Because I like Zi Sheng so much, I particularly dislike this one.
Zi Sheng always remembered Qingmei's last words. Zi Sheng must have been extremely sad when he finally threw Han Yi's Qin away.
It's so sad that I can't bear to watch it anymore.
I saw a long review, it's well written and I'll repost it.
Long review of Du Ruo's "Tianwu" trilogy
Author: sunkiss Publication date: 2006-08-18 07:36 Number of clicks: 5708
In the past two days, I read the "Tian Wu" series of romance novels written by Du Ruo on Sina Reading. Com, and I think it is worth recommending.
There are three parts in Du Ruo's "Tianwu" series: "Memory of the Lost Imperial City", "Green Plum", and "Yaoying". The entire story spans the three dynasties of the Emperor of Heaven (the prototype of the story is Xuanyuan Huangdi), the White Emperor (the prototype is Shaohao), and the Xuan Emperor (the prototype is Zhuanxu). There are thrilling and undercurrents of the struggle for the throne and the affairs of the court, as well as the lingering, love-hate love between men and women; both the transformation of Cinderella. The ever-popular theme of princesses and the overt and covert competition for favor in the harem ("Green Plum"), there are also classic romance dramas about the love triangle between two brothers that make people cry ("Memory of the Lost Imperial City"), and there is also the shocking "new trend" forbidden love between brother and sister ("Yaoying"). The above-mentioned main storylines that are particularly pleasing to readers, combined with the mysterious and fantasy correspondence with the ancient Chinese mythology "The Classic of Mountains and Seas", are described with Du Ruo's delicate, euphemistic and yet grand writing style. The three works are completed in one go, making people dazzled and satisfied.
A Google search shows that several netizens have already commented on the "Sky Dance" series, and many have given praise, so I won't repeat them here. One netizen rated it a classic, but I can't help but mention it. He/she said that "Memory of the Lost Imperial City" has the pride and youthfulness of young Ting Yu, "Green Plum" has the depth and calmness of middle-aged Ting Yu, and "Yaoying" has the desolation and helplessness of old Ting Yu. I agree. Among the trilogy, "Green Plum" is mature and wise, but not overly so, and should be ranked first. However, if you want to fully understand the ins and outs of the entire work, the grievances and grievances of the three generations, and understand the temperament of the multiple heroes and heroines, you should really read from the first part gradually, and do not jump to interpolation.
Some netizens think that the feeling of reading the whole work is quite similar to February River. I thought that in addition to Er Yuehe, there was also the shadow of a popular novelist in the romance industry - Green Trace (Tie Le) in the work. I remember that Lu Hen's "Nine Dragons Strategy" series and her "One Hundred Years of Country" series under Tiele's pen name were all about palace intrigues and the scheming battles between emperors and fathers and sons. However, the "Nine Dragons Strategy" series also used romance as the main line, and the drama of winning the rightful son was a bit childish, while "A Hundred Years of Country" basically had no love scenes between men and women, and was all about governing the country and bringing peace to the world. However, Du Ruo's "Tianwu" series has found a very appropriate balance point between the two themes of romance and court. It will neither indulge in the ordinary romance of the Qing Dynasty or the quarrels for favor in the harem, nor will it evolve into a new historical romance that completely records the power of the court. In this way, not only "little women" will love to watch this series, but "big women" will also love to watch it, and even "big men" will change from dismissive to frowning in thought, so praise it!
Several of the main characters in the work are very outstanding. Among them, my favorite character is undoubtedly Bai Di Zisheng. From Zhong Zisheng's struggle to win the throne in the first part, to Zhong Zisheng's dominance over the world in the second part, to Zhong Zisheng's gentle concession in the third part, the growth of a man is vivid and makes people sigh and cry. In the first part, Zi Sheng ignores the favorable situation in the court and conceals cases that are not good for the Crown Prince Chenghuan under the huge pressure of the Emperor of Heaven, just so that the Emperor can stay on stage for a while; however, the Emperor of Heaven finally sends Zi Sheng to Yushan to persuade Chenghuan to return to heaven, but he can deeply understand Chenghuan's pain and desire. He risked being suspected and punished by the Emperor of Heaven, and risking being misunderstood and hated by his beloved Princess Hui, but he did not prevent Chenghuan from committing suicide. Later, when Princess Hui fell in love and openly broke up with her at the wedding, Zi Sheng graciously fulfilled Princess Hui's wish, suppressed his inner love, and never saw Princess Hui again. In the second part, Zi Sheng falls in love with Ruan Qingmei, a good and ambitious girl, marries her, loves her, and protects her; on the other hand, he shows no mercy and builds up his power in the court step by step, and finally succeeds in forcing the palace and becomes the de facto king; however, when he gains the world, he is also punished by heaven. His only biological son becomes blind and his beloved Qingmei dies of illness. The moment Qingmei passed away, Zi Sheng instantly aged and fainted to the ground. His emotions and scenery were like the words "Lonely in Heaven", which made people sigh. In the third part, Zi Sheng is even more lonely, with no shortage of women, but no Qingmei to care about him; the political situation is unstable, and his adopted son does not trust him as his adoptive father, so he gathers his strength to cause trouble and is determined to push him down; his favorite daughter has fallen in love with her adopted son... He is only in his thirties, but he has already looked past his sixties. However, Zi Sheng would rather let his adopted son misunderstand him than affect the overall situation of the world. In the end, he deliberately gave in and allowed his adopted son to successfully complete the palace change, while he held on to his illness and survived his final years. Such a person's eyes may be clear, but they may also be misty; his heart may be full, but it may also be empty. Zi Sheng left a legendary life and a famous name for all ages. He did not eventually become the Emperor of Heaven in name (he was the Western Emperor who was regent throughout his life). However, he succeeded the emperor and started Zhuan Xu, and he handed over the prosperity of the three dynasties. He really makes people admire him infinitely!
Among the several male characters, Emperor Chenghuan and Prince Lan Yuqiang are also very well-portrayed characters. Among them, Cheng Huan's noble nature and forbearance make him the number one tragic supporting actor that I always admire very much. His tragic plot was also carried out to the end. Not only did he lose the favor of the Emperor of Heaven and the affection of his beloved Princess Hui, but he was also squeezed out of the throne of prince by Zi Sheng, who was regarded as his close brother. He finally committed suicide on Yushan Mountain in the mortal world without even a monument erected behind him. He said that he didn't want to be the crown prince, but for the sake of the country's plans, he had to hold on for decades. He had no friends, only enemies, and countless flatterers who pretended to be in love. How painful! However, his character is so gentle, so meticulous, so kind, so persevering. Although he has a clear mind and sharp eyesight, he chooses silence, consistent silence. Alas, it's hard not to like such a tragic supporting actor. Let's talk about Lan Wang Yuqiang, this one is a very smart master. On the surface, he is carefree, but in fact, he keeps a low profile. The whole character reminds me of the "Flower Boy" type of characters, such as King Lijia of Garuda, and General Peacock of the Western Regions (please refer to my work "Flower Boy Supporting Role in Animation"). This kind of supporting actor is also a very classic comedy supporting actor image, and is easily loved by readers (especially female readers). The images of the above two supporting male characters have been quite successfully created. Therefore, if a female reader does not like the gloomy and powerful male protagonist like Zi Sheng, she can still fall in love with these two supporting male characters, either soft or harmonious. This is a tip for writing popular romance novels, and you should remember it!
Okay, enough compliments, I should stop early. Overall, the "Tianwu" series is a good set of stories worth buying a paper book. This comment comes from me who rarely encourages people to buy paper books, but it is very serious (laughs). If Sister Du Ruo can see me "selling advertisements" like this, I wonder if she can reward me with a 20% discount? :)
Han Yi and Yao Ying are really not the same thing.
Wenwu is also a bastard and ungrateful.
Does Han Yi know his true life experience?
I can't explain what it feels like. It's a full-length novel. I read it slowly from the first one to the end, but I still feel that it's not over yet. I wonder if other readers think that this novel is a bit dark and gloomy. It looks like a long narrative. It reads a bit like reading the poems of the Ming Dynasty. It is also a story that entwines several generations, one generation after another, intertwined, without ending. The author here ends the story with Yaoying. But what about the children of Yaoying and Beidi, and the Xiaozi in the mortal world? Their story has not yet begun, maybe it is another emotional entanglement. Zisheng is like a drowning man here, struggling desperately, but he can't escape his fate after all. This is very similar to the role of Princess Taiping in Daming Palace Ci, from father to mother to herself to nephew... She once ascended the throne of power, but in the end it ended like this...
After reading the article, I couldn't help but feel sorry for Zisheng, who struggled and struggled alone in such a lonely life.
In this life, except for Qingmei, I am afraid no one has loved him so wholeheartedly and unreservedly. I can't help but sigh: Fortunately, there are still green plums! However, his heart was bitter because Qingmei left him too early, leaving him full of longing and sorrow.
Yao Ying and Han Yi, who loved him wholeheartedly, chose to treat him like this; their two biological sons, one blind and the other young, could not be relied on after all; Qing Yi, who was undefended, collaborated with Han Yi to deal with him. I don't know whether she admired him or Han Yi in her heart. I couldn't help but think of the missing Xiaozi. If it was Xiaozi who was raised by his side, he probably wouldn't treat Zisheng like this. Maybe the outcome would be different. But after all, it's just a guess!
Such an all-powerful life ended up in a lonely life with only sadness!
I am very disappointed. The conspiracy here seems to be forced out. It is inexplicable. If there is no story that can be written into a trilogy, don't write it. Each one is worse than the other, especially the protagonist in the last one is not Yaoying at all. The heroine is portrayed as pale and weak. These two people are simply the actions of white-eyed wolves. It is in vain that Bai Emperor loves these two people so much. . . In short, I am disappointed, disappointed, this is a story without logic.
Watch Du Ruo's "Sky Dance"
It's better to read the article about Blue Lotus
I was really a little disappointed at the end, but fortunately I had the support of writing.
In other words, King Lan's image in Qingmeili was not bad, but in Yaoli, he was not that good either. King Lan encouraged Han Yi to rebel against Zi Sheng on the grounds that Han Yi was the son of King Qing and Zi Sheng had killed King Qing. In fact, Han Yi is Chenghuan's son (probably the son of Chenghuan and his concubine Luhan). It's chilling to think about how much risk Zisheng took in the first place and how complicated things were to save Chenghuan's two sons (one Hanyi and the other Yusu). Speaking of which, Zi Sheng was not to blame for Cheng Huan's death, but it became Zi Sheng's heartache. He arranged properly for Cheng Huan's two children, and Han Yi grew up beside him. To be honest, Han Yi is actually inferior to Zi Sheng in all aspects. Zi Sheng has been paving the way for him, and in the end he has to force him into the palace.
The last person to call was also Zi Sheng.
Because I like Zi Sheng so much, I particularly dislike this one. Zi Sheng always remembered Qingmei's last words. Zi Sheng must have been extremely sad when he finally threw Han Yi's Qin away. It's so sad that I can't bear to watch it anymore.
I saw a long review, it's well written and I'll repost it. Long review of Du Ruo's "Tianwu" trilogy Author: sunkiss Publication date: 2006-08-18 07:36 Number of clicks: 5708 In the past two days, I read the "Tian Wu" series of romance novels written by Du Ruo on Sina Reading. Com, and I think it is worth recommending. There are three parts in Du Ruo's "Tianwu" series: "Memory of the Lost Imperial City", "Green Plum", and "Yaoying". The entire story spans the three dynasties of the Emperor of Heaven (the prototype of the story is Xuanyuan Huangdi), the White Emperor (the prototype is Shaohao), and the Xuan Emperor (the prototype is Zhuanxu). There are thrilling and undercurrents of the struggle for the throne and the affairs of the court, as well as the lingering, love-hate love between men and women; both the transformation of Cinderella. The ever-popular theme of princesses and the overt and covert competition for favor in the harem ("Green Plum"), there are also classic romance dramas about the love triangle between two brothers that make people cry ("Memory of the Lost Imperial City"), and there is also the shocking "new trend" forbidden love between brother and sister ("Yaoying"). The above-mentioned main storylines that are particularly pleasing to readers, combined with the mysterious and fantasy correspondence with the ancient Chinese mythology "The Classic of Mountains and Seas", are described with Du Ruo's delicate, euphemistic and yet grand writing style. The three works are completed in one go, making people dazzled and satisfied. A Google search shows that several netizens have already commented on the "Sky Dance" series, and many have given praise, so I won't repeat them here. One netizen rated it a classic, but I can't help but mention it. He/she said that "Memory of the Lost Imperial City" has the pride and youthfulness of young Ting Yu, "Green Plum" has the depth and calmness of middle-aged Ting Yu, and "Yaoying" has the desolation and helplessness of old Ting Yu. I agree. Among the trilogy, "Green Plum" is mature and wise, but not overly so, and should be ranked first. However, if you want to fully understand the ins and outs of the entire work, the grievances and grievances of the three generations, and understand the temperament of the multiple heroes and heroines, you should really read from the first part gradually, and do not jump to interpolation. Some netizens think that the feeling of reading the whole work is quite similar to February River. I thought that in addition to Er Yuehe, there was also the shadow of a popular novelist in the romance industry - Green Trace (Tie Le) in the work. I remember that Lu Hen's "Nine Dragons Strategy" series and her "One Hundred Years of Country" series under Tiele's pen name were all about palace intrigues and the scheming battles between emperors and fathers and sons. However, the "Nine Dragons Strategy" series also used romance as the main line, and the drama of winning the rightful son was a bit childish, while "A Hundred Years of Country" basically had no love scenes between men and women, and was all about governing the country and bringing peace to the world. However, Du Ruo's "Tianwu" series has found a very appropriate balance point between the two themes of romance and court. It will neither indulge in the ordinary romance of the Qing Dynasty or the quarrels for favor in the harem, nor will it evolve into a new historical romance that completely records the power of the court. In this way, not only "little women" will love to watch this series, but "big women" will also love to watch it, and even "big men" will change from dismissive to frowning in thought, so praise it! Several of the main characters in the work are very outstanding. Among them, my favorite character is undoubtedly Bai Di Zisheng. From Zhong Zisheng's struggle to win the throne in the first part, to Zhong Zisheng's dominance over the world in the second part, to Zhong Zisheng's gentle concession in the third part, the growth of a man is vivid and makes people sigh and cry. In the first part, Zi Sheng ignores the favorable situation in the court and conceals cases that are not good for the Crown Prince Chenghuan under the huge pressure of the Emperor of Heaven, just so that the Emperor can stay on stage for a while; however, the Emperor of Heaven finally sends Zi Sheng to Yushan to persuade Chenghuan to return to heaven, but he can deeply understand Chenghuan's pain and desire. He risked being suspected and punished by the Emperor of Heaven, and risking being misunderstood and hated by his beloved Princess Hui, but he did not prevent Chenghuan from committing suicide. Later, when Princess Hui fell in love and openly broke up with her at the wedding, Zi Sheng graciously fulfilled Princess Hui's wish, suppressed his inner love, and never saw Princess Hui again. In the second part, Zi Sheng falls in love with Ruan Qingmei, a good and ambitious girl, marries her, loves her, and protects her; on the other hand, he shows no mercy and builds up his power in the court step by step, and finally succeeds in forcing the palace and becomes the de facto king; however, when he gains the world, he is also punished by heaven. His only biological son becomes blind and his beloved Qingmei dies of illness. The moment Qingmei passed away, Zi Sheng instantly aged and fainted to the ground. His emotions and scenery were like the words "Lonely in Heaven", which made people sigh. In the third part, Zi Sheng is even more lonely, with no shortage of women, but no Qingmei to care about him; the political situation is unstable, and his adopted son does not trust him as his adoptive father, so he gathers his strength to cause trouble and is determined to push him down; his favorite daughter has fallen in love with her adopted son... He is only in his thirties, but he has already looked past his sixties. However, Zi Sheng would rather let his adopted son misunderstand him than affect the overall situation of the world. In the end, he deliberately gave in and allowed his adopted son to successfully complete the palace change, while he held on to his illness and survived his final years. Such a person's eyes may be clear, but they may also be misty; his heart may be full, but it may also be empty. Zi Sheng left a legendary life and a famous name for all ages. He did not eventually become the Emperor of Heaven in name (he was the Western Emperor who was regent throughout his life). However, he succeeded the emperor and started Zhuan Xu, and he handed over the prosperity of the three dynasties. He really makes people admire him infinitely! Among the several male characters, Emperor Chenghuan and Prince Lan Yuqiang are also very well-portrayed characters. Among them, Cheng Huan's noble nature and forbearance make him the number one tragic supporting actor that I always admire very much. His tragic plot was also carried out to the end. Not only did he lose the favor of the Emperor of Heaven and the affection of his beloved Princess Hui, but he was also squeezed out of the throne of prince by Zi Sheng, who was regarded as his close brother. He finally committed suicide on Yushan Mountain in the mortal world without even a monument erected behind him. He said that he didn't want to be the crown prince, but for the sake of the country's plans, he had to hold on for decades. He had no friends, only enemies, and countless flatterers who pretended to be in love. How painful! However, his character is so gentle, so meticulous, so kind, so persevering. Although he has a clear mind and sharp eyesight, he chooses silence, consistent silence. Alas, it's hard not to like such a tragic supporting actor. Let's talk about Lan Wang Yuqiang, this one is a very smart master. On the surface, he is carefree, but in fact, he keeps a low profile. The whole character reminds me of the "Flower Boy" type of characters, such as King Lijia of Garuda, and General Peacock of the Western Regions (please refer to my work "Flower Boy Supporting Role in Animation"). This kind of supporting actor is also a very classic comedy supporting actor image, and is easily loved by readers (especially female readers). The images of the above two supporting male characters have been quite successfully created. Therefore, if a female reader does not like the gloomy and powerful male protagonist like Zi Sheng, she can still fall in love with these two supporting male characters, either soft or harmonious. This is a tip for writing popular romance novels, and you should remember it! Okay, enough compliments, I should stop early. Overall, the "Tianwu" series is a good set of stories worth buying a paper book. This comment comes from me who rarely encourages people to buy paper books, but it is very serious (laughs). If Sister Du Ruo can see me "selling advertisements" like this, I wonder if she can reward me with a 20% discount? :)
Han Yi and Yao Ying are really not the same thing. Wenwu is also a bastard and ungrateful.
Does Han Yi know his true life experience?
I can't explain what it feels like. It's a full-length novel. I read it slowly from the first one to the end, but I still feel that it's not over yet. I wonder if other readers think that this novel is a bit dark and gloomy. It looks like a long narrative. It reads a bit like reading the poems of the Ming Dynasty. It is also a story that entwines several generations, one generation after another, intertwined, without ending. The author here ends the story with Yaoying. But what about the children of Yaoying and Beidi, and the Xiaozi in the mortal world? Their story has not yet begun, maybe it is another emotional entanglement. Zisheng is like a drowning man here, struggling desperately, but he can't escape his fate after all. This is very similar to the role of Princess Taiping in Daming Palace Ci, from father to mother to herself to nephew... She once ascended the throne of power, but in the end it ended like this...
After reading the article, I couldn't help but feel sorry for Zisheng, who struggled and struggled alone in such a lonely life. In this life, except for Qingmei, I am afraid no one has loved him so wholeheartedly and unreservedly. I can't help but sigh: Fortunately, there are still green plums! However, his heart was bitter because Qingmei left him too early, leaving him full of longing and sorrow. Yao Ying and Han Yi, who loved him wholeheartedly, chose to treat him like this; their two biological sons, one blind and the other young, could not be relied on after all; Qing Yi, who was undefended, collaborated with Han Yi to deal with him. I don't know whether she admired him or Han Yi in her heart. I couldn't help but think of the missing Xiaozi. If it was Xiaozi who was raised by his side, he probably wouldn't treat Zisheng like this. Maybe the outcome would be different. But after all, it's just a guess! Such an all-powerful life ended up in a lonely life with only sadness!
I am very disappointed. The conspiracy here seems to be forced out. It is inexplicable. If there is no story that can be written into a trilogy, don't write it. Each one is worse than the other, especially the protagonist in the last one is not Yaoying at all. The heroine is portrayed as pale and weak. These two people are simply the actions of white-eyed wolves. It is in vain that Bai Emperor loves these two people so much. . . In short, I am disappointed, disappointed, this is a story without logic.
Watch Du Ruo's "Sky Dance" It's better to read the article about Blue Lotus I was really a little disappointed at the end, but fortunately I had the support of writing.
In other words, King Lan's image in Qingmeili was not bad, but in Yaoli, he was not that good either. King Lan encouraged Han Yi to rebel against Zi Sheng on the grounds that Han Yi was the son of King Qing and Zi Sheng had killed King Qing. In fact, Han Yi is Chenghuan's son (probably the son of Chenghuan and his concubine Luhan). It's chilling to think about how much risk Zisheng took in the first place and how complicated things were to save Chenghuan's two sons (one Hanyi and the other Yusu). Speaking of which, Zi Sheng was not to blame for Cheng Huan's death, but it became Zi Sheng's heartache. He arranged properly for Cheng Huan's two children, and Han Yi grew up beside him. To be honest, Han Yi is actually inferior to Zi Sheng in all aspects. Zi Sheng has been paving the way for him, and in the end he has to force him into the palace.