames; 3. "The Thousand-Character Essay", written by Zhou Xingsi, brief introduction: The Thousand-Character Essay is a rhyme composed of one thousand Chinese characters compiled by Zhou Xingsi, the minister of Sanqi in the Liang Dynasty during the Southern and Northern Dynasties. 4. "Zengguang Xianwen", the author is anonymous, brief introduction: It is a Taoist children's enlightenment book compiled during the Ming Dynasty in China. The title of the book was first seen in the opera "The Peony Pavilion" during the Wanli period of the Ming Dynasty; 5. "Young Learning Qionglin", written by Cheng Yunsheng, brief introduction: This book provides many introductions to the origins of many idioms. Readers can master many idiom allusions and learn about famous figures in ancient China, astronomy and geography, regulations and systems, customs and etiquette, birth, old age, illness and death, weddings and funerals, and many other aspects. 6. "Disciple Rules" "Disciples' Regulations", formerly known as "Xun Mengwen", is a three-character rhyme written by Li Yuxiu, an educator in the Qing Dynasty. It is based on the teachings of Confucius and is a code of conduct for school children. Its content adopts the sixth article of the "Learning Chapter" of "The Analects of Confucius": "Disciples will be filial when they enter, they will be friendly when they go out, they will be sincere and trustworthy, they will love others and be kind. If they have enough energy to do, they will learn literature." The full text has a total of 360 sentences and 1080 words, and is a variant of the "Three Character Classic". The core idea is Confucian filial piety, brotherhood and benevolence. 7. "Rhythm Enlightenment" "Rhythm Enlightenment" is an enlightenment book that trains children to cope with and master the rhythm of sounds. The author is Che Wanyu of the Qing Dynasty. It is organized according to rhyme, including virtual and real responses to astronomy, geography, flowers and trees, birds and beasts, people, utensils, etc. From single-character pairs to two-character pairs, three-character pairs, five-character pairs, seven-character pairs, to eleven-character pairs, the sounds and rhymes are harmonious and catchy, and you can get training in pronunciation, vocabulary, and rhetoric. From single words to multi-word pairs, it reads like a song. Compared with other three-character and four-character sentences, it has more charm. This type of reading is unique among enlightenment readings and has endured for a long time. Since the Ming and Qing Dynasties, books such as "Xunmeng Haihai", "Li Weng Duiyun", "Dui Lei" and other books have been written in this way and have been widely circulated. 8. Thousands of Poems "Poems of Thousands of Families" is a combination of Xie Fangde's "Chongding Qianjia Poem" of the Southern Song Dynasty (both seven-character rhymed poems) and "Five-Character Poem of Thousands of Families" selected by Wang Xiang of the Ming Dynasty. It is an anthology of enlightenment poems from the old days of our country. Because most of the poems selected in it are famous poems from the Tang and Song Dynasties, they are easy to learn and understand, and have various themes: landscapes and pastoral, farewell to friends, homesickness and nostalgia for people, mourning the past and regretting the present, chanting objects and paintings, and serving banquets. They widely reflect the social reality of the Tang and Song Dynasties, so they are widely circulated among the people and have a profound influence. 9. Human words "Human Words" is a literary criticism work written by Wang Guowei. "Ren Jian Ci Hua" was written in 1908-1909 and was first published in "Journal of Chinese Culture". This work is a commentary on old Chinese literature from a new perspective after the author accepted the baptism of Western aesthetic ideas. On the surface, there is no significant difference in style and format between "Ren Jian Ci Hua" and Chinese poems and poems that have been copied for a long time. In fact, it has begun to form a theoretical system and can be regarded as one of the few works in ancient poetry treatises. Even in the field of ci theory in the past, many people regarded it as a guideline and regarded its arguments as the basis for ci studies and aesthetics, which had far-reaching influence. Wang Guowei's "Human Words" is one of the most influential works since the late Qing Dynasty. Wang Guowei spoke highly of Li Yu's poems and said that "Wen Feiqing's poems are beautiful in sentences; Wei Duanji's poems are beautiful in bones; and Li Chongguang's poems are beautiful in words". 10. Poems "Shi Pin", formerly known as "Shi Criticism", is a masterpiece written by Zhong Rong, a literary critic in the Liang Dynasty. It is the first "systematic and conscious literary criticism work" in ancient my country and occupies an important position in the history of literary theory criticism in my country. "Shi Pin" limits its comments to poetry, and only to five-character poems. However, its contribution to theoretical criticism of poetry is significant and outstanding. It initially established a system of theoretical criticism of ancient Chinese poetry and put forward many insightful insights about poetry. As the first monograph on poetry, "Shipin" has had a profound impact on the history of theoretical criticism of ancient poetry and the history of poetry development in my country. Since the Tang and Song Dynasties, it has been widely valued by people and is known as the "source of poetry". 11. The Classic of Filial Piety "The Classic of Filial Piety" is an ancient Chinese Confucian ethical work. Legend has it that Confucius created it himself, but some people in the Southern Song Dynasty suspected that it was a follow-up to later generations. Ji Yun of the Qing Dynasty pointed out in the "General Catalog of Sikuquanshu" that the book was the last words of Confucius' seventy-year-old disciples and was written during the Qin and Han Dynasties. From the Western Han Dynasty to the Wei, Jin, Southern and Northern Dynasties, there were hundreds of annotators. The current popular version is Li Longji's annotation by Emperor Xuanzong of the Tang Dynasty and Shu by Xing Bing of the Song Dynasty. The whole book is divided into 18 chapters. 12. Prodigy Poetry "Prodigy Poems" was written by Wang Zhu in the Northern Song Dynasty. Wang Zhu, courtesy name Dewen, was born in Jinxian County. He passed the Jinshi examination in the third year of Yuanfu (1100) of Emperor Zhezong of the Song Dynasty and became a bachelor of Guanwen Palace. He was able to write poems since he was a child and was known as a "child prodigy". His works of advocating aspirations and encouraging learning were compiled into a collection called "Poems of Prodigy". But in fact, the handed down "Poems of the Prodigy" are not all the works of young prodigies, nor are they all written by Wang Zhu alone. Instead, they have been edited and revised from generation to generation, adding poems from the Sui, Tang, and even the Southern and Northern Dynasties. Most of the chapter titles are added separately. In addition to exhorting students to learn and describing their aspirations, the poems also include poems about viewing the four seasons and chanting about objects to express feelings. The poems are all five-character quatrains with neat rhythms. The text is easy to understand and is a suitable model for young people to learn poetry. Therefore, it has been popular in calligraphy schools throughout the ages. As a result, later generations imitated this book and compiled "Continued Poems of Prodigy", "Poems of Thousands of Families" and other similar readings, which also had a wide impact. The spirit of encouraging "young people to study diligently" and "men to strive for self-improvement" in the poem is still worth advocating today; the poet's description of "three waves in Yumen and a thunder on the ground" represents the ideal state of climbing the dragon gate that scholars in the imperial examination era most aspired to. In a sense, it also has a positive significance for today's students to strive for progress. However, the exploitative class ideas and concepts of fame and wealth, such as "everything is inferior, only education is good" should be eliminated and criticized. 13. Three Hundred Tang Poems "Three Hundred Tang Poems" is a widely circulated anthology of Tang poems. The 290 years of the Tang Dynasty (618-907) were the golden age for the development of Chinese poetry. The clouds were booming, famous writers emerged in large numbers, and the number of Tang poems reached as many as 50,000. Sun Qin'an's "Abstracts of Six Hundred Selections of Tang Poems - Preface" points out that "a large number of selected editions of Tang Poems have been lost, and there are still more than 300 types. Among them, the most popular and well-known one is "Three Hundred Tang Poems"." "Tang Dynasty" "Three Hundred Poems" has a wide range of poetry selections, including 77 poems, with a total of 311 poems. Du Fu has the largest number of poems, with 38 poems, Wang Wei's 29 poems, Li Bai's 27 poems, and Li Shangyin's 22 poems. (Original preface: "Read three hundred Tang poems by heart, and you can recite them even if you don't know how to recite them.") It is the best introductory book for primary and secondary school students to get in touch with Chinese classical poetry. The impact on the Chinese nation is far-reaching. There are also those that mainly introduce character stories, such as "Long Wen Whip Shadow", and some that mainly introduce historical evolution, such as "Four Characters Jianlue"
Jingfang Baidu Powder The name of the traditional Chinese medicine prescription. Return to the solar meridian. It should be taken warmly. It comes from Volume 8 of Zhang Shiche's "Miracle Prescriptions for Preserving Health" of the Ming Dynasty. As a publishing agent. It has the effects of dispelling wind and relieving external symptoms, eliminating toxins and reducing swelling, eliminating phlegm and relieving cough. It is used for those with initial onset of exogenous wind-cold, aversion to cold and fever, headache and body aches, chest tightness and cough, white phlegm, white fur and floating pulse, as well as all sores, swelling, pain, fever, and floating pulse on the left hand. [Composition] 10 grams each of Schizonepeta, Fangfeng, Poria, Duhuo, and Bupleurum, 6 grams each of Pediculus, Chuanxiong, Citrus aurantium, Qianghuo, Platycodon, and Mint, and 3 grams of licorice. [Function] Disperse wind and cold, relieve surface and remove dampness: It is used for those who have symptoms of "flu", cold and other symptoms at the beginning, such as aversion to cold, fever, no sweat, severe headache, muscle and joint pain, white and greasy tongue coating, floating or floating pulse. This prescription can also be used for patients with early onset of dysentery, sores and carbuncles with cold symptoms. [Approximate prescription] Mahuang Decoction (relatively more suitable for cold areas or those with strong bodies) Ginseng Baidu Powder and Huoxiang Zhengqi Powder (treat both the exterior and the interior, relatively speaking, Jingfang Baidu Powder focuses on treating the exterior) [Usage] Add 300 ml of medicinal water, decoct to 240 ml, and drink warmly. [Taboo] Suitable for people with colds and colds, but not suitable for those with excess heat. [Fang Ge]: Jing Fang Bai Du and two live stems, Citrus aurantium husk and Chuanxiong root. Poria, mint and licorice are effective against wind, cold and dampness. Or Jing Fang Bai Du, Cao Ling Xiong, Qiang Du Chai Qian, Tangerine Orange, etc. Exogenous body aches, headache, and heavy neck, dissipating cold, dampness, and wind [Interesting Notes]: Jingchuan Juwei Fangducao, Qiangqian Chai Ling Zhicao. (Imagine: Jin Chuanjie releases poisonous weeds to steal money and Ganoderma lucidum.)
In ancient times, to keep warm in cold weather, you needed fire pits, fire walls, fire cages, hot water bottles, thermos bottles, furs, cotton clothes, copper heaters, hand stoves, incense balls, etc.