We're All Bystanders

I read the physical book in elementary school, but I didn't expect to see it in Jinjiang.

Dangerous place There is a bridge in Reichenbach, Germany. It is said that people who walk on it can hardly suppress the urge to commit suicide; In the thirteen years at the beginning of the last century, there was a song called "Black Sunday". It is said that people who listened to it ended their lives one after another; According to Qing Qingsui's novel, there is a medical school. It is said that those who attend it will spontaneously develop the criminal tendency to murder themselves and even others... It is not an exaggeration to describe this medical school as "you will see corpses when you open the door, you will see corpses when you are sitting and lying down, you will see corpses everywhere, you will find corpses everywhere". In order to adapt to such an environment, just as heartbroken grass grows next to sympathy flowers, the school's paths, under the shade of green trees, in the cafeteria, and in the dormitories are also filled with heroes created by the current situation. These comrades who are called "detectives" but are actually "disasters" are more prolific than the girlfriends of the love saint Lu: Duan Muchen, Shui Hengzhou, Xiao Yu, Shen Liangyu... In fact, I personally believe that sending detectives to quickly solve the case after the murder in order to remedy the situation is actually treating the symptoms rather than the root cause. The most important thing is to check what is wrong with the school's feng shui. Before the results come out, a police station should be set up in the school and a criminal police team should be stationed there for a long time. The captain, Mr. Chu Qin, should be the person in charge - I am afraid that only this name, which includes the two most powerful countries in the world during the Eastern Zhou Dynasty, can shock the fierce horoscope here. Before the Ministry of Public Security realizes the seriousness of the situation and orders the closure of this medical school, I think we still have time to get to know the latest and most popular campus detective-Miss Shen Liangyu. Liang Yu's person Shen, the author's beloved surname. The author seems to have a complex with the surname "Shen". Taking into account the protagonists and supporting characters in all the works, the most people have this surname. Liangyu was also used in the author's other series of constellation chronicles "Scorpio·The Gentleman is Like Jade". Although she was also a woman, her temperament was definitely not that of a human being. This name probably came to me when I was writing that article, but I kept thinking about it. It was quite interesting when I thought about it carefully, so I used it again when I had the chance. A beloved surname and a clever name make up our protagonist - Shen Liangyu. Some people say she is kind, but I don't think so. I have never felt that justice and kindness are essential virtues for a novel protagonist, and I have never tried to read between the lines to discover the phantom of his good intentions. In fact, I think that if you praise Liangyu's kindness in person, or if she knows about it secretly behind your back, she will probably curl her lips coldly on the surface and think you are stupid and ridiculous; but if she feels something in her heart, she probably won't be happy. This sentence ends here. This review will not go into an in-depth analysis of Liang Yu's personality and its causes - although this is my favorite thing to do, it's not that I can't, but "can't". Liangyu is loved by everyone. Although the author repeatedly tells us how ordinary she is, her charm lies in her legendary nature rather than her approachability. Now a hard shell is placed here, worthy of being an idol, far away in the horizon, like a dream; but if the cause and effect are connected, it is tantamount to pulling down the altar. This is harmful to the author's creation and readers' worship, but not beneficial. I will not do anything like burning harps and boiling cranes. I appreciate this. Therefore, all we need to accept is the official answer given by the author: cold nature, cold-heartedness, and an agnostic view of human emotions that are "uncertain and unproven." At the same time, he is accustomed to medicine and has a head full of proper nouns such as "□□ and dopamine", so he defines love as "an endocrine disorder in which one feels good about oneself." It seems that these detectives who use human nature as a means of solving crimes are still good and have more achievements. As a writer, if I find something in common when reading, I will feel particularly warm. In the past, I had a feeling of mutual attraction towards the author's articles, but the connection lies in the harshness of the world, rather than individual cases of human nature. This time, even the latter was getting closer, but there was a vague sense of distance. A gentleman believes in harmony but not difference. To identify "harmony", you only need to feel; to identify "difference", you need to analyze rationally. This matter needs to be carefully considered: What are Liang Yu's personal characteristics? How is it different from a human detective in the general sense - or just in the lower cognition? Here, I'm afraid I have to invite Mr. Marx to talk about the principles of "understanding the world" and "transforming the world." Perhaps due to their different personalities, the detectives identified below have their ultimate goals. After going through the process of "understanding the world," their ambition is to "change the world." Their study of human nature is nothing more than summing up experience as a tool. They use this sharp tool to seek advantages and avoid disadvantages, and they can navigate the world with ease; they are all people who are involved in the world, and those who "hide in the court", even if they are dormant for a while, can only make decisions and then act. Such people will become conspirators. Liangyu, on the other hand, is a person who is born in the world and "hides in the wild". Due to the setting - "bystander", due to the character of the character, it is suddenly interrupted after "understanding the world" and never enters the process of "transforming the world". She begins with cognition and ends with cognition. She enjoys observing human nature itself and is immersed in it. This is her pleasure, almost instinctive; she watches the situation, gives explanations for the phenomenon, and is complacent in the fact that "everyone is drunk and I am sober"; she seems to have never been interested in using this knowledge to manipulate others for profit, and does not even use it as a basic life guide. No wonder she is in constant trouble. To her, the world is just a big cinema. She doesn't care what movie is on the screen or where the seats are. All she cares about is "watching". This is a person with a compatible aesthetic. He can see everything, everything looks good, and everything has a flavor. Perhaps in order to broaden her horizons and see more comprehensive aspects, she has no particular preferences and is rarely selective. She would even deliberately change her entry time and seating location to see which movie she would catch, whether it was a good movie, and how to watch it from different angles in the front row and back row. This is a rare expectation and adventure in her life, so we will see her self-exile and drifting side that should be impossible and almost unbelievable. Such people are bystanders - not ignorant bystanders, not bystanders, but bystanders, just bystanders. There is a kind of person called a "bird observer". They like birds, and they will carry cameras and binoculars on their backs and travel across mountains and rivers to find them. They like to witness - "I saw this kind of bird", or discover - "there is such a bird in the world", or verify - "it is indeed the same as what I saw in the illustrated book", and define these experiences as precious memories worth looking back and savoring from time to time. This is very similar to Liangyu's attitude towards the world. Therefore, it should not be considered flattering to give her the title of "Human Observer". Although Liang Yu does not conform to the convention in my mind - she seems to lack subjective initiative, but when it comes to the "internal strength" of "those who know are not as good as those who are good, and those who are good are not as good as those who are happy", she is a bit like Miss Marple in Agatha Christie's novel, a person with great humanity. The drama We like Shen Liangyu, and we like "The Spectator", but why do we like it? What magic did the author cast to make us obsessed with this and pursue it persistently? I believe that everything exciting, all dramatic conflicts, and everything that touches the audience - whether it is tear-jerking or funny, thought-provoking or shuddering, all stem from two words - contradiction. When reality and ideals collide, and when something "should be" but "is not", the audience will feel moved, humorous or horrified. For example, a woman decided to drift away, and everyone thought that the love she left here would be cut off. Unexpectedly, her boyfriend suddenly appeared and chased her all the way to the airport, so the audience cried... Of course, I can watch more than 200 of these movies a year, and I almost cried... No kidding. If I have explained this truth clearly enough, then I can apply it to the case of "The Spectator" below. The most obvious contradiction should be the collision of two outlooks on life. In reality, two people with different concepts insist on getting together, and they naturally collide constantly. It is a good drama when it is put on the stage. Liangyu and the world are like this, as if they are living on two planets, watching each other and studying each other. They can explain it theoretically but cannot understand it from the heart, so they all feel that the other is the alien. Liangyu sees the world as hypocritical, selfish, and futile; but when the world understands Liangyu's thoughts, they are jumping around and flying to heaven. Looking at Liangyu through the eyes of the world, it is inevitable to sigh, "God? Monster?"; While following Liangyu and watching the world, he only feels pitiful, hateful, ridiculous and lamentable. What runs throughout the series is "people who are born in the world do things in the world". You clearly don't want to get involved in the mess, but you get stuck in it time and time again, unable to extricate yourself. When the "bystanders" are forced to become "participants," you are naturally full of joy, sighing, and helpless, smiling slightly, with a bit of schadenfreude. In fact, how similar is this design to the detective novel itself? For an article, readers are just "spectators"; while readers of detective novels must be "participants", often trying to find out the truth first, overstepping their authority. In this way, there is a contradiction inside and outside the book. Maybe it's because being a mirror makes readers quietly reflect on themselves, maybe it's because there is some philosophical coincidence between small things and big things, fiction and documentary. In short, this series faintly exudes the dawn of classics. We were fascinated by this phantom light, fell in love with "The Spectator", and fell in love with Liangyu. The beauty of fallacy Detective novels that can become a series are mostly a fallacy. At the beginning, the author had a sudden inspiration and conceived a very unique work. It has a distinctive style, an extremely flamboyant personality, a maverick character, and an interesting central idea. Now that the article is over, it should stop here and leave it here as a pearl, that's all. However, maybe it was the readers' urging, or maybe the author fell in love with this wonderful and unique creative experience and couldn't let it go, so he wanted to carry forward this momentary whim and turned this article, which had never been conceived as a series, into a series. This is like a romance, but it is difficult to finish it. The soul-stirring romance makes the parties involved unable to let go of it no matter what. With excitement and excitement, they actually get married. It is inevitable that after receiving the certificate, you will encounter many problems and find that everything is not as you thought. The series formed by these fallacies have the following common features: the first article is clear and beautiful; the second article is turbulent and subversive; the third article returns to spirituality and stands in the middle. From the fourth chapter onwards, the creativity of the series is mostly at odds with the author's inertia, and the struggle continues within the reasonable range defined by the first and second chapters. Although since the second chapter, the distinctive style has become dull, the flamboyant personality has been corroded by moderation, the character's personality is no longer as good as before, and the core soul is not difficult to grasp but it is still unavoidable. However, due to the accumulated weight of the series, it does not have a certain beauty of flaws. Just like the lovers who got married impulsively, after years of quarreling and itching, they got a crying baby. Although they were no longer in love with each other, they still loved each other and raised eyebrows together. Beauty is still beautiful, but in a different type. In this series, in addition to personal experience, I have also seen many aspects of the world through the pens of other authors. I won't mention it because of the sluggish originality. Let's take a world-famous example: the French thief Arsene Robin, this unprecedented handsome guy was arrested and imprisoned in the first chapter; and the author who was forced to create the second chapter went to his grandma's house to make up for his mistakes, and tried his best to make excuses and sophistry, just to help him escape from prison. In my opinion, "The Spectator" is also a beautiful fallacy. "Ambush", like the convention of fallacies, is a stroke of genius. The plot is very simple in summary: a man, because of his extreme virginity complex, was killed by another extreme non-virginity complexist. Author, this direction of public opinion is wrong... I firmly believe that this article is an explosion of the author's character. Why do you think so? First, the protagonist's name. Of course, we can understand it from one aspect of its exquisiteness and beauty, but on the other hand, the surname Beloved is used the most, most widely, and most indiscriminately, and it must be used carelessly. The borrowing of names that have appeared in previous games shows that the creation of the protagonist was purely random. Although the results are very good, the process is hardly solemn. Second, the charm of writing. The writing style of "Ambush" is very beautiful, but it cannot be classified into the category of "Qingqing's works". The author's consistent style is just like the title of the column, "Nianhuahua Smile," and more like Shui Hengzhou's eyes, which are handsome, soft, melancholy, and compassionate. But "Ambush" is cold, sharp, sarcastic and humorous. These are all advantages, but they are by no means inherent advantages of the author's writing style. Therefore, I believe that "Ambush" is not only unique among the collection of detective novels, but also an anti-traditional attempt by the author himself. In order to interpret this story and some inner feelings, the author brewed a special emotion and used an unprecedented style of writing. Liang Yu was born for this. In the process, the vague feelings gradually became clear, which is the concept of "bystander". Since this setting comes from "Ambush", "Ambush" naturally fits this setting perfectly—— A cold-hearted woman who has no interest in the truth, a helpless detective who is forced to solve the case without wanting to participate, and a completely passive bystander who is entangled in reality and never takes action voluntarily. In other detective novels, the difficulty lies in how the suspects must sit in front of the police one by one and talk nonsense; but in this one, the difficulty lies in why everyone suffers from chatterboxism when it is clear that there is no need to mention the murder. After all, without any coercive force, it is difficult to expose all the clues needed to solve the case by just relying on it. However, the author has his own insistence that Liangyu must solve the case independently with zero police information. I believe that when the author wrote the essence of the whole text, "It is probably the first time in the history of detectives that a case was solved based on just one sentence and a name," she probably had it secretly in her heart. After all, she did it. Moreover, Liangyu and the police have two sets of clues, each with a clear distinction. The former focuses on psychological evidence and possibilities, while the latter focuses on physical evidence and feasibility. All are true, none of them are complete. The plot is cleverly arranged and takes into account reality. So I say, "Ambush" is perfect. Liang Yu in "Ambush" is also perfect and outstanding. Usually, people who can't tolerate others are willing to spare others; people who are open-minded are willing to spare themselves. Perhaps after all, I am not as dusty and carefree as Liangyu, so my hair stands on end and cold sweat drips from my eyes. I might be able to accept her dating a desperado on the rooftop, or mutilating herself in front of a well-dressed beast, but I can't imagine how she would have the courage to grow old together with a mentally retarded person. This is too generous, risking your life, this is... This anti-science, anti-humanity, and anti-society paranormal setting makes my heart reverberate with the funny sarcasm of a certain sister in Jinjiang, as well as the MSN signature of Mr. Meier. Let me quote them in turn: Liang Yu has indeed seen a lot. They have a wide range of knowledge, "have traveled south, crossed north, drank water from the Yangtze and Yellow Rivers, and kissed fools"; and the mentally retarded duo, one dead and one murderer, who should be regarded as the secondary protagonists, in their heads, "have entered the water, swam with fish, jumped over vaginas and walked over donkeys"... So, this is really a happy murder case - you see, all the readers have also become cool with the protagonist. After all, it is better to kill an idiot's life than to ruin Liangyu's life. Although Liangyu's character is not affected by external things, and only she can destroy her life, she has to take care of the readers' emotions, right? After "Ambush" was over, Liangyu's life continued, so it came to "defeat". Since it is a series, the characteristics must be maintained. At this time, the God-given blessings in the previous article suddenly turned into difficulties; all the beautiful accessories turned into shackles for dancing again. What is the probability that a person would be involved in a murder as close as the first time? Without the conclusion of the police, half of the elements that can be written in a detective novel are missing. If you just rely on reading more and trying to solve the case, can you do it once or again? If you do it reluctantly, maybe you can, this article will still be different from other novels, but how to distinguish it from the first one? Detective novels cannot tolerate excessive similarities in plots, structures, character relationships, and clue discovery methods. Besides, the author relies on stimulating his own hidden personality to achieve such unconventional writing style. And can this abnormal emotion be maintained for a long time? When the author created "Ambush", he may have been pleased with himself that it was unprecedented, but when he wanted to extend it later, he found that it had no successor. If you remain stagnant, you are destined to be unsustainable; opening your mind and making changes is inevitable. Therefore, for the sake of the plot, Liangyu began to intervene in events that had nothing to do with her. The contradiction became that a person who claimed to be a bystander was actually a participant. In this and subsequent chapters, she claimed that she was "not interested and didn't want to know" while frequently taking action to change the direction of the incident. This... Is quite endearing. Not surprisingly, she got acquainted with Captain Chu and Qin, and the police got a lot of clues. In order to facilitate the advancement of the plot, a passionate detective boy even appeared. This kind of people are one of the people who are accustomed to detective novels, but the author actually let such an extra actor have "Qi", a classic, rare, noble and ancient surname, makes me even more dissatisfied; Liang Yu's ridiculous language can only sustain half of the article. Although there are occasional inspirations in the second half, it is like a flash in the pan, and it is no longer the glory of "Ambush". And the next few chapters will never be seen again. The author's writing style has returned to the usual cold and sentimental style; Liang Yu's character has been slightly adjusted through additions, subtractions, and adjustments, which is actually the process of the author's self-return. In fact, most of the many advantages of the series that I have praised before are concentrated in "Ambush". Perhaps with the end of "Ambush", the real "spectator" also ends. In "Defeat", Liangyu showed something close to the world, such as the word "hope", but it really shouldn't appear in her body. This seemed to bring the immortal back to earth. Although it was regrettable, it was better than reasonable. After all, Liangyu lives in the world, and it is impossible to completely abandon external causes in an idealistic way. When she solves the incident, she will inevitably be affected by the incident, and some slight changes in her views are in line with common sense. What's more, there is a paragraph in the article about self-examination of the attitude of bystanders, which seems to be interpreted as a motivation. As for no longer being obsessed with mental evidence, you can also ignore it. At the end of the previous chapter, she had already made connections with the police, so she would not just pretend to be ignorant. And since the captain needed her help, she would not play with mysticism and beat him to death. From this point of view, perhaps "Ambush" is a psychedelic dream. Now the smoke has cleared and reality has arrived. Although it is inevitable to feel sad, it can only be so in the end. The story of "Defeat" also returns to the typical "Qingqing style". There are thousands of motives for murder, but the author has written very few of them. It seems that in her perception, the only word worth committing a crime is "love". If there must be an explanation, then, based on my superficial knowledge of heresy, I personally believe that this school site was originally a mass grave, and someone insanely buried three jealous love triangles in one place. Therefore, every time people in the school have a romantic relationship, it is difficult to start and end well, and a few lives must be caused... This day will not pass... In this article, Liangyu's worldly affairs are mixed in a lot. But I don't think this is enough to reflect her quality: her saving people does not mean kindness; her "killing" does not mean justice - this person just does whatever he wants. It is difficult to say that many of the detectives in the author's works have different ways of solving cases, but when it comes to moral standards, they have a very clear sense of hierarchy: Shui Hengzhou is "compassionate", Duanmuchen is "obligated", and Xiaoyu is " "Do what you should do", Shen Liangyu's "conscience has not been lost", if he drops one level lower, he may be "lost his conscience", which is basically the level of Lu Wangfeng; but if he looks up, he is still far away from "having a good heart". The third "Bathing Spirit", like the fate of the Fallacy series, has indeed found a balance between the personality of the series and the author's inertia, and has secured a foothold. It is not as "bystander" as "Ambush", but it is much more "bystander" than "The Defeat". In the article "The Defeat", Liang Yu showed some ordinary factors. Although this is in line with the author's repeated emphasis, Xu was afraid that she would remain ordinary all the way to the end, so he took a trick in "The Bathing Spirit" and no longer allowed the protagonist to narrate, and introduced the ignorant "I" for narration. Looking at Liangyu from the perspective of a bystander, it is absolutely impossible to be ordinary. In the eyes of the world, even if she is not a god, she is still a weirdo. The contradiction in this article is how to face it when you are on the opposite side. This kind of situation, similar to looking at each other in the mirror, always makes people reflect. I don't know what kind of impact this experience will have on Liangyu, whether it increases the variable of "taking action when it's time to take action", or whether it makes her more clearly aware of and strengthens her nature as a "bystander". But no matter what, the person I disliked was eventually removed from sight and turned back into a passerby due to his own stupidity. I hope I will never see him again, Amen! "The Curse", forgive me, as the "Bystander" series, I have never read it; but based on the storyline, I read it too early... The fourth chapter marks that a series has entered a stable period. According to the current number of chapters, it is the central link between the past and the latter. It is the highlight with the largest number of words in the entire series; Liang Yu temporarily left the campus to open up a new crime-solving place in the hospital, and a suspected male protagonist appeared around him. Forgive me for judging a book by its cover. Classmate Wei Jun is full of peach blossoms, has a restless appearance, and deserves more punishment than a certain person named Lu... No matter from any angle, "Evil Curse" is an extremely important chapter. When I read the copy, I thought to myself: It turns out that the author is not only particularly fond of naked female corpses, but is also a fan of "hanging female corpses from the rafters of mental hospitals." So I quietly decided that after reading it, I would make fun of the author for this matter. Although there is a slight sense of déjà vu in the first few paragraphs, there is a certain amount of novelty in it, which did not make me suspicious; and after the description of Wei's flat appearance, the four words "green skirt and red shoes" suddenly appeared. The extreme visual impact of this anti-aesthetic red and green is really impressive and unforgettable. I immediately scrolled to the end of the text, and sure enough I saw two words: I wish to live. Shen Yuansheng is a metaphor for his temperament, vision and even his life. What a poignant and beautiful name, it is enough to be etched in the heart, wandering and turning into wounds. In my memory, this name, and the story behind her, should belong to Xiaoyu, who is charming and eager, with a bit of a "sassy girlfriend", and Xuanyuan, who has a sharp tongue and partial facial nerve paralysis, and has absolutely nothing to do with Wei Jun and Shen Liangyu. For people like me who insist that Tono Eiji died tragically in the Lake of Sorrowful Love, I have no expectations other than zero acceptance of the fact that things I have already determined changed midway. "Evil Curse" is skipped, "Stubborn Disease" is coming. This article should be a steady breakthrough. Because the author has found contradictions again, and there are many contradictions: the contradiction between biological gender and psychological gender, the contradiction between other people's ideas and one's own ideas, the contradiction between individual cognition and social atmosphere, the contradiction between reasonable beliefs and abnormal pathology... With these many key points in solving the problem, it will naturally be full of flowers and rain. This article, which is socially powerful and has a heavy theme, was written quite easily, I think. In addition to plot creativity, the author seems to have also explored a new way to implement the "bystander" line unwaveringly. On this issue, all the previous chapters have actually tried: "Ambush" should only exist in the sky, not mentioned; "The Defeat" introduces a large section of the protagonist's inner monologue, but in the end it is somewhat stretched; "The Bathing Spirit" is narrated by a third party, and in the end Liangyu still has to come out to clean up the mess, which can be said to be an incomplete revolution; "The Curse" uses God's perspective, interspersed with dangerous psychological feelings, but Liangyu, a bystander, is still not quite a "spectator". In the past few chapters, the changes have not been small, but from the heavens to the earth, it is still just unsatisfactory. Why? Perhaps the author has summed up his experience: It turns out that the comrades who participated in the case with the protagonist because I gave them the right to speak have too low IQs! That's right, as a person with "faith", Liangyu naturally knows what to do and what not to do. If someone does something that needs to be done, of course I don't need to do it; but if no one does it, the matter will be long-lasting, repetitive, and sometimes cause trouble, so I have to do it. The people who had worked with the detective before, no matter their surnames were Qi or Wei, although they often appeared in the spotlight, most of them were fake, and no one could take the responsibility for Liang Yu. Liangyu, who I accused of not being a "spectator" enough, was probably very aggrieved: "Please, I won't be able to finish this article if I don't do it!" Therefore, if we want to ensure that Liangyu sits firmly on the Diaoyutai, someone must charge forward. Therefore, the author specially invited Mr. Duanmu, an older generation of truthist revolutionaries, to star in the story. With such a vanguard who looks for trouble, asks for trouble, and even looks for trouble when there is no trouble, Liangyu can hide behind the scenes and relax even if he takes over the job of self-reporting again. "Breaking the Game", an interspersed narrative of the day of returning to school. Perhaps it is the loop of scenes and visual angles that makes this article seem anti-series again, but it doesn't matter, it just needs to advance and retreat together with its sister "The Defeat". And this is pretty good. Regarding this case, I don't want to say anything. After all, this school is so ruthless that you can walk across corpses. Outside the play, he is quite concerned about Liangyu's life events. Although this woman is ugly and flat-chested, she still has a lot of trouble. There are a few people to choose from: Wei Jun, with his actual actions, compared the ignorance and vulgarity of his previous suitors. At the end of this chapter, Liang Yu's extended hand seems to have a hidden meaning, but I have been unwilling to speculate. After all, Liangyu is not a love fantasia with pink bubbles in her head, nor is she a marriage fanatic. I believe she lacks the most basic expectations for intimate relationships. If there are any rare desires, I'm afraid it's also about "keeping pace" at the spiritual level. Such a wonderful woman who understands the world, it is better to understand her than to love her. Wei Jun cannot "understand", all he can do is "accept". Whether it is outsiders or Liangyu herself, they are very sure that she does not need to be "accepted", right? If Liangyu is willing to depreciate herself in terms of ideological quality, she would be a perfect match for Lu. However, the chapter "Breaking the Situation" is over. I believe she has no habit of falling in love behind bars. In fact, if one ignores gender and joins hands with Dr. Xi, it is not a bad thing to have a lifelong confidant. Unfortunately, the two of them know too well that neither they nor the other need a companion. Originally, after "The Sickness", I had a lot of expectations for Detective Duanmu. Not to mention that the two men's intellectual talents were well matched. Just the fact that the male and female detectives got married was my favorite. Unfortunately, due to the reading inertia of "a bystander", I went back to review the first two chapters of Duanmu Incident and read "Confessions of Love and Death" again. Regarding the fate of Duanmu Iceberg, there is only one sentence below: ice, "water" is it, and "contained" in "water". In view of the recent turmoil on the Internet, this fangirl will not be more explicit... Not counting the preface, "The Spectator" has a total of six chapters. This review was written in thousands of words in the first few chapters, but it was concise and concise in the following chapters, with very few missing points, which seemed to start at the beginning but ended at the end. However, it makes sense: "Ambush" is a period of passionate love, where you are in love with me, sweet, and naturally you have to stop; "The Defeat" and "Bath of the Spirit" are a period of running-in, noisy and lively, and it is worth staying; "Evil" "Curse", "Stubborn Illness" and "Broken Game" should be in a stable period, treating each other as guests, plain and simple, two sentences are enough; then there is no update for a long time, the author went to "Gemini" to have an affair, fearing that he has entered a period of burnout... On the New Year's Eve of 2009, I spent it with two close friends, reviewing past events and self-criticism. One is the author. She turned herself in and said she had shortcomings such as "stubbornness" and "laziness". I immediately said: "Be lazy with a stubborn attitude, and your writing will be in vain." I will not do anything in vain, and there is no requirement for the author to continue which series in the future. If the cow doesn't drink water and is forced to press its head, the melons it twists out won't be sweet, so just do whatever you want. Anyway, no matter what the author writes, you always have to read it. Author's reply: La la la, my favorite Shuitian actually wrote such a long comment for me, I'm so happy As you said, Liangyu is indeed a person who is willing to sacrifice herself. I think this is also the reason why she has never forgotten Zhenhong - everyone else is willing to sacrifice only others, only she and Zhenhong, they are willing to sacrifice themselves.

To read this kind of article, one must have a strong enough psychology, a sufficiently tortuous brain circuit, and be prepared for a long-term battle. . .

Come here because of its reputation. After reading the Bawang article all day long, I'm here to make up for it today. The preface is very perceptive, but can we really become complete bystanders of this world? After all, we are in it too.

Little lady, I'm here... Let me say it again, the name Liangyu is really the name of a handsome guy...

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First of all, I would like to explain that Qingqing's nest came from Google. When I was in the literary shortage, nothing I saw seemed right, so I put the chopping board together. It's not enough to read through everyone's articles, and I go to Goo everywhere. I'm so happy that Goo has found such a treasure! Friendly reminder: Make good use of the valley when literature is in short supply Song, I don't tell ordinary people! Okay, that's it for the flattery and the article. First of all, the title, "We Are All Bystanders", is different from "Pride", "Gluttony" or "Greed" in "Seven Deadly Sins" It's straightforward, and it's not as nice as "A gentleman is like a jade" in "The Story of Constellations". A simple sentence: "We are all bystanders", Then a picture automatically appeared in my mind. Maybe it was a bustling street where something happened. The crowd gathered in a circle. Are you there? Look at me, I am looking at him, and he is looking towards the center of the crowd. Although they are squeezed together physically, they are far apart mentally. Well deserved Someone yelled: "What are you looking at? They're all scattered!" The circle formed earlier gradually dispersed, and everyone continued their original itinerary. , Even if I stepped on you just now, or he came too close to me and breathed on my neck and made me uncomfortable, it all counts. . Reason? Nothing else - we are all bystanders. This understanding of this "bystander" may not be the same as Qingqing's idea, but in the final analysis, as the article says, "any The situation is only temporary... Just look on with cold eyes and wait for it to pass slowly." Liangyu is always a competent bystander, always keeping herself awake, so those complicated relationships wrapped in emotional clothes are never too complicated for her. He loves her, but she doesn't love him, because she loves someone else; it doesn't matter if she loves him or not, it's just like this in the end. Being always so awake seems to be quite ruthless, but in fact, this kind of sobriety covers Liang Yu's warm heart. Because he understands, he is compassionate, and because he is compassionate, he chooses to appear indifferent - it makes people feel warmer than speaking sweetly and hiding swords. Qingqing's writing style, as always, does not use a lot of fancy adjectives, but simply outlines a few simple sentences to make the characters come alive. There are no particularly long sentences in the article, just enough to make people read it in one breath. And the compact plot arrangement always grabbed my appetite, making me reluctant to stop in the middle, and I had to finish reading it in one go before I could give up. As for the trick design, it was the same as before. When I read it to the end, I exclaimed, "Yes, that's right, why didn't I think of it? It's all there. I ignored it." This shows Qingqing's skill. Moreover, I personally think that this kind of skill has improved much more than before. Although there are many characters, the ideas are clear. As the plot unfolds, there will be no worries about too many people and too many things to remember. Although I try to look at things from the perspective of a bystander, I can never be very objective. I can't help but like talented women. I just want to praise them again and again, and write more good articles so that I can feast my eyes on them, hehe. The following irrelevant comments, secretly tell Qingqing, I feel sorry for you, because I understand, I understand that some people and things have changed, which will make people sad and hurt, and will make people wrap up their soft hearts with indifferent or smiling faces. I believe, tomorrow is another day, come on, I am LG/P, HOHO, I am looking forward to your new article~~ It seems a bit disgusting, hoho~~ I don't mind, just think that I am possessed by Chuo La~~ PS: You and Susu, two little girls, please give me signed photos when you publish a book!