Eating This Toad [Entertainment Industry]

As the title suggests, the story is a good one, and the themes discussed are sharp and profound, but unfortunately it is so heavy that the author's writing power cannot fully bear it. Therefore, although the writing style is very smooth and the narrative logic is rigorous, it also describes the flirting between the CPs in a large space, trying to reduce the sense of fuck-up that the protagonist's life brings to the readers. The overall personal reading experience is still very unpleasant, which perfectly echoes the title of the novel - I feel like I am not relaxing while reading the novel, but stuffing toads into my mouth to torture myself. If the early "Cute Cosmic Soup" uses a joyful writing style to write about unhappy protagonists, allowing readers to be stabbed from time to time in laughter, and then silently melt and reconcile in love; This article uses a depressive writing style to write about a very sad protagonist. See how he holds his lover's hand and swallows toads one after another. However, the sweetness of love is unique to him, but the bitterness of life is shared. The protagonist can regain his blood through love, but the reader can only spit out a mouthful of old blood; It can only be said that the author placed too much emphasis on anxiety throughout the article, and failed to balance the atmosphere of the article to achieve comfort, which led to this tiring result. So when I saw the ending, I really thought the same as the protagonist - "It's over." The difference is that the protagonist is the end of relief, and I am the exclamation point of relief. Is it really over? Finally! ! ! ! The protagonist reaches the starting point of this life at the end of his previous life. Before he is about to be choked to death by the toad army, the reader can finally drink a bowl of chicken soup. Whether it tastes good or not is another matter, but at least it can change the taste. In short, if you are used to reading cool articles, I suggest you take a detour, if you just want to kill time, and if you want to eat with food, run away! ! ! But! For those who are willing to spend time pondering the content, this article does write about a lot of interesting topics. It clearly explains how public opinion is manipulated by selling anxiety in the traffic era. Although Bai Pu, who turned from a victim to a perpetrator and was eventually attacked, does not deserve sympathy, it is still chilling to see a normal person being twisted into a psychopath. I feel like Bai Pu is like a daughter-in-law who is tortured by an evil mother-in-law. One day, when she becomes a mother-in-law, she will not be tolerant of her feelings, but will torment her even more. The main theme of the main text is also a very good description of the unpredictable fate. From the disorderly distribution of a limited deck to the infinite game of life, the anxiety of not being able to see the future and not knowing whether the end is a dead end or a new life is really suffocating. I feel that He Ruxu is a particularly well-cast character. As a control group for the protagonist, although I have dug a lot of pits for the protagonist, I don't have any ill feelings toward him, because he actually has almost no subjective malice. He just objectively wants to remove the stumbling block in front of him. On the gambling table, he only has these cards in his hand. If he wants to win, he can only play this way. Of course, he can also choose to admit defeat, but who is willing to accept fate so easily? It is true that he chose the road himself, but did he really have a choice? His focus on the protagonist is also very complex. It feels like he is observing another gambler with the same bad hand to see who can't survive the first. If the protagonist's 24th birthday is the stop loss point, no matter how hard it is, there will be results on that day, then the existence of the protagonist is such a weathervane and placebo - if he can survive, so can I. If he can't survive, I will win. It's a pity that the author failed to embed Xiao He's branch plot into the main text. He is really a character worth exploring, and I think this is good. At least at the end of the plot, he seems to have successfully changed to a gambling table. Although the cards are still the same, maybe under the new rules, he can play another situation. Yao Jing's branch plot is also a pity. Corresponding to Wu Xin who is hidden in the later stage, I always feel that these two people should be the control group of the protagonist CP. After the cards are re-dealt, will they still look like their previous lives? Will those omens be tragic prophecies, or hints of a way out in advance? But the most pity is Wei Tan. I feel that the author has exhausted his efforts in shaping the protagonist and writing the story well, so there is no room left to portray a flesh-and-blood CP. As a result, he appears mostly in functional symbols in the whole story - in front of the scene is a dedicated atmosphere team, responsible for coming out to communicate with the protagonist when the plot is too heavy; behind the scenes is the protagonist's unshakable pillar, a presence like a sea-fixing needle - and then he is gone. This imbalance in the thickness of the characters is also the key to why this pair of CPs are not very cute to me. Most of their interactions do not match the style of the whole story. Rather than sprinkling sugar on love, it is more like the author is afraid that the readers will choke on the toad, so he poured a layer of syrup on it OTL But not only did the toad not taste better, but its texture became more abrupt... When the plot reaches a critical point, it's even a bit redundant, and I just want to skip it quickly to see the follow-up development. In short, this is indeed a good article, but it did make me, who was already unhappy, more and more frustrated. I tried my best to survive until the end, just to see what kind of ending the protagonist could achieve. The ending is an expected HE, but the handling method is reasonable and unexpected. The design of forgetting the words during the ceremony is really wonderful, but this medium-sized toad caused a qualitative change. If death is the return of everything to zero, then returning to zero can also be regarded as another way of death. The ghost card can be the end of life, and naturally it can also be the breaking point of the past. The protagonist did not lose his memory, but the blank feeling of forgetting the words made him completely let go of the entangled knots in his heart at that moment, and reached a reconciliation with himself - since the toad he swallowed has been digested, he should not let its ghost continue to jump on his shoulders. Life is a long river that keeps flowing, a game with no end in sight, but you can board a different boat to go in a new direction, or you can change the gambling table and try to win again. As long as it continues, as long as it continues to move forward. Although this concept of "As long as you can hold on, you won't really lose", it feels a little like a spiritual victory, but I did this bowl of chicken soup 0v0 The overall concept of the article is really great. It is quite thankless to write about this kind of subject. Although there are some sad parts, the author's intention is still worthy of applause. I also look forward to "Infinite Game" being written into a complete story. I think the author is quite suitable for writing psychological thrillers. The process of Bai Pu being forced out of control is really a bit hairy 0x0

Because I read too many cool articles, I suddenly didn't finish reading this kind of article about the ups and downs on the road of growth in one sitting. I spent four or five days reading it slowly. The more I watch it, the more fascinating it becomes. I am very similar to the protagonist. When I was a child, I kept a diary of mourning. I felt that my life was boring and tragic, and I often ate toads. I have stopped for a long time. In this fourth year, my connection with the world seems to be getting less and less, as if a few more storms will completely cut off my connection. I feel deeply, and I don't know how to express many things. I also hope that I can truly reconcile with my past self, and that I can take steps forward again. But I don't have people like Tan Bao to give me strength behind my back. Just like the author wrote in the article that Su Su is a pearl covered with a layer of darkness, and the darkness is constantly wearing away his light. This is probably my current state. The author's great article still injected a lot of strength into me. It's daybreak, and I want to try it again.

They actually reconciled. I must be upset after all. Also, after reading Su QAQ, I didn't feel overwhelmed. The first few dozen chapters were cute, but the last few dozen chapters made me feel very sad. All kinds of misfortunes happened all the time, especially when I stayed up late to read, which made me sleepy, tired, and super tired. But apart from the various settings that I read at the beginning of Danmei novels, I didn't find any surprises. I've read a lot about the entertainment industry. I didn't read about the entertainment industry in the past two years, but now I've finished reading it! The writing is really good, but it's a pity that I haven't written much in the past two years after reading the column. I hope you will update more in the future and get better and better ~ Also, when are you going to start the second part of the cat spirit! (Hungry/Evil Tiger Roar) (`Dis?)

Ahhhh, I really like this article.

Thank you, madam, for letting me see a great piece of work. There is a sense of reality, as if they are really living in another time and space. The protagonists, like every ordinary person, will encounter difficulties, but their ordinary happiness supports them to continue moving towards tomorrow. Regarding the supporting characters, I think the writing is also very vivid, or I think this can also be called a group portrait article. Even for less likable characters, he has his own thoughts that explain the spiritual core of his actions. And the application of some poems can only make me feel ashamed that my literary background is not in place, and sometimes I still can't get it. There is only one feeling that cannot be said to be a shortcoming, that is, Wei Tan is really like the sandalwood that fills the air. His personality does not seem so distinctive when I read it for the first time. There may also be a reason for the perspective. All in all, I wish my wife to write better and better works

Oh, Su is so unlucky, so pitiful

Very well written. I really like the feeling of "Su Du Mood" leaving a unique mark every day. Sad memories are easier to retrieve, so record some happy moments every day and treat your notebook as a "happy memory plug-in".

Finished spreading flowers! Looking forward to the next book!

Ah~ I wrote it so well that I can't even scratch my head! It would be better if there were a few extras~

I know there are still branches to the ending, but I also feel that this is good, really good. This article is really heart-warming and I learned a lot!