My heart is not a stone, it cannot be turned.
It describes the love for her engraved in his soul, and also her indifference and lack of feeling toward him.
No System, quick transmigration. The male and female leads remain the same throughout. A deeply painful love story, with the male lead suffering. Three arcs, as follows:
Saintess x demon heir
He clutched her wrist tightly, letting the Hanguang sword pierce straight through his chest. "You want my life? Then take it."
Courtesan x noble scion
The rain fell softly, and so did his voice. "Whatever you want, I'll give it to you. I'll bring it all to you. I wonder, could you spare me a moment of affection?"
Young Lord x bodyguard
He closed his eyes, holding the lifeless person in his arms as they lay together in the darkness. "I will sleep beneath the earth alongside my Young Lord."
The male lead is reborn, but still cannot have the one he loves.
Upcoming story
The Princess's Loathing
A Yan was reborn, back to when she was not yet a year old.
At that time, her mother was trying to kill herself, and her father was going mad.
Nothing else was the matter. Her father had taken her mother by force, and her mother had no way to escape.
A shameless storyteller once said this emperor and empress were a textbook case of a tragic romance: faking their deaths, her fleeing while he pursued her, locking her away, turning evil...
A Yan listlessly glanced at her still-young parents and could only think of all the people who had died because of their love and hate.
Especially the last time her mother jumped from the city wall and her father slaughtered everyone in the palace and the capital. That sea of red haunted A Yan for the rest of her life.
A Yan had planned to starve herself to death, unwilling to look upon this world again.
But her mad father suddenly gripped her by the throat, forcing her to cry out so he could spur her mother, who was intent on dying, into action.
As she grew dizzy and choked, feeling the pain in her throat, A Yan suddenly no longer wanted to die. Instead, she thought:
Father, Mother, forgive me. Your daughter has decided to be unfilial for once.
*
Year Four of Chongguang.
The one-year-old eldest princess fed the emperor a pastry made by the empress. The emperor was poisoned and thought the empress wanted him dead. They had a huge argument: the poison attacked his heart, and he stripped her of her phoenix seal.
Year Six of Chongguang.
The empress jumped into a lake, and the three-year-old eldest princess followed her. The emperor rushed over and thought the empress intended to take the princess with her to die. They had another huge argument: his old illness flared up, and he confined her to the central palace.
Year Eight of Chongguang.
The second princess, born to Consort Su, pushed the eldest princess off a rockery. The eldest princess said a few words to the empress, who thought this was a sign that the emperor was about to strike at her family. She and the emperor had yet another huge argument.
Little A Yan rested her chin in her hands and watched the chaos in the Hall of Mental Cultivation like it was a play, wondering how much of the emperor's love was left to wear away.
A handsome young man approached from behind and touched her wound with his slender fingertips. "Princess Yan, doesn't it hurt?"
*
The empress named her eldest daughter Yan.
When the name was submitted to the Imperial Clan Court, the young man accompanying her changed it with a stroke of his brush: Yan.
Yan: loathing, weariness.
Yan: clear skies, brightness, peace and ease.
Reader's Guide:
① The emperor and empress are a forceful-takeover couple, with people dying all around them amid blood and chaos.
② The heroine is deeply harmed by them. After being reborn, she is sweet on the outside and calculating within, determined to break up her parents.
③ The male lead is sweet on the outside, then sweet on the outside, then sweet on the outside, before turning dark. In the heroine's eyes, he should always be the one standing in the clean spring breeze.
Theme: My heart is not a stone, it cannot be turned.
The first one is not to respond to his affection, so as not to sink him even more.
The second rule is that you cannot deviate from the world line and character design, that is, you cannot OOC, otherwise the world will collapse and your spiritual power will also collapse.
Article 3: The male protagonist is the creator in the virtual world and can automatically deduce the future when his mental power is injured. This is equivalent to the fact that the male protagonist can be reborn and can deduce the future when he suffers mental shock. In the three worlds, when he is hurt physically or mentally, he can deduce the future in his sleep. The author writes it in the extra chapters of the three worlds.
The heroine remembers events in the three worlds in sequence. In every virtual world, the male protagonist thinks that he is the person in this world and has no previous memory. So the first and second items are restrictions on the female protagonist, and the third item is the buff for the male protagonist.
The survival logic of the male protagonist is probably that firstly, the female protagonist must live longer than him, and secondly, he helps her fulfill her wish.
Therefore, in the first world, the male protagonist suffered a blow and deduced the future in his dream, which is the extra story. The male protagonist found out that after the female protagonist killed her, he also died. How could this work? After waking up, he successfully asked the female protagonist to kill him and at the same time got rid of the evil cult. So he left this world when he was satisfied with his mental strength and his body automatically dissipated. In the second world extra chapter, he blocked the heroine's sword and died, but the heroine couldn't survive in that situation, and she hadn't avenged her family yet, so he woke up and used his buff to finally take revenge on the heroine. He ran to the Northern Dynasty, and he also ran to the Northern Dynasty and suffered miserably, but he was also a member of the Yan family and an enemy. He thought that the heroine's wish was to avenge the genocide, so he drank the poisoned wine when the heroine asked him to drink it, and then left this world satisfied. The mentality in the first and second worlds is that if you don't like me, it's okay but you must remember me, then I will sacrifice my life to make you remember me. It's a self-destructive lunatic mentality, hahahaha.
In the third world extra chapter, the heroine walks through the world line to the end. The heroine gives him a cup of poisonous tea and he drinks it and dies. But here comes the problem. In this extra world, he has never figured out what the heroine's purpose is. His goal is to detoxify the heroine. The heroine must live longer than him, but the heroine is walking a path of death. He finally realizes that she walks it again with the buff, and then sleeps underground together. Then leave this world with a satisfied spirit. The above can be seen as the male protagonist's perspective.
Let's talk about the heroine. In reality, the heroine is a character who doesn't care about love and focuses on academics. In the first world, she basically didn't understand why the male protagonist was so crazy, but even with her high IQ, she could understand. She is slowly getting to grips with it. For example, in the first world, she didn't understand why the male protagonist killed the people who were traveling with him in that order and why he suddenly snatched her away. In the third world, the male protagonist said those people insulted her, and she said it twice, so that was the case. In the second world, the male protagonist was miserable in the snow. Anyway, he was a little indulgent even after he was brought back. Maybe the female protagonist herself didn't know why she was a little indulgent. But when she brought the portrait back to her, the heroine continued to disguise herself, while the male protagonist painted a real appearance. She said that appearance, love, are all false, and other Buddhist sayings. She probably advised the male protagonist to turn around and stop being addicted to the virtual world and get out quickly. In the third world, the heroine can keep going south without drinking the poison Wuming, and there will be no conflict. But if the heroine drinks it, what will she not want to see if she doesn't want to see it? The male protagonist has always been like an automatic remote-sensing radar, staring and watching. Since the second world, the female protagonist has basically never looked at the male protagonist, very rarely. This nameless person may be the heroine testing herself, so that she will be less affected.
Going back to the beginning, the top two, the second one can basically be solved by the heroine's IQ. The first one is the real restriction on the heroine. Maybe the author has conceived several stories, hahahahaha, because if the heroine is in love in several stories, how will she hide it and not respond to his affection? This will definitely be a great test.
Anyway, it is a book that I am looking for. I remember to update other articles.
I want to write a longer comment, which only represents my personal opinion. There is absolutely no intention to guide the author's writing.
I like this work very much. The author's writing style is very good, and he obviously has profound writing skills. He is very good at integrating the characters' mood and the description of the scenery. A major feature of this work is the description of scenery. Many times when reading the description of scenery in online articles, you will most likely encounter problems such as overly ornate wording, excessive length, and incompatibility with the plot. It feels like describing scenery for the sake of describing scenery. This work also contains a lot of descriptions of scenery, but it has a strong visual sense. The part where the saint and the devil walk on the ancient road makes the readers feel like they have traveled together. At the same time, the emotions of the characters can always be integrated with the description of the scenery. Wind, rain, mountains and water seem to be supporting characters with a strong presence in the story. In short, the author's writing style is very unique and I like it very much.
The plots of the three stories basically fit together perfectly. Emotionally, each of the three stories is sad in its own way, and the amount of candy is so pitiful that I really wanted to beg the author for some candy at the end, so I knelt down. So maybe this is why my favorite is the story about the courtesan and the son of a wealthy family. The male protagonist can get along with the female protagonist openly, and the female protagonist also responds emotionally.
Speaking of the heroine, she is a capable, cool and beautiful woman with a delicate mind and always takes care of the people around her. She is a stand-up character and is quite different from the current popular characters.
Now I am looking forward to the pre-receipt. I will definitely follow up when the author updates it greatly!
Wuwuwu, I don't understand, I'm an idiot.
What do you mean, the male protagonist is reborn. Or did the heroine try her best to kill him and then died herself?
I hope the pace can be a little faster qaq In addition, I feel that there are too many particularly beautiful (?) Descriptions of environment and so on, which makes it a bit boring to read.
Happy birthday!(^O^)y
I want to arrest the author and write every day
I really like all my wife's writing qwq! This book really impressed me. It's a pity that there are only three stories. I'm looking forward to reading the copy of the next one! Madam, please write something and I will eat it!
It's so well written in big letters, it's so popular! !
Maya, it's the first time I've seen that quick travel is so mind-consuming. It looks good but I don't understand it.
The first one is not to respond to his affection, so as not to sink him even more. The second rule is that you cannot deviate from the world line and character design, that is, you cannot OOC, otherwise the world will collapse and your spiritual power will also collapse. Article 3: The male protagonist is the creator in the virtual world and can automatically deduce the future when his mental power is injured. This is equivalent to the fact that the male protagonist can be reborn and can deduce the future when he suffers mental shock. In the three worlds, when he is hurt physically or mentally, he can deduce the future in his sleep. The author writes it in the extra chapters of the three worlds. The heroine remembers events in the three worlds in sequence. In every virtual world, the male protagonist thinks that he is the person in this world and has no previous memory. So the first and second items are restrictions on the female protagonist, and the third item is the buff for the male protagonist. The survival logic of the male protagonist is probably that firstly, the female protagonist must live longer than him, and secondly, he helps her fulfill her wish. Therefore, in the first world, the male protagonist suffered a blow and deduced the future in his dream, which is the extra story. The male protagonist found out that after the female protagonist killed her, he also died. How could this work? After waking up, he successfully asked the female protagonist to kill him and at the same time got rid of the evil cult. So he left this world when he was satisfied with his mental strength and his body automatically dissipated. In the second world extra chapter, he blocked the heroine's sword and died, but the heroine couldn't survive in that situation, and she hadn't avenged her family yet, so he woke up and used his buff to finally take revenge on the heroine. He ran to the Northern Dynasty, and he also ran to the Northern Dynasty and suffered miserably, but he was also a member of the Yan family and an enemy. He thought that the heroine's wish was to avenge the genocide, so he drank the poisoned wine when the heroine asked him to drink it, and then left this world satisfied. The mentality in the first and second worlds is that if you don't like me, it's okay but you must remember me, then I will sacrifice my life to make you remember me. It's a self-destructive lunatic mentality, hahahaha. In the third world extra chapter, the heroine walks through the world line to the end. The heroine gives him a cup of poisonous tea and he drinks it and dies. But here comes the problem. In this extra world, he has never figured out what the heroine's purpose is. His goal is to detoxify the heroine. The heroine must live longer than him, but the heroine is walking a path of death. He finally realizes that she walks it again with the buff, and then sleeps underground together. Then leave this world with a satisfied spirit. The above can be seen as the male protagonist's perspective. Let's talk about the heroine. In reality, the heroine is a character who doesn't care about love and focuses on academics. In the first world, she basically didn't understand why the male protagonist was so crazy, but even with her high IQ, she could understand. She is slowly getting to grips with it. For example, in the first world, she didn't understand why the male protagonist killed the people who were traveling with him in that order and why he suddenly snatched her away. In the third world, the male protagonist said those people insulted her, and she said it twice, so that was the case. In the second world, the male protagonist was miserable in the snow. Anyway, he was a little indulgent even after he was brought back. Maybe the female protagonist herself didn't know why she was a little indulgent. But when she brought the portrait back to her, the heroine continued to disguise herself, while the male protagonist painted a real appearance. She said that appearance, love, are all false, and other Buddhist sayings. She probably advised the male protagonist to turn around and stop being addicted to the virtual world and get out quickly. In the third world, the heroine can keep going south without drinking the poison Wuming, and there will be no conflict. But if the heroine drinks it, what will she not want to see if she doesn't want to see it? The male protagonist has always been like an automatic remote-sensing radar, staring and watching. Since the second world, the female protagonist has basically never looked at the male protagonist, very rarely. This nameless person may be the heroine testing herself, so that she will be less affected. Going back to the beginning, the top two, the second one can basically be solved by the heroine's IQ. The first one is the real restriction on the heroine. Maybe the author has conceived several stories, hahahahaha, because if the heroine is in love in several stories, how will she hide it and not respond to his affection? This will definitely be a great test. Anyway, it is a book that I am looking for. I remember to update other articles.
I want to write a longer comment, which only represents my personal opinion. There is absolutely no intention to guide the author's writing. I like this work very much. The author's writing style is very good, and he obviously has profound writing skills. He is very good at integrating the characters' mood and the description of the scenery. A major feature of this work is the description of scenery. Many times when reading the description of scenery in online articles, you will most likely encounter problems such as overly ornate wording, excessive length, and incompatibility with the plot. It feels like describing scenery for the sake of describing scenery. This work also contains a lot of descriptions of scenery, but it has a strong visual sense. The part where the saint and the devil walk on the ancient road makes the readers feel like they have traveled together. At the same time, the emotions of the characters can always be integrated with the description of the scenery. Wind, rain, mountains and water seem to be supporting characters with a strong presence in the story. In short, the author's writing style is very unique and I like it very much. The plots of the three stories basically fit together perfectly. Emotionally, each of the three stories is sad in its own way, and the amount of candy is so pitiful that I really wanted to beg the author for some candy at the end, so I knelt down. So maybe this is why my favorite is the story about the courtesan and the son of a wealthy family. The male protagonist can get along with the female protagonist openly, and the female protagonist also responds emotionally. Speaking of the heroine, she is a capable, cool and beautiful woman with a delicate mind and always takes care of the people around her. She is a stand-up character and is quite different from the current popular characters. Now I am looking forward to the pre-receipt. I will definitely follow up when the author updates it greatly!
Wuwuwu, I don't understand, I'm an idiot.
What do you mean, the male protagonist is reborn. Or did the heroine try her best to kill him and then died herself?
I hope the pace can be a little faster qaq In addition, I feel that there are too many particularly beautiful (?) Descriptions of environment and so on, which makes it a bit boring to read.
Happy birthday!(^O^)y
I want to arrest the author and write every day
I really like all my wife's writing qwq! This book really impressed me. It's a pity that there are only three stories. I'm looking forward to reading the copy of the next one! Madam, please write something and I will eat it!
It's so well written in big letters, it's so popular! !
Maya, it's the first time I've seen that quick travel is so mind-consuming. It looks good but I don't understand it.