Waiting for Someone to Come

I hope the author can come back and read it one day, and there will still be people who like your writing, the characters you write, and the feelings you place on them. I hope you can keep writing, I really like your words.

(I am basically a layman in literature and have little experience in daily life, so the following words are mostly subjective feelings. Please forgive me if there are any inappropriate or naive points.) When I read this article for the first time, I was a little surprised: that young man who only existed in the dust of history, someone actually wrote about him, alive! From this moment on, Xia Wanchun, the people around him, and his story came alive in my world. Thanks to the author, Sister Zhier, for splicing together the scattered works of predecessors and historical materials with only a few words, and using imagination and appropriate changes to create such a story, which is very imaginative and romantic. The whole article respects history and incorporates many real details. For example, the spring where the heroine Qin Zhuan went to make tea at Shi Gong's house was rediscovered and named by Shi Gong (Zhang Dai). If I hadn't read "Tao An Meng Yi", I wouldn't know it. (However, I didn't know the pronunciation of the word until I typed it?) There is also the study of poetry, music, and poetry in the article, which really opened my eyes! (Get to Tang Duoling, Xilou, etc.) That phonology, Rusheng basically does not exist now, but it still appears in the article. However, this is how literary people write things to have a sense of feeling, always talking about Taoism and the scriptures, whether it is right or not. Almost all the characters that appear in the article have been recorded. I admire Sister Zhier very much. There are so many people with their names, especially the Qian family, and Sister Zhier is able to write them so that they can clearly perform their respective duties (it's almost like she has a tendency to research, for example, Qian Mo's age @_@)... It is not easy to find information on so many people, many of which cannot be found online, such as Wang Sanyun (the incompetent input method cannot type the word Orz). It is really difficult to figure out some things such as place names (the Southwest Friendship Club was also not found on the Internet, but it seems to have been mentioned in Du Dengchun's article?) In short, Sister Zhier collected a lot of information and restored the life of scholars in that period to a large extent for us. Well, that kind of elegance can really be called "antique". The creation of the characters is generally easy to accept, and it did not fall apart in the later stages. Of course, the heroine Qin Zhuan, who is narrated in the first person, is the most prominent. She is gentle and loyal, lively and intelligent, full of emotion, filial and virtuous, just, simple, profoundly aware of righteousness, has a sense of responsibility for her family and country, considerate, and has relatively advanced ideas. Well (⊙_⊙) I shouldn't have learned my character analysis in vain, right? As for Wanchun's image, I think it is quite comfortable to watch. It should focus on the tender side. After all, it is written from the heroine's perspective. It might be better to have more bloody descriptions, such as the conversation with Hong Chengchou in the chapter "Goodbye in Prison". Others, Jiu Gao, Wang Sanyun, Shu Yao, Meng Duan, and Qin Zhuan's parents are well portrayed. The two brothers are inexplicably similar (maybe because they treat their sisters the same way), while Zou Zhongjian's image is not too distinct. This article is really refreshing, the characters are normal, the storyline is normal, the time and background are also normal. Still so sophisticated (laughing and crying), it seems a bit "out of place" among the evil online novels. I really like this first-person perspective. It can directly reflect the inner feelings of the characters in terms of psychological activities and so on. There are also a lot of complaints, which is very cute and adds a bit of lightness to the story. The plot is plain and there are no major ups and downs. Maybe it is easy to misunderstand the characters because there are too many plots made up. Also, what is written is about daily life, so it should be plain and simple. However, we can change the straightforward narrative style and use some twists and turns to give the plot some ups and downs~ Ahem, the first part "Thinking about the old days of Qingguang" is indeed too lengthy, especially the first 10 chapters. The last 10 chapters are okay with Shuguang's incident supporting it. The second part is so sweet that I won't say anything else. I like the kind of mutual help and "team spirit" friendship between young people. I also wrote about it in this part, which is very interesting. Then comes the third part, which is overall depressing (maybe it's time to depress it), thin, desolate, and bleak (especially in chapters 49 to 55, there are too few people, and I feel that the excitement of everyone gathering is no longer there), and the time span is a bit unsmooth. Can it be more intense? There are a few more details The story takes place in a water town in the south of the Yangtze River, but I always feel that it lacks the charm of a water town. This can be enhanced with descriptions such as "white walls and black tiles", "small bridges and flowing water", and "rainy season". As a nervous Hanfu Party member, I have to say... Well. In the Ming Dynasty, children had the custom of shaving their hair, both male and female, before the age of ten. Some had a bald head that ruined their outlook on life. Some had two locks on both sides of the head, which were called horns. It is estimated that the hair began to grow around the age of twelve. From growing your hair to "tying your hair", that is, at the age of fifteen, your hair is let down. Boys become boys with their hair tied at fifteen, and crowned as adults at twenty (however, this custom changed in the late Ming Dynasty, and the age was much earlier). The tied hair refers to the age of fifteen. Therefore, the Cungu phrase "I want to tie my hair and join the army one day" should refer to joining the army around the age of fifteen, rather than the specific action of tying one's hair. Ha, it's the middle of the night and I can't think of anything else to say. If I think of something else, I'll tell you. _? Ps: The hero is lonely. Those ancient national heroes who sacrificed their lives and blood to defend their country have now become sensitive topics. If a national hero wants to appear in a film or television drama, he must "change his name." For example, Yu Dongyang in "The Legend of the Female Doctor Ming Fei" must be Yu Qian. However, there are more unknown things, including Mr. Wozi, Mr. Xia and his son, and many others. Thinking of Xia Lijun's "One Person's Ritual": "... The purpose is very clear, which is to visit the tombs of Xia Yunyi, Xia Wanchun and his son, and Chen Zilong. This is almost an "ulterior" purpose. There are very few people who know these three people, especially the first two. Little. Just don't mention your plan to visit their cemetery. At least you can avoid the trouble of explaining... Chen Zilong, although you are a great hero, you cannot bring economic benefits to the current generation, so you are destined to be lonely..." What else can you say? I hope that the Chinese martyrs will be remembered by more people.

All the plots gradually coincide with history, and suddenly I don't have the courage to continue reading.

Spreading flowers, it's over so soon, I'm so reluctant to let it go!

Brocade, it is the blue-scaled brocade fish used to couple when getting married. Carp is a red-mouthed carp used as a betrothal gift during courtship. The earliest custom was that Princess Wencheng married Songtsen Gampo. Tibet produces brocade from the Sanjiang River in Yunnan, and carp from the Han River in the Central Plains.

Can this feeling be remembered? It was just that I was at a loss at that time.

When flowers bloom, I remember the plum blossoms in my hometown. The snow covers the paths in the cold mountains and prevents them from blooming. The bright moon and the worried heart are similar, and they are like a shadow waiting for others to come.

Wait, isn't Zhao Yi from the Qing Dynasty?

Today's point is not correct, the comments will be swallowed one by one. I'll just remember Cungu silently, I'm afraid I'll be swallowed if I talk too much T_T

I wonder if the Chinese martyrs can rest in peace!